在高速發展的中國，像蘇這樣的流浪者的生存空間已經越來越小。在杭州一條正在建設的二十四號大街旁邊，蘇和情人琴開設了一家簡陋的餐館，但因為沒有經營許可證，他們和其他一些非法住戶總是受到政府的驅趕，處世不驚的蘇和琴在另外的地方又建立起一個自己的餐館，但不久又被政府拆除。蘇決定回到故鄉，那裡有著他曾經的家庭和兒女，同時也有著琴的家人。但是已經在外闖蕩了30多年的蘇，家人對他的到來並不歡迎。導演通常默默地觀察蘇和琴的歷險，但偶爾也會介入，當蘇開始有不道德的行為欺騙他人時0.24號大街有著豐富多彩的主人公，影片展現了現代化進程中中國的轉折，和那些追趕不上這個國家飛速發展腳步小人物的故事。 　　China doesn’t have a lot of room anymore for peddlers like Su. He set up a ramshackle restaurant next to a construction site on 24th street in Hangzhou, but of course he neglected to obtain a permit. Unsurprisingly, the authorities send him and the other illegal dwellers away. Unfazed, Su and his girlfriend Qin find another place for their restaurant, only to be sent away again. Su then decides to go back home to the countryside, where his wife and children, along with Qin’s family, still live. After being away for 30 years, the couple isn't exactly welcomed back with open arms. Filmmaker Zhiqi Pan usually observes Su and Qin’s adventures without comment, but does step in on occasion, such as when the unscrupulous Su is trying to cheat people. With its colorful main character, 24th Street offers an original twist to the story of modernizing China—and those on the fringe who can’t keep up.

在高速發展的中國，像蘇這樣的流浪者的生存空間已經越來越小。在杭州一條正在建設的二十四號大街旁邊，蘇和情人琴開設了一家簡陋的餐館，但因為沒有經營許可證，他們和其他一些非法住戶總是受到政府的驅趕，處世不驚的蘇和琴在另外的地方又建立起一個自己的餐館，但不久又被政府拆除。蘇決定回到故鄉，那裡有著他曾經的家庭和兒女，同時也有著琴的家人。但是已經在外闖蕩了30多年的蘇，家人對他的到來並不歡迎。導演通常默默地觀察蘇和琴的歷險，但偶爾也會介入，當蘇開始有不道德的行為欺騙他人時0.24號大街有著豐富多彩的主人公，影片展現了現代化進程中中國的轉折，和那些追趕不上這個國家飛速發展腳步小人物的故事。 　　China doesn’t have a lot of room anymore for peddlers like Su. He set up a ramshackle restaurant next to a construction site on 24th street in Hangzhou, but of course he neglected to obtain a permit. Unsurprisingly, the authorities send him and the other illegal dwellers away. Unfazed, Su and his girlfriend Qin find another place for their restaurant, only to be sent away again. Su then decides to go back home to the countryside, where his wife and children, along with Qin’s family, still live. After being away for 30 years, the couple isn't exactly welcomed back with open arms. Filmmaker Zhiqi Pan usually observes Su and Qin’s adventures without comment, but does step in on occasion, such as when the unscrupulous Su is trying to cheat people. With its colorful main character, 24th Street offers an original twist to the story of modernizing China—and those on the fringe who can’t keep up.

林舒全家被杨相迫害，自己六世受尽杨嵩折磨。第七世她投靠权臣沈华亭成为婢子。杨嵩多次为难林舒，都被沈华亭挡了回去，并逐渐对坚韧智慧的林舒产生别样情愫，感情升温，相互扶持，最终将杨相和杨嵩一网打尽。

林舒全家被杨相迫害，自己六世受尽杨嵩折磨。第七世她投靠权臣沈华亭成为婢子。杨嵩多次为难林舒，都被沈华亭挡了回去，并逐渐对坚韧智慧的林舒产生别样情愫，感情升温，相互扶持，最终将杨相和杨嵩一网打尽。

导演以一系列松弛的梦，性幻想，记忆，预感，以及超现实的图像，进入一座将要拆迁的布达佩斯公寓大楼内部，以一个夏夜带出匈牙利自二战以来到苏联入侵30年历史。本片是一次有雄心的创作与尝试，完全是对的历史情感上的视觉呈现。 影片获得1974瑞士洛迦诺国际电影节最佳影片金豹奖、人道主义精神奖。

由中央电视台央视动漫集团与吉林艺术学院动画学院2007年联合制作出品的动画片《幸福大街一号》

由中央电视台央视动漫集团与吉林艺术学院动画学院2007年联合制作出品的动画片《幸福大街一号》

朱一龙在学校里拍的一部小短剧，在里面饰演一对双胞胎隋昕和隋意，剧情大概是：隋昕认了女主卓小布当妹妹，女主慢慢喜欢上了他，但他有喜欢的人。隋意和隋昕是双胞胎，隋意在追女主好友并且追到了，女主误以为那是隋昕，所以心情不好后来看到他俩一起逛街之后就手机关机呆在家里。有一天隋昕打电话问女主周末校医院开吗，回答说不开，女主要陪他被拒。结尾，女主打开手机，发现里面都是隋昕的晚安消息。误会并不可怕，可怕的是偶然的放弃。

朱一龙在学校里拍的一部小短剧，在里面饰演一对双胞胎隋昕和隋意，剧情大概是：隋昕认了女主卓小布当妹妹，女主慢慢喜欢上了他，但他有喜欢的人。隋意和隋昕是双胞胎，隋意在追女主好友并且追到了，女主误以为那是隋昕，所以心情不好后来看到他俩一起逛街之后就手机关机呆在家里。有一天隋昕打电话问女主周末校医院开吗，回答说不开，女主要陪他被拒。结尾，女主打开手机，发现里面都是隋昕的晚安消息。误会并不可怕，可怕的是偶然的放弃。

Nan, a racketeer's daughter, is in love with The Kid, a shooting gallery showman. Despite Nan's prodding, The Kid has no ambitions about joining the rackets and making enough money to support Nan in the lifestyle she's accustomed to. Her attitude changes after her father implicates her in a murder and she's sent to prison. During her incarceration, her father convinces The Kid to join the gang in order to help free Nan. When Nan is released, she wants nothing more to do with the mob and tries to get The Kid to quit, but she may be too late.