Linn da Quebrada is a black transwoman from impoverished periurban São Paulo; she is also a pop performer who raises her voice for queers of colour from the favelas. Accompanied by her childhood friend and partner in crime, black transwoman and singer Jup do Bairro, her concerts are nothing short of dazzling. Aided by exorbitant costumes and plenty of twerking, her performances are onslaughts of electro against Brazil’s white heteronormative gender order and the machismo of the country’s funk scene. Private moments reveal her gentler side: as she showers with friends or cooks with her mother the talk turns to love, racism and poverty. Archive footage in the shape of home videos shows her in intimate performances at a hospital during her own cancer treatment. We begin to realise that Linn uses radical nudity as a means to undermine accepted gender roles. This documentary also shows her in dramatised radio interviews in which she powerfully espouses her convictions about feminism and her transsexuality: not for Linn the role of a cis woman; she’d rather be a woman with a penis whose gender identity is not bound by her genitalia but is in a permanent state of flux.

Linn da Quebrada is a black transwoman from impoverished periurban São Paulo; she is also a pop performer who raises her voice for queers of colour from the favelas. Accompanied by her childhood friend and partner in crime, black transwoman and singer Jup do Bairro, her concerts are nothing short of dazzling. Aided by exorbitant costumes and plenty of twerking, her performances are onslaughts of electro against Brazil’s white heteronormative gender order and the machismo of the country’s funk scene. Private moments reveal her gentler side: as she showers with friends or cooks with her mother the talk turns to love, racism and poverty. Archive footage in the shape of home videos shows her in intimate performances at a hospital during her own cancer treatment. We begin to realise that Linn uses radical nudity as a means to undermine accepted gender roles. This documentary also shows her in dramatised radio interviews in which she powerfully espouses her convictions about feminism and her transsexuality: not for Linn the role of a cis woman; she’d rather be a woman with a penis whose gender identity is not bound by her genitalia but is in a permanent state of flux.

Everett和Miles七年的伴侣生活已经演变成为帕拉图式的习惯，只有他们共同抚养的儿子成为他们之间关系的羁绊。直至有一天，Miles和他们的儿子外出旅行，内向的Everett终于有了自己的独处时光，却在家门口遇上了Chase： 一位无与伦比英俊的旅行作家，于是一切即将改变...... 　　《红木林》是David Lewis继《动荡湾》之后，再一次探索同志之爱的惊艳之作。面对突如其来的爱情，究竟是真爱至上，还是责任为先？幸福的代价又是什么？一切都尽在那片葱郁茂密的远古红木林...

Everett和Miles七年的伴侣生活已经演变成为帕拉图式的习惯，只有他们共同抚养的儿子成为他们之间关系的羁绊。直至有一天，Miles和他们的儿子外出旅行，内向的Everett终于有了自己的独处时光，却在家门口遇上了Chase： 一位无与伦比英俊的旅行作家，于是一切即将改变...... 　　《红木林》是David Lewis继《动荡湾》之后，再一次探索同志之爱的惊艳之作。面对突如其来的爱情，究竟是真爱至上，还是责任为先？幸福的代价又是什么？一切都尽在那片葱郁茂密的远古红木林...

Twenty years ago at the infamous Redwood Farm, the owner went mad and killed his family and himself. Shrouded in urban legend ever since, a stranger obsessed with the unsolved Redwood murders convinces a group of bereaved family members to venture into the wilderness in the hope of proving the existence of the notorious burlap bag-masked maniac. Their quest for truth sees a sinister turn of events, as the hunters become the hunted and a blood-soaked fight for survival ensues when they find that the sinister tales told of the axe-wielding psycho farmer are very real indeed.

作家小微为了稿费强行续写小说《进击的皇后》，新增一个与故事中的女主角梁微微长得一模一样的假皇后，真假皇后的较劲令梁微微陷入与恋人皇上相见不相识的狗血命运。然而午夜梦回，小微却梦到梁微微为了追回皇上，不顾危险逆天改命，两人的真情唤醒她的初心，改写结局，以爱为终。

【暴君他偷听我心声】我在博物馆摸了暴君头盖骨，竟穿成他正要被满门抄斩的皇后！刀架脖子时，我疯狂吐槽：【这疯子三年后会被义兄毒杀】。暴君突然刀锋一转：“留她全尸...”当晚他潜入我寝宫：“说说，朕的头盖骨...最后是谁收藏的？”#暴君读心术 #靠剧透保命 #头盖骨维权之路

该剧将讲述高丽人奇子敖的女儿在家人被高丽王杀害后，以高丽贡女的身份被进献给元廷，通过一系列宫廷权利斗争，从身份低微的掌茶宫女，最终成为元朝皇后的故事。

该剧将讲述高丽人奇子敖的女儿在家人被高丽王杀害后，以高丽贡女的身份被进献给元廷，通过一系列宫廷权利斗争，从身份低微的掌茶宫女，最终成为元朝皇后的故事。