这是一个描述二战时期的加拿大飞行员比尔（格利高里·派克 Gregory Peck 饰）的故事，他在执行任务期间受到了抑郁症的困扰。随着战争的残酷展开，许多士兵都面临心理创伤，比尔也不例外。为了帮助他治疗，一名随军的医生向他介绍了一位缅甸女孩安娜（Win Min Than 饰）。安娜可能代表了比尔生活中的新的开始和希望，作为一位文化不同的陪伴者，她可能会对比尔的情绪和心理状况产生积极影响。 　　然而，事情变得更加复杂，当他们执行一次运输任务时，飞机出现故障，迫使机组成员不得不进行紧急迫降。这一事件导致比尔和其他两名机组成员被困在日军占领的领土上，而且两名成员还负伤。由于危险的情况，他们只能依靠自己的力量和资源，徒步试图返回到自己的基地。

该片改编自1982年艾丽斯·沃克创作的小说，讲述了身处美国佐治亚州的一群黑人女性在男权至上的年代，不愿屈服于当下所处的社会环境，并试图改变这一现状的故事。

该片改编自1982年艾丽斯·沃克创作的小说，讲述了身处美国佐治亚州的一群黑人女性在男权至上的年代，不愿屈服于当下所处的社会环境，并试图改变这一现状的故事。

故事发生在1909年的美国，西丽（乌比·戈德堡 Whoopi Goldberg 饰）和南蒂（阿科苏阿·巴西亚 Akosua Busia 饰）是一对情同手足的姐妹，虽然作为黑人女性…

描写美国南方乡下女子西莉一生的故事，跨越1909到1947年。西莉在十四岁时遭继父强暴，继父还夺走她所生的孩子，强逼她嫁给一个野蛮的汉子为妻。幸好丈夫的情妇秀格十分同情西莉，帮助她找到失散多年的子女和妹妹，使她建立了自信。

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

本片主要是在讲述1920年代台湾日治时代画家，以“台阳美展”的画家为主，像是杨三郎及陈澄波等画家的故事。

本片主要是在讲述1920年代台湾日治时代画家，以“台阳美展”的画家为主，像是杨三郎及陈澄波等画家的故事。