克林多斯的一名牧羊人将一个遭人遗弃的婴儿救下后，将他献给了没有子女的国王，时光荏苒，婴儿长大成人，被唤名俄狄浦斯（佛朗哥•齐蒂）。某天，女巫将阿波罗神话讲给俄狄浦斯听，说他将来会亲手杀死生父并和生母结婚，听后，俄狄浦斯决定外出流浪。 　　途中，他与一群人发生殴斗，失手将一名老者打死，其人正是他的生父。接着，他继续流浪到了提北国，将那里的人面兽身怪物打死后，与王妃依娃卡丝蒂（西尔瓦娜•曼诺迦）成亲成为该国新国王，而该王妃正是他的生母，阿波罗神话灵验。遂即，提北国开始蔓延一种疾病，为了消灭这种病，该国人民四处寻找杀死老国王的凶手，俄狄浦斯终于知晓所有真相。

法国导演情侣组合斯特劳布-于伊耶与1991年将索福克勒斯的希腊悲剧《安提戈涅》搬上银幕，文本上采用了德国浪漫主义诗人荷尔德林的著名翻译，版本上则依照布莱希特40年代的改编，拍摄地点是西西里岛上塞杰斯塔的一座古罗马剧院遗址，拍摄时阳光明媚。影片背后文本的多层厚度赋予了本片以极强的现时性：就在拍摄当年的夏天，美军对伊拉克发起了第一轮进攻。这是一部关于教育公民不服从的作品。

法国导演情侣组合斯特劳布-于伊耶与1991年将索福克勒斯的希腊悲剧《安提戈涅》搬上银幕，文本上采用了德国浪漫主义诗人荷尔德林的著名翻译，版本上则依照布莱希特40年代的改编，拍摄地点是西西里岛上塞杰斯塔的一座古罗马剧院遗址，拍摄时阳光明媚。影片背后文本的多层厚度赋予了本片以极强的现时性：就在拍摄当年的夏天，美军对伊拉克发起了第一轮进攻。这是一部关于教育公民不服从的作品。

男主自幼被父亲带到大城市，从不知道自己的母亲是谁，长大后当上了墨西哥某市市长回到父亲曾经工作的地方治理灾情，无意中认识的一个美熟妇并爱上了她，谁知这位妇人竟是自己的亲生母亲……

男主自幼被父亲带到大城市，从不知道自己的母亲是谁，长大后当上了墨西哥某市市长回到父亲曾经工作的地方治理灾情，无意中认识的一个美熟妇并爱上了她，谁知这位妇人竟是自己的亲生母亲……

In a nightmarish future, the wealthy elite maintain The Circle, a stratum of society that can use technology for regeneration, although it's unclear if a person is regenerated into reality or if this New Life is a cyber world. Thomas Steiner is regenerated, thanks to his mother, and it seems her goal is for him to lose his homosexuality. He awakens from his regeneration with memories of Kazo, a man he loved. He goes in search of him. But, was Kazo ever real? And what will mother make of this son who leaves the safety of The Circle in search of something else?

赫拉克勒斯（ 道恩·强森 饰）是天神宙斯与底比斯王后所生的儿子。半人半神的他，自幼在凡尘中成长，饱受人世间的各种磨难。在误杀家人并完成十二件赎罪苦差之后，身心疲惫的他背弃诸神，以血腥残酷的战争麻醉自己。六名与他有相似经历的战友，全视战争及死亡为乐事。他们从不问为何征战，亦不会问要杀的是什么人；只在乎有多少奖金。这群悍将，受色雷斯国王邀请，要为他训练出史上最强的军队，与另一暴君作战。在重赏之下，他们欣然受命；但透过训练新军，他们终觉悟到自己罪孽深重，因此决定踏上充满荆棘的救赎之路 。

巨石强森饰演宙斯之子赫拉克勒斯，这位神话人物天生拥有神力，却饱尝人生百苦。他的辉煌成就远近驰名，包括古希腊惨绝人寰的"十二试炼"。尽管如此，他依然忘不了伤心往事，自甘沦为居无定所的佣兵，偕同几位忠诚的追随者，打着传奇的名号大捞一笔。当他决定接下危险的任务，终结色雷斯国土的血腥内战，他就注定要挑战自己的极限。

海格力斯（道恩-强森 饰演）生活在距离现在3200年前的蛮族色雷斯时代，是天神宙斯与凡人阿尔克墨涅之子。虽然拥有过人的勇气和力量，但在完成十二项传奇…

Nel Regno di Napoli, Schroeter's own voyage to Italy, has the appearance of something much more straightforward, hewing closely to a postwar timeline (actually marked and measured by emblematic intertitle cut-ins announcing the year, accompanied by radio bulletin-like narration updating us on the historical/social/political context) as it tells the story of little Vittoria (played as an adult by Cristina Donadino), born to a poor family in a rough neighborhood of Naples at the end of the war, whose fate, as she grows from impoverished girlhood to "success" as an airline stewardess in the 1970s, provides our dramatic compass through a living, clear-eyed history book, encompassing a whole microcosm of Neapolitan life in the turbulent, industrializing decades after the war: A brother, Massimo (Antonio Orlando) earnestly and diligently devoted to the promise of a better, fairer future for the oppressed workers held out by the Communist Party; a pretty, naïve, ill-fated French prostitute; the Spanish War veteran who becomes their local C.P. leader, and his wife, more pragmatic and lurking in the ideological gray area by buying rationed necessities on the ultra-capitalist black market; the turncoat bourgeois attorney who sells out his working-class neighbors for his tacky, impossible dreams of the good life; and the operatically evil heiress/factory boss lady (Ida Di Benedetto) whose clutches Massimo fights to neutralize, but whom Vittoria ultimately just wants to escape any ideologically-impure way she can.