The Flicker is a 1966 American experimental film by Tony Conrad. The film consists of only 5 different frames: a warning frame, two title frames, a black frame, and a white frame. It changes the rate at which it switches between black and white frames to produce stroboscopic effects. 　　Conrad spent several months designing the film before shooting it in a matter of days. He produced and distributed The Flicker with the help of Jonas Mekas. The film is now recognized as a key work of structural filmmaking.

The Flicker is a 1966 American experimental film by Tony Conrad. The film consists of only 5 different frames: a warning frame, two title frames, a black frame, and a white frame. It changes the rate at which it switches between black and white frames to produce stroboscopic effects. 　　Conrad spent several months designing the film before shooting it in a matter of days. He produced and distributed The Flicker with the help of Jonas Mekas. The film is now recognized as a key work of structural filmmaking.

该剧主要讲述1934年秋，第五次反“围剿”进入关键时刻，汀州府作为当时中央苏区的经济中心，肩负起保障后方及前线供给的使命，红五军团干部钟诚带领工作队员在党的领导下，依靠牢固的群众基础，积极开展扩红和支前工作，得到了苏区人民的大力支持。

故事发生在1932年初冬。在中国革命的红色摇篮江西，有一个叫柳溪的山村里，居住着几十户贫苦人家... 故事发生在1932年初冬。在中国革命的红色摇篮江西，有一个叫柳溪的山村里，居住着几十户贫苦人家。受尽了恶霸胡汉三的盘剥和欺压，饥寒交迫，生活在水深火热之中！ 年仅八岁的潘冬子就是穷苦人家一个普通的孩子，他和小伙伴椿伢子天天眺望南山盼望着当了红军的爸爸早日打到柳溪，除掉胡汉三，为被胡汉三残害的奶奶和妈妈报仇。胡汉三闻知红军就要打过南山，惊慌失措，准备仓惶逃命。临走前恶狠狠扬言:就是走，也要杀了冬子母子，斩草除根！ 村口大榕树下，冬子和妈妈被五花大绑吊在树下。胡汉三恶声叫喊着：“谁家男人要是再敢当红匪，潘家娘俩就是下场！开枪！”千钧一发之时，率先冲进村子的一队红军包围了大榕树。走投无路的胡汉三和几个民团爪牙束手

该剧主要讲述1934年秋，第五次反“围剿”进入关键时刻，汀州府作为当时中央苏区的经济中心，肩负起保障后方及前线供给的使命，红五军团干部钟诚带领工作队员在党的领导下，依靠牢固的群众基础，积极开展扩红和支前工作，得到了苏区人民的大力支持。

该片以红军首架飞机“列宁号”诞生历史为背景，以儿童团员时期亲历“列宁号”诞生，抗美援朝时期创造出击落击伤敌机114架，涌现出王海、孙生禄等十几位著名空军战斗英雄的志愿军空三师政委高厚良等众多大别山开国将军少年时期为原型，历时三年摄制的一部苏区儿童团题材影片。影片实景部分在故事发生地信阳取景拍摄，在讲述苏区红色故事的同时，多画面展示了大别山的旖旎风光。

A forbidding soundtrack of horns and distorted noise sets the scene for Ross Meckfessel’s Spark from a Falling Star, where shots of grocery store parking lots and dimly lit suburban roads breed atmospheres of low-level menace. At the other extreme, smooth digital renderings promise a shiny, spectral future utopia of clean lines and mirrored grids.

A forbidding soundtrack of horns and distorted noise sets the scene for Ross Meckfessel’s Spark from a Falling Star, where shots of grocery store parking lots and dimly lit suburban roads breed atmospheres of low-level menace. At the other extreme, smooth digital renderings promise a shiny, spectral future utopia of clean lines and mirrored grids.

该剧讲述了以1960年代的韩国为时代背景，父亲去世和家族没落之后，从解放村克服困难生活的主人公最终实现了韩国最棒的时装设计师的梦想过程的故事。

在一家咖啡馆内，当抽着一整包烟时，一个男人提出了一个雄心勃勃的问题。"什么是爱？"。一系列的小插曲和情况将引导这个男人达到预期的结论。