Jem Cohen brings the same meditative elegance and intellectual curiosity he did to Museum Hours (2012) with his stargazing new feature, again using the cinematic form to patiently interrogate ways of seeing and being. The principal subject of Cohen’s film is an Austrian astronomer named Karl who has been re-evaluating his work and life after turning 70, and who travels to a mountaintop on a Greek island in search of the darkest sky against which to view the cosmos. Yet the real matter of the singular Little, Big, and Far—whose title refers to the three concepts Karl and his physicist wife believe are at the core of their work—is as vast as the universe itself, a reckoning with scientific truth at a moment of humanity’s existential crisis.

天佑、枝子等人在工作与生活中，与佛山这座城市产生了千丝万缕的联系，逐渐感受到这座城市的魅力，将佛山对年轻人的吸引力带回昌盛街。阿耀受老同学之邀和枝子去佛山参观，看到了广东首条“机器人生产机器人”产线，见识到全流程云端数字化管控等高科技，阿耀大为震惊，没想到现在工人的工作如此“轻松”。陪同来参观的阿娇一家也都羡慕不已，表示想来佛山工作。于是阿耀的同学又带着他们去了佛山职业技术学院，在那里她们见识到了高素质劳动者和技术技能人才是怎样培养的，了解到佛山正在大力推动制造转向“智造”，他们才能有这么好的工作环境，体会到工作成就感。

天佑、枝子等人在工作与生活中，与佛山这座城市产生了千丝万缕的联系，逐渐感受到这座城市的魅力，将佛山对年轻人的吸引力带回昌盛街。阿耀受老同学之邀和枝子去佛山参观，看到了广东首条“机器人生产机器人”产线，见识到全流程云端数字化管控等高科技，阿耀大为震惊，没想到现在工人的工作如此“轻松”。陪同来参观的阿娇一家也都羡慕不已，表示想来佛山工作。于是阿耀的同学又带着他们去了佛山职业技术学院，在那里她们见识到了高素质劳动者和技术技能人才是怎样培养的，了解到佛山正在大力推动制造转向“智造”，他们才能有这么好的工作环境，体会到工作成就感。

An ordinary girl is pulled into a fantasy land to save it from a monstrous villain.

https://www.filmportal.de/film/die-im-schatten-gehen_a16064936a5648e6a3ff5a27bd7fdc70

影片在一个超现实的景观中展开，这是一位女性的探索之旅——在充满了神话与神秘的世界中，每一步都开启了一个新的世界。当她穿行于奇迹与觉醒的迷雾中，她遇见了人、爱侣、谜题与反常的疑问，甚至还有一位女神。她逐渐以全新的视角看待一切。

影片在一个超现实的景观中展开，这是一位女性的探索之旅——在充满了神话与神秘的世界中，每一步都开启了一个新的世界。当她穿行于奇迹与觉醒的迷雾中，她遇见了人、爱侣、谜题与反常的疑问，甚至还有一位女神。她逐渐以全新的视角看待一切。

At night, the streets of Harlem are haunted by lost souls. Bodies that drift around in the darkness and bear the weight of the past on their shoulders. The Haitian man Frenchie is one of them, and his accentuated stutter bears witness to exile and years of abuse. But he is more than just that in Khalik Allah's new, hypnotic film opus, which turns the American tradition of social realist street photography into its own art form. Khalik Allah is an impressive photographer, and with Frenchie and the other characters of the streets in front of his lens, he has created his most ambitious film to date. The variation of formats – 8mm, 16mm and video – remind us not only that the images are the product of a process, but also that the depicted story is fragmented and that any unifying narrative must necessarily come from the protagonists themselves. The sound of the voice is consistently separated from the images of the body to which the voice belongs, no matter who is talking: Allah, his girlfriend, his mother, his family, or Frenchie himself. Allah's film is a space we move in rather than a linear progression through time. A trance-inducing film about love, friendship, religion and the experience of purpose.

父母恩大于天

高中生步美的身体、男友和生活不知怎么就被心生嫉妒的同学然子偷走了，她的完美世界瞬间蒸发无踪。