After a peasant joins the royal army, never to return from war, his wife raises their daughters Schneeweißchen and Rosenrot as if he may return ant day and keeps telling stories how wonderful he is, having chased all dwarfs. The realm being impoverished and threatened with famine, prince Jacob convinces his father to let him sell the treasury to buy sowing-seed, but is surprised by an evil dwarf who transforms him into a bear. A gang of wandering dwarfs is tired of lacking cave or treasure, so their chief tricks one into winning some for them. He ends up at the sisters' humble homestead, but keeps getting caught with his beard -where his magic power resides- or countered by the protective spell of the rose garden. The king is meanwhile tricked by a fraudster into confiding his last gold for speculation on the stock market to the crook. The courtiers are horrified to be ordered to form a bear hunt party.

根据德国民间传说改编的童话电影. 　　Snow-White and Rose-Red (German: Schneeweißchen und Rosenrot) is a German fairy tale. The best-known version is the one collected by the Brothers Grimm as tale number 161. It is Aarne-Thompson type 426, the two girls, the bear, and the dwarf. 　　An older, somewhat shorter version, The Ungrateful Dwarf, was written by Caroline Stahl; this in fact appears to be the oldest variant of the tale, as there are no known previous oral versions, although several have been collected since its publication. The oral variants of this tale are very limited in area. 　　It is not to be confused with the Grimm fairy tale Snow White (which is written Schneewittchen in German, rather than Schneeweißchen) that provided the basis for the Walt Disney film Snow White and the Seven Dwarfs; this is a completely different character, and she has nothing in common with the other one, other than sharing her name.

After a peasant joins the royal army, never to return from war, his wife raises their daughters Schneeweißchen and Rosenrot as if he may return ant day and keeps telling stories how wonderful he is, having chased all dwarfs. The realm being impoverished and threatened with famine, prince Jacob convinces his father to let him sell the treasury to buy sowing-seed, but is surprised by an evil dwarf who transforms him into a bear. A gang of wandering dwarfs is tired of lacking cave or treasure, so their chief tricks one into winning some for them. He ends up at the sisters' humble homestead, but keeps getting caught with his beard -where his magic power resides- or countered by the protective spell of the rose garden. The king is meanwhile tricked by a fraudster into confiding his last gold for speculation on the stock market to the crook. The courtiers are horrified to be ordered to form a bear hunt party.

根据德国民间传说改编的童话电影. 　　Snow-White and Rose-Red (German: Schneeweißchen und Rosenrot) is a German fairy tale. The best-known version is the one collected by the Brothers Grimm as tale number 161. It is Aarne-Thompson type 426, the two girls, the bear, and the dwarf. 　　An older, somewhat shorter version, The Ungrateful Dwarf, was written by Caroline Stahl; this in fact appears to be the oldest variant of the tale, as there are no known previous oral versions, although several have been collected since its publication. The oral variants of this tale are very limited in area. 　　It is not to be confused with the Grimm fairy tale Snow White (which is written Schneewittchen in German, rather than Schneeweißchen) that provided the basis for the Walt Disney film Snow White and the Seven Dwarfs; this is a completely different character, and she has nothing in common with the other one, other than sharing her name.

一对在城市中艰难求生的姐妹，意外撞见了姐姐的前任池烨。令她们震惊的是，池烨不仅已经再婚，还有了三个需要后妈照顾的孩子。面对的路人当众羞辱与“穷亲戚”的蔑称，性格火爆飒爽的姐姐并未选择纠缠，反而当场表明自己对“二手男”毫无兴趣。本剧讲述了这对姐妹花在复杂都市中的生存之道，姐姐如何凭借自己的智慧和拳头保护妹妹，并彻底与过去告别，活出属于自己的精彩人生。

北伐战争前夕，日本留学归来的周行健一心加入国民革命军，谁料想刚回家就被逼成婚。新娘白玉菡也性格刚毅，不愿听从父亲安排，二人分别逃婚南下广州。机缘巧合，在一次抓捕行动中，素未谋面的二人相遇并相知，渐生情愫。但因革命信仰不同，二人心生间隙。白玉菡跟随恩师钟汉夫努力为共产主义事业而努力，周行健则以出众的能力成长为国军团长。战争背景下，周行健与白玉菡因国共政治身份不同而屡次错过，但二人也因为多次错过而更加珍惜对方。当日本的铁蹄踏上中国的土地，全国人民共同抵御外侵，白玉菡与周行健终于因共同的目标，在抗日战场上，携手抗敌。

平凡的婚姻，可爱的姑娘，无忧无虑的过日子的村主塔子(夏帆 饰)。某天与相别十年的前男友鞍田秋彦（妻夫木聪 饰）重逢。像恶魔一样进入塔子的心灵缝隙中的鞍田，将她的命运带往意想不到的方向。

红真九郎是处理麻烦事件的经营者，现在读高中一年级。某一天，前辈红香给他介绍了一个工作，就是保护一位幼小的少女。而这名少女的名字叫九凤院紫，是世界上屈指可数的大财阀的千金。真九郎被有些任性又吵闹的紫弄得团团转，但对于这样热闹又温暖的日子也逐渐习惯起来。可是，这种平静忽然被打破了……真九郎向紫所背负的命运发起了挑战，他还能坚持守护住紫吗？ ……

表面上过着平凡高中生活的红真九郎，实际上是经营着所谓的麻烦事务处理所的麻烦解决人。一日，同样负责解决事务的柔泽红香小姐，收到了保护神秘少女九凤院紫的任务。本不想接受任务的红香，在少女的表情之下动容，要求真九郎负责这一任务。第二天，住在真九郎寓所的紫感到不安，而真九郎不顾其感受去学校上学。结果，当他从学校回到家中，紫已经不知去向。 　　委托人真九郎能否完成任务？紫的真实身份又是什么？根据小说《红》改编的动画，将会对迷题一一解答。

Let's put it straight:the screenplay of "la red" is trite to a fault.So why is it so mesmerizing? It must be the form.Visually,it's a splendor: few directors can take advantage of the seaside landscapes as Emilio Fernandez did:think Lean' s "Ryan's daughter" or Jean Grémillon's "Remorques".Some will say that the symbolism -a breaker- is ponderous.The director was probably influenced by Bunuel for symbols abound.There's a big difference though:whereas Bunuel's obsessions often deal with sex cum religion,"la red" is thoroughly pagan.Rossanna Podesta epitomizes some kind of Goddess,of Eve before the fall .A Madonna's face but a sensual body and a false innocence :it was not surprising Robert Wise would cast her as Helen of Troy. 　　Even more disturbing than the threatening omnipresence of the sea is the script: 75% of "la red " is devoid of any dialog.Looks and smiles tell everything (the meal is a good example) Two males and a female ,that's no good,one character says.All are caught up in "the net " (the beach ) ,a dead end.The only way to get out of this world is the sea.