In the aftermath of Stonewall, a newly politicized Vito Russo found his voice as a gay activist and critic of LGBTQ+ representation in the media. He went on to write "The Celluloid Closet", the first book to critique Hollywood's portrayals of gays on screen. During the AIDS crisis in the 1980s, Vito became a passionate advocate for justice via the newly formed ACT UP, before his death in 1990.

“同志电影之父”维托·罗素是美国当代同志运动的灵魂人物。由于热爱电影，70年代维托开始整理好莱坞电影中所有关于同性的蛛丝马迹，并在1981年出版了经典著作《赛璐路壁橱》。该书系统研究了电影问世以来出现的同性恋角色，不仅从性取向角度回顾了美国电影的发展史，而且也深度剖析了主流文化对同志的妖魔化态度。《赛璐路壁橱》确立了维托“同志电影第一人”的地位，也从根本上改写了同性恋在电影中的评价。 本片由HBO出品，透过访谈及同志影像烘托出维托精彩的一生。除涉及他对同志电影的贡献外，更主要聚焦维托生命的最后数年，讲述他如何积极替弱势群体发声呐喊、推动美国同志维权政治化、以及积极乐观投身艾滋运动的事迹，不仅呈现了美国近代同志的奋斗历程，也呈现了一个热爱自己，热爱生命的同志灵魂。

Ilan, an adolescent boy who lives in a farming community, is in constant clash with his father. He accidentally finds a stack of letters in the house attic, letters from his sister Dalya, that never reached him. Through these letters he learns the story of his sister's disappearance, and some facts about his life and his deceased mother. He decides to run away to his sister. A complex relationship develops between the two. Ilan gets closer and closer to his sister's eccentric neighbor. The neighbor, an aging communist with a grand military past, runs, with Ilan's help, a battle against the authorities. The story starts as a conventional adolescent drama but quickly turns into a fascinating and unexpected maturing journey.

Ginger Rogers stars in this rousing, patriotic drama as Jo, a young woman whose husband (Robert Ryan) goes off to fight the Nazis, leaving her home, poor and pregnant. In order to make ends meet, Jo takes a job riveting planes and then moves into an all-girl commune with three other women (Ruth Hussey, Patricia Collinge, and Kim Hunter). It's a touching illustration of grace under pressure as the ladies pool their money and share the household chores while nervously awaiting word about the fate of their brave husbands overseas. The major irony is that the film's title, along with the concept of the women pooling their salaries and living together in a commune-style environment, prompted the HUAC to later use this film as part of their case in blacklisting writer-director Edward Dmytryk, despite the movie's patriotic premise. Whatever one's take on the film today, it was a big hit at the time of release and is certainly unusual from a historical perspective. No other film before or since has offered such a strange blend of genres: part wartime morality booster, part unashamed tearjerker, and part (perhaps) communist propaganda. As a curious piece of history, it is certainly worth rediscovering.

Filming "I'll blow", with so familiar to viewers chases and gunfights are held in the former rest house of cinematographers. The young director tries to shoot as much as possible following scenario venerable playwright.

2人の子どもを抱える二枚目弁護士と下町の銭湯屋の娘の2人が対立するが、次第にお互いを意識し始める下町人情ラブコメディ。

暂无剧情简介

一部记录电影中的同性恋的记录片，从消极面到积极面——两个方面谈同性恋角色以及男女演员遇到的困境。

这部系列电视剧以中央工农红军到达陕北后，刘少奇同志临危受命主持华北、华中战略区的全面工作，开创华北抗战新局面，发展华中革命根据地的重大史实为线索，全景式地展现了抗日战争前后的那个特定年代，一系列重大事件和一百多位重要人物，突出展示了刘少奇同志作为一个政治家、理论家与众不同的谋略、智慧、魅力，展示了他在白色恐怖和战火硝烟中丰富而复杂的内心世界和人格魅力，并通过对刘少奇同志在革命战争年代中许多鲜为人知的际遇情节描述，向人们展现了这位杰出的共产主义者高尚的品德和无私的革命精神，塑造了刘少奇与毛泽东、周恩来、朱德、张闻天等中共领导人生动鲜活的战友关系和他们的艺术形象。

本片描寫澳洲四個同志家庭孩子的故事—葛斯、艾寶尼、馬特和葛拉罕，他們的父母剛好都是同性戀。當他們正與青春期裡的諸多挑戰搏鬥時，外面的世界則正在對婚姻平權的議題進行抗爭；少見從小孩視角呈現在同志家庭成長的樣貌，關乎家庭、性別、性與親子關係衝突等議題。在台灣同志領養小孩議題爭議不斷之時，可謂為值得參考的影像紀錄。