有男性恐惧症的外叶社记者设乐万里（木村文乃 饰）不愿玷污身体，为此她拒绝了男友三轮义雄（忍成修吾 饰）的求婚。在此之后，渴望成家育儿的三轮通过婚恋网站结识了名叫宫村惠（寺岛忍 饰）的女子。惠相貌平平，却温柔可亲，并且做得一手好菜。令人匪夷所思的是，这样一个容貌并不出众且年龄偏大的女人竟然可以同时周旋在多名男性中间，令他们心甘情愿为她一掷千金。某天，万里从友人处得知三轮煤气中毒身亡的噩耗。此后不久，惠因涉嫌杀害三轮、堀田（温水洋一 饰）、野口（德井优 饰）等三名男子被警方逮捕。　　惠在法庭上矢口否认杀害三名男子的事实，而抱持着诸多疑惑的万里则与同行健吾（沟端淳平 饰）尝试挖掘这名拥有神秘魔鬼气质的女性背后的秘密......

奥托·穆尔的颠覆性和实验性电影。

若い世代もターゲットとしたチャレンジ精神あふれるドラマを放送するための「ドラマ8」は、これまでテレビ東京が「金曜8時のドラマ」として放送していた枠をリニューアルしたもの。その1作目となる「弁護士ソドム」は、型破りな“詐欺加害者専門弁護士”小田切渉を主人公としたリーガルサスペンスだ。劇中ではある理由から詐欺師を専門に弁護する仕事を選んだ渉が、弱者を食い物にする“詐欺加害者”を裁判で勝たせる様子と、彼の真の目的が映し出されていく。

Henning is a fashion photographer driven by visions of artistic glory. He is encouraged by a literary agent to produce a volume of erotic nudes and works to create the perfect layout with his favorite model, Leslie. All seems to be going well until the mysterious Joyce appears; dark and sensual, Joyce plays games with the photographer's ego, driving a wedge between Henning and Leslie and seducing one of his other models. Blinded by his own ambitions, Henning is unable to see the ruinous web that Joyce is weaving.

晴天，一个有着稚嫩脸庞的年轻男孩，参加了一场同志交友软体所举办的性爱聚会，在如城堡般的社区大楼里，晴天与另外四个男人罗得、小铁、DUKE和L 展开了浸淫于肉体欢愉的旅程....短暂的激情到底是真是假？能够带走的，究竟是心满意足，还是更大的寂寞？....

晴天，一个有着稚嫩脸庞的年轻男孩，参加了一场同志交友软体所举办的性爱聚会，在如城堡般的社区大楼里，晴天与另外四个男人罗得、小铁、DUKE和L 展开了浸淫于肉体欢愉的旅程....短暂的激情到底是真是假？能够带走的，究竟是心满意足，还是更大的寂寞？....

In this forty-minute documentary, actors Antinisca Nemour and Paolo Bonacelli, screenwriter Pupi Avati, production designer Dante Ferretto, and others reflect on Pier Paolo Pasolini, the film's production, and its tragic ending.

1975年夏天，意大利传奇导演皮埃尔·保罗·帕索里尼正在制作他那部极具争议的影片《索多玛120天》，同时也在创作小说《石油》。在这些日子里，一个叫皮诺·佩洛西的年青人一直相伴其左右。一天晚上，《索多玛120天》的底片被佩洛西的朋友从实验室盗走了。11月1日，得到消息的帕索里尼连夜和佩洛西赶赴奥斯蒂亚去取回他的底片，不料就这样踏入了敌人的圈套。这是一场精心策划的谋杀，而背后的真相多年以来一直被旁人歪曲掩盖着。

Over 250,000 tons of electronic waste are shipped to Ghana each year to be recycled under almost apocalyptic conditions. Here, thousands of children and adults work on disassembling flat screens, telephones and laptops in the open air, in an artificial and endless landscape of trash, while others extract copper by melting old cables over an open fire. 'Welcome to Sodom' (which is the title of a rap song in the film) places us right in the middle of the location's dark heart. But it is the voices of the workers that lead us around Sodom and choose the words - and the unexpected performative gestures - to describe a conditions that if infernal almost beyond description. The Austrian directing duo Florian Weigensamer and Christian Krönes have created a dark and sensuous film', but one where the almost timeless vision of the apocalypse is followed by an extremely urgent call for action to the times we live in right now. An age where digital development promises us an increasingly comfortable and carefree life, while the internet's illusion of being immaterial creates a blind angle for all of the West's e-waste to be dumped.