Marvelous erotic visions that question image and voyeur, celluloid bodies and sexual ones, porn and Bunuel.

Marvelous erotic visions that question image and voyeur, celluloid bodies and sexual ones, porn and Bunuel.

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

第一集：黏土的故事。了解英国从都铎王朝至今的家用陶器的历史，考察它能告诉我们前几代人是如何生活的。 　　第二集：韦德伍奇时代。讲述斯托克-翁-特伦特(Stoke-on-Trent)从赤贫到暴富再到衰落的史诗故事，这座城市建立在黏土之上，曾是英国一度称霸世界的陶瓷帝国的中心。 　　第三集:陶艺家的故事。了解在 19 和 20 世纪，伯纳德·利奇等工匠如何通过创建工作室陶艺运动来打破陶瓷工厂的垄断。

第一集：黏土的故事。了解英国从都铎王朝至今的家用陶器的历史，考察它能告诉我们前几代人是如何生活的。 　　第二集：韦德伍奇时代。讲述斯托克-翁-特伦特(Stoke-on-Trent)从赤贫到暴富再到衰落的史诗故事，这座城市建立在黏土之上，曾是英国一度称霸世界的陶瓷帝国的中心。 　　第三集:陶艺家的故事。了解在 19 和 20 世纪，伯纳德·利奇等工匠如何通过创建工作室陶艺运动来打破陶瓷工厂的垄断。

绯闻缠身的作精女明星苏情星，时隔三年回国，登上恋综，一线影帝前夫司霆深紧跟追妻。在经历情敌百般刁难，司霆深一次次的保护后，逐渐解开心结，破镜重圆， 事业爱情双丰收。

绯闻缠身的作精女明星苏情星，时隔三年回国，登上恋综，一线影帝前夫司霆深紧跟追妻。在经历情敌百般刁难，司霆深一次次的保护后，逐渐解开心结，破镜重圆， 事业爱情双丰收。

【作品情报】 　　第一弹《装甲骑兵 VOTOMS Case；IRVINE》 　　2010年11月6日 日本全国上映 　　第二弹《装甲骑兵Votoms FINDER》 　　2010年12月4日 日本全国上映 　　第三弹《装甲骑兵Votoms 孤影再临》 　　2011年01月08日 日本全国上映 　　【故事简介】 　　欧文和妹妹唐娜怀揣着开创一片新天地的想法两人共同经营着一家AT的修理工厂。然而欧文还有着背后的一面，就是在AT的竞技格斗中扮演输家的角色。欧文驾驶着机体和一名叫做米耿的男子对战，战斗结果以米耿取胜结束。然而米耿却发现欧文在战斗过程中保留了实力。原来，欧文在战斗中一直是以输家的角色出场的。欧文觉得这种战斗只是一种游戏。而这对抱着“战场上胜者生，败者亡”信念的米耿来说，这场胜利无疑是一种屈辱。米耿的怒气化为了戾气，欧文和唐娜的日常生活被搅乱了…… 　　【STAFF】 　　原作：矢立肇、高桥良辅 　　监督：五十岚紫樟 　　脚本：佐藤卓哉 　　人物设定·人设作画监督：久行宏和 　　机械设定：大河原邦男、寺冈贤司 　　机械作画监督：前田清明 　　美术监督：加滕靖忠 　　音响监督：田中和也 　　音乐：池赖广 　　片尾曲：结城アイラ《星を求めて》 　　制作：SUNRISE 　　【CAST】 　　欧文·莱斯特：平川大辅 　　米耿：福山润 　　唐娜：丰崎爱生 　　伊修露娜：远藤绫