一个男人在穿毛衣，毛衣令人眼花缭乱，毛衣令他找不着北。故事灵感源自胡里奥·科塔萨尔的短篇小说《怪不得别人》。

一个男人在穿毛衣，毛衣令人眼花缭乱，毛衣令他找不着北。故事灵感源自胡里奥·科塔萨尔的短篇小说《怪不得别人》。

“红毛皇帝”顾东林离过两次婚，独自拉扯着上初中的女儿婷婷。年轻时爱蹦迪的他，如今无聊了只能去公园里蹭别人的音响跳舞。2017年的直播浪潮，将他和舞伴们群魔乱舞的形象推到了公众面前。从此，“尬舞”彻底改变了他的家庭、爱情和生活。

“红毛皇帝”顾东林离过两次婚，独自拉扯着上初中的女儿婷婷。年轻时爱蹦迪的他，如今无聊了只能去公园里蹭别人的音响跳舞。2017年的直播浪潮，将他和舞伴们群魔乱舞的形象推到了公众面前。从此，“尬舞”彻底改变了他的家庭、爱情和生活。

In 1999, shortly before the accession of China to the World Trade Organization, the People’s Bank of China issued the fifth edition of Renminbi banknotes, which are still in use. For the first time, a single portrait of Mao Zedong is featured on every denomination of Renminbi banknotes. The color tone of the largest denomination bill (100-Yuan) has been changed to a bright pink, in stark contrast to its greyish predecessor. Despite the fact that the 100-Yuan bill is actually pink, the People’s Bank of China officially claimed it was “red” and the bill is jokingly known as the “red grandpa Mao”. Pink is often stereotyped as a “feminine color”, while the male leader’s portrait is supposed to represent a strong masculine character, hence the juxtaposition of “Pink” and the “Leader’s Portrait” on Renminbi banknotes is worthy of further investigation. On the other hand, as digital payment methods gradually replace cash payments, banknotes are becoming “invisible”. Interwoven with contemporary everyday images and historical materials, this essay film contextualizes and discusses the representation of the Mao-portrait on the banknotes and the crisis it is experiencing in the digital age.

共产党员陈威来到上海与黄汉生共同为战斗购买药品。长根等人救了希望，并去偷日本兵的药。长根等人偷了麻九的钱，到街上买了许多东西。长根收留了希望，众人结拜为兄弟。麻九被日军山本等人抓住，山本让麻九带路烧掉了长根等人的房子。山本给野猫注射了药物，神志不清的野猫带山本烧了长根等人的房子。山本得知希望是新四军领导的孩子后，审讯希望，但希望没有向日军投降。希望与长根等人被日本兵绑在水中。黄汉生、苦莲带人前来营救，但日军早有安排，黄汉生、希望等人英勇就义。

共产党员陈威来到上海与黄汉生共同为战斗购买药品。长根等人救了希望，并去偷日本兵的药。长根等人偷了麻九的钱，到街上买了许多东西。长根收留了希望，众人结拜为兄弟。麻九被日军山本等人抓住，山本让麻九带路烧掉了长根等人的房子。山本给野猫注射了药物，神志不清的野猫带山本烧了长根等人的房子。山本得知希望是新四军领导的孩子后，审讯希望，但希望没有向日军投降。希望与长根等人被日本兵绑在水中。黄汉生、苦莲带人前来营救，但日军早有安排，黄汉生、希望等人英勇就义。

这部由大卫·爱登堡旁白的沉浸式纪录片跟随一个多代共存的猩猩家族，呈现了它们在树冠上的胜利与艰辛