由Lon Zimmet开发的喜剧《洛城到赌城 LA To Vegas》背景在美国内陆航班，先在周五晚从洛杉矶飞到赌城，然后周日飞回洛杉矶。《洛城到赌城》讲述的是一群输家，他们有着同样目标：在赌城回来时成为人生赢家。

《洛城到赌城》讲述的是一群输家，他们有着同样目标：在赌城回来时成为人生赢家。

The film tells the story of the Jews of Bardejov in Slovakia, who were almost completely wiped out during the Holocaust. 　　Among them was Holocaust survivor Emil A. Fish, who was 9 years old when a Gestapo officer found him and his family hiding and sent them to a concentration camp to suffer the same fate as their many friends and relatives. Fish survived but to this day no Jews live in Bardejov.

议员瑞查得（约翰·斯坦丁 John Standing 饰）和妻子克罗丽萨（瓦妮莎·雷德格瑞夫 Vanessa Redgrave 饰）结婚已经三十余年了，彼此之间感情十分稳定。克罗丽萨正在准备一场盛大而奢华的宴会，这样的“工作”她已经进行了无数次，自然将一切打点得井井有条。 　　一位名为彼得（艾伦·考克斯 Alan Cox 饰）不速之客的出现让克罗丽萨的思绪回到了从前，彼时，她是风华正茂的少女，遇见了同样年轻英俊的彼得，两人情投意合，在一起度过了一段难忘的快乐时光。然而，瑞查得的出现却彻底改变了这一对佳偶的命运，最终，克罗丽萨选择了瑞查得，失望的彼得远走他乡。如今，彼得再度回到了克罗丽萨的身边，克罗丽萨发现，一种久违的激情和火热在胸中来回攒动。

议员瑞查得（约翰·斯坦丁 John Standing 饰）和妻子克罗丽萨（瓦妮莎·雷德格瑞夫 Vanessa Redgrave 饰）结婚已经三十余年了，彼此之间感情十分稳定。克罗丽萨正在准备一场盛大而奢华的宴会，这样的“工作”她已经进行了无数次，自然将一切打点得井井有条。 　　一位名为彼得（艾伦·考克斯 Alan Cox 饰）不速之客的出现让克罗丽萨的思绪回到了从前，彼时，她是风华正茂的少女，遇见了同样年轻英俊的彼得，两人情投意合，在一起度过了一段难忘的快乐时光。然而，瑞查得的出现却彻底改变了这一对佳偶的命运，最终，克罗丽萨选择了瑞查得，失望的彼得远走他乡。如今，彼得再度回到了克罗丽萨的身边，克罗丽萨发现，一种久违的激情和火热在胸中来回攒动。

故事发生在撒丁岛上，淳朴的牧羊人米凯尔因为掩护了一些强盗而被警方怀疑为同伙。警方不断地对他进行骚扰，还要抓捕他。于是，米凯尔被迫赶着他的羊群，翻山越岭地躲藏和逃避。他实在被警察逼得走投无路，最终也只能成为了真正的强盗。

A recording of Horowitz's historic recital in Moscow, the program also includes highlights of his return to his native Soviet Union--his first visit in 61 years.

Shot in Sicily, Sardinia and Calabria in the Fifties, the documentaries chronicle a lost world. They combine the strength of classical cinema with an austere and powerful expressiveness. Isole di fuoco (Island of fire, 1955), set in the Eolie islands, shows the impressive strength of the volcano. The documentary was awarded the First Prize at the Cannes Film Festival in 1955. A world where the ritual dimension is very strong, like in Lu tempu di li pisci spata (The swordfish season, 1955), on swordfish fishing "in the tepid water separating Sicily and Calabria". Hunt frenzy, worthy of Moby Dick, and the struggle between man and nature are also present in Contadini del mare (Peasants of the sea, 1955), dedicated to fishing with the tunny-fishing nets off the Sicilian coast, where men wait for tunas, which have always followed the same route: "When sea tribute appears in the net, the circle of life and death repeats". And, at sunset, when men go back ashore and children dance, solemn women carry the fishes on their head to the fish market (Pescherecci, Fishing boat, 1958 is on the same topic). The conditions of miners risking their lives in the bowels of the earth to extract the conditions of farm labourers scything and harvesting wheat in huge fields with primitive systems in Parabola d'oro (Golden parable, 1955) are not less dramatic. Then, Pasqua in Sicilia (Easter in Sicily, 1955) with its sacred folklore and the representation of the Passion of Christ. Pastori a Orgosolo (Orgosolo shepherds, 1958) and Un giorno in Barbagia (A day in Barbagia, 1958) are the two documentaries shot in Sardinia. They chronicle the isolated lives of shepherds in the very heart of Sardinia, where men live far away from their families most part of the year to pasture the flocks. 　　Vittorio De Seta - Born in Palermo in 1923 from an aristocratic family, he said that he "discovered" the world of the humbles during military service. He devoted to them most of his cinematographic work, undertaken after quitting the faculty of architecture. A withdrawn and shy author, for a long time underestimated by critics, he was often personally involved in film editing, photography and musical choices. After his Sicilian documentaries, in 1958 he shoots Pastori ad Orgosolo (Orgosolo shepherd) and Un giorno in Barbagia (A day in Barbagia) in Sardinia, which are at the basis of his feature film Banditi ad Orgosolo (Bandits of Orgosolo, 1961, Prize for the First Work at Venice Film Festival), a detailed in-depth analysis of an archaic civilization and its malaise. In 1966 he directed Un uomo a meta (Half a man) on the eccentricity of a politically-committed intellectual, giving rise to a lot of criticism (Moravia and Pasolini among the few defending him). After L'invitata (The invited woman, 1969), he met a resounding success in 1973 with the TV series Diario di un maestro (Diary of a schoolteacher). In 1981 he left cinema, but he was back in 1993 with the direction of In Calabria, in which he reflected again on the lost identity of the South of Italy. In 2004 he completed Lettere dal Sahara (Letters from Sahara) on an African migrant in Italy.

故事背景为1668 年, 土耳其入侵波兰东部边境。波兰军队, 在伏洛窦耶夫斯基上校的领导下, 和波兰鞑靼人形成联盟, 与土耳其苏丹的大军决一死战。

江北城和夏莫是因为给苏语输血而结婚的。江北城本来就是花花公子，夏莫查出来胃癌，对外谎称怀孕想保护自己，女二苏语知道夏莫怀孕就马上回国。暗中调查发现了夏莫怀孕，并没有告诉江北城，而是暗中想让他流产。苏语在江北城和夏莫中的关系中长期作祟，男二叶文洲是夏莫的青梅竹马，之前知道他们结婚就愤愤不闷，得知夏莫得了胃癌，他更是难受。叶文洲带着夏莫逃到了郊外，远离江北城。江北城恼羞成怒，吩咐手下无论如何都要找到夏莫。董婧找到了夏莫的位置，江北城开车接夏莫回家，不料途中被人暗算出了车祸，被送到医院后，夏莫处于昏迷中，醒来后和江北城联手找到了证据，送苏语和苏语手下付强去了监狱。在医院相处这段日子，江北城明白了自己的内心是爱着夏莫的。季白发现夏莫脖子带着一个项链，竟然和闺蜜生前的女儿带的一模一样，夏莫的身世谜团出现，她是千金，妈妈是韩氏集团总裁，出车祸意外去世，去世前托付季白帮她找到女儿。最后，夏莫生日当天，夏莫检查出来怀孕江北城发誓要好好保护夏莫。