肯尼亚西南部维多利亚湖上的姆凡加诺岛，山峦叠翠，渔村静谧。当湖中鱼群开始神秘消失，村民们将矛头指向独居山顶的老妪丹妮——传说中与巫术为伍的异类。渔家少女黛西不顾世俗偏见，在流言蜚语中守护这段忘年交。导演奥斯卡·魏玛携手本土素人演员，以岛屿居民的真实生存经验为蓝本，编织出一部穿梭于原始信仰与现代文明间的光影寓言。入围"璀璨未来"单元的这部处女作，通过社区共创的拍摄方式，让电影语言在集体记忆中生长，最终淬炼成温柔谦逊的光影诗篇，照亮非洲大地上那些被遗忘的灵魂褶皱。

肯尼亚西南部维多利亚湖上的姆凡加诺岛，山峦叠翠，渔村静谧。当湖中鱼群开始神秘消失，村民们将矛头指向独居山顶的老妪丹妮——传说中与巫术为伍的异类。渔家少女黛西不顾世俗偏见，在流言蜚语中守护这段忘年交。导演奥斯卡·魏玛携手本土素人演员，以岛屿居民的真实生存经验为蓝本，编织出一部穿梭于原始信仰与现代文明间的光影寓言。入围"璀璨未来"单元的这部处女作，通过社区共创的拍摄方式，让电影语言在集体记忆中生长，最终淬炼成温柔谦逊的光影诗篇，照亮非洲大地上那些被遗忘的灵魂褶皱。

This is one of the films that came out of a rejection of expressive camera work, sound, language, editing. I wanted to offer a rich experience of phenomena and associations that could come from a continuous moving image the length of a roll of film. The scene is a space of ceremony, of an offering. This is the world of my house in the country, of my marriage to a potter whose bowl represents her. She is the actor. There are actions that have to do with the transformation of ears of corn into sustenance. These actions take place within a space/time theater of slow continuous changes of light and shadow. There are long spaces where the viewer is free to look at various parts of the screen and, with the steam that rises from the cooked ears, into the very grains of the film itself. The sinuous dance of steam is a counterpart to the fog of FOG LINE. The two films are joined.

This is one of the films that came out of a rejection of expressive camera work, sound, language, editing. I wanted to offer a rich experience of phenomena and associations that could come from a continuous moving image the length of a roll of film. The scene is a space of ceremony, of an offering. This is the world of my house in the country, of my marriage to a potter whose bowl represents her. She is the actor. There are actions that have to do with the transformation of ears of corn into sustenance. These actions take place within a space/time theater of slow continuous changes of light and shadow. There are long spaces where the viewer is free to look at various parts of the screen and, with the steam that rises from the cooked ears, into the very grains of the film itself. The sinuous dance of steam is a counterpart to the fog of FOG LINE. The two films are joined.

少女梁红玉（李绮年饰）随宋王朝南渡至京口，因家贫无以为生，入乐籍操卖笑生涯。一日，梁红玉游甘露寺，遭流氓调戏，得青年将领韩世忠（梅熹饰）相救，自此两人时时往还，后相爱成婚。韩世忠擒方腊有功，皇帝赐书“忠勇”，封红玉为“安国夫人”。金兀术领兵南下，韩世忠奉命守镇江，梁红玉亲自擂鼓助阵，宋兵士气大振，金兵被困于黄天荡。中秋夜，世忠因嗜酒疏于防范，金得附逆者献计，脱离困境北渡，世忠功败垂成。红玉认为世忠罪不可赦，只身到临安，向皇帝乞加罪责，满朝为之动容。皇帝念世忠屡建大功，不忍加罪，召之入宫，世忠带其子彦直入见，皇帝命彦直作大字，彦直写下“中华万岁”四字。皇帝龙颜大悦，慰勉有加，命世忠率军北伐，戴罪立功。

梁红玉本为北宋将门之后，惜父亲阵亡，玉母殉节，玉沦为官妓。玉勤修武艺，誓从军报国仇家恨。偶与军人韩世忠结识，吐露投军之意，得忠向主将力荐从戎，更下嫁予忠，随他南征北讨十多年。 　　金人陷汴京，徽、钦二宗被掳，大宋只剩半壁江山。及宋室南移，忠屯守秀州，苗傅刘正彦作乱，玉受命单骑夜走通报，忠始及时回朝平乱，且因救驾有功，擢戍江北。金兀术多次强渡失败，派南宋叛臣杜充诱忠归顺，反被玉晓以大义，乃率十万雄师攻宋。忠为百姓拥戴，长江两岸渔民献计，组成民兵出征击沉敌船，而后上岸杀金兵；玉亦带领女兵击军鼓、掌军旗，以壮士气，终助夫大败金兵，成功保卫长江险要。

少女梁红玉（李绮年饰）随宋王朝南渡至京口，因家贫无以为生，入乐籍操卖笑生涯。一日，梁红玉游甘露寺，遭流氓调戏，得青年将领韩世忠（梅熹饰）相救，自此两人时时往还，后相爱成婚。韩世忠擒方腊有功，皇帝赐书“忠勇”，封红玉为“安国夫人”。金兀术领兵南下，韩世忠奉命守镇江，梁红玉亲自擂鼓助阵，宋兵士气大振，金兵被困于黄天荡。中秋夜，世忠因嗜酒疏于防范，金得附逆者献计，脱离困境北渡，世忠功败垂成。红玉认为世忠罪不可赦，只身到临安，向皇帝乞加罪责，满朝为之动容。皇帝念世忠屡建大功，不忍加罪，召之入宫，世忠带其子彦直入见，皇帝命彦直作大字，彦直写下“中华万岁”四字。皇帝龙颜大悦，慰勉有加，命世忠率军北伐，戴罪立功。

南宋初年，青楼女子梁红玉意外目击金人特使与朝廷内奸密会而遭追杀，大将韩世忠救下她的性命，两个人渐生情愫，梁红玉性格爱憎分明，敢作敢当，在她的支持下，韩世忠平定内乱，整合武装，在朝廷中坚持主战信念，而梁红玉也不离不弃，相濡以沫，与韩世忠共渡一个个难关，自己也成长为一名抗金将领，设伏黄天荡，擂鼓战金山，在青史留下赫赫英名。

南宋初年，青楼女子梁红玉意外目击金人特使与朝廷内奸密会而遭追杀，大将韩世忠救下她的性命，两个人渐生情愫，梁红玉性格爱憎分明，敢作敢当，在她的支持下，韩世忠平定内乱，整合武装，在朝廷中坚持主战信念，而梁红玉也不离不弃，相濡以沫，与韩世忠共渡一个个难关，自己也成长为一名抗金将领，设伏黄天荡，擂鼓战金山，在青史留下赫赫英名。

由王珞丹主演，王小帅导演的《玉米人》以留守儿童的故事为主线，讲述了当下中国农民与土地的关系。