松岛奈美即将和心爱的人结婚，然而在步入幸福的天堂之前她出乎意料地跌入了地狱。她遭人诬陷，背上谋杀未婚夫的父亲的罪名，被关进了监狱。奈美发誓要向陷害自己的人复仇，渴望着与爱人重逢，然而现实却是残酷的。她卷入了女犯人之间的争斗，重伤垂死，被丢弃在一片树林里。一个叫“收尸者”的神秘老人救了她，不仅让她恢复健康，而且教会她格斗术。重生的奈美展开复仇，而等待着她的是严酷的命运……

松岛奈美即将和心爱的人结婚，然而在步入幸福的天堂之前她出乎意料地跌入了地狱。她遭人诬陷，背上谋杀未婚夫的父亲的罪名，被关进了监狱。奈美发誓要向陷害自己的人复仇，渴望着与爱人重逢，然而现实却是残酷的。她卷入了女犯人之间的争斗，重伤垂死，被丢弃在一片树林里。一个叫“收尸者”的神秘老人救了她，不仅让她恢复健康，而且教会她格斗术。重生的奈美展开复仇，而等待着她的是严酷的命运……

明嘉靖年间，百姓受太师严嵩欺压，纷向五品监察御史海瑞告状。瑞不齿嵩私通外敌、结党营私，并诱使皇帝纵情声色、疏于政务，冒杀身灭族之危，连夜写下万言书十卷，奏嵩覆国殃民之罪。嵩与其女西宫娘娘多番强辩，反诬告瑞，瑞险被斩首，幸正宫娘娘暗中相助，向皇帝提出嵩通番卖国证据，终把奸党惩治，嵩父女被逐。瑞因除奸有功，获封邑赐禄。

明嘉靖年间，百姓受太师严嵩欺压，纷向五品监察御史海瑞告状。瑞不齿嵩私通外敌、结党营私，并诱使皇帝纵情声色、疏于政务，冒杀身灭族之危，连夜写下万言书十卷，奏嵩覆国殃民之罪。嵩与其女西宫娘娘多番强辩，反诬告瑞，瑞险被斩首，幸正宫娘娘暗中相助，向皇帝提出嵩通番卖国证据，终把奸党惩治，嵩父女被逐。瑞因除奸有功，获封邑赐禄。

该剧讲述了云南江桥边防检查站是毒品进入中国的关键通道，近年来女性毒贩的数量有所增加，但由于边防官兵的严密监控和出色的辨识能力，各种伪装手段均被识破，许多心存侥幸的女性毒贩最终未能得逞的故事。

该剧讲述了云南江桥边防检查站是毒品进入中国的关键通道，近年来女性毒贩的数量有所增加，但由于边防官兵的严密监控和出色的辨识能力，各种伪装手段均被识破，许多心存侥幸的女性毒贩最终未能得逞的故事。

一名缉毒警察与她的女儿联手，从犯罪组织头目的手中救出被绑架的孙女。

Sparkling, masterful début by Kovalov is found-footage compilation of e.g. news items, propaganda material and instruction films. For his directing début, Oleg Kovalov chose a very extravagant experiment. As a basis he took a propaganda film from the fifties, The Case of Corporal Kochetkov, dissected this as it were and gave the naked structure a new substance and new accents by re-cutting the shots and adding documentary material from the fifties, such as newsreel footage of Khrushchev's visit to America and pictures of the visit by Yves Montand and Simone Signoret to Moscow. The film about corporal Kochetkov called on the Soviet citizens to be on their guard and showed how sly the enemy was: for instance it could pose as an innocent girl. Kovalov creams off the emotional froth from this melodrama, deconstructs its codes and subjects it to a thoughtful analysis. For instance he reveals paranoia and spy-phobia, complexes in the 'collective Soviet unconscious' that is still active even in relatively enlightened periods.

一名缉毒警察与她的女儿联手，从犯罪组织头目的手中救出被绑架的孙女。

Sparkling, masterful début by Kovalov is found-footage compilation of e.g. news items, propaganda material and instruction films. For his directing début, Oleg Kovalov chose a very extravagant experiment. As a basis he took a propaganda film from the fifties, The Case of Corporal Kochetkov, dissected this as it were and gave the naked structure a new substance and new accents by re-cutting the shots and adding documentary material from the fifties, such as newsreel footage of Khrushchev's visit to America and pictures of the visit by Yves Montand and Simone Signoret to Moscow. The film about corporal Kochetkov called on the Soviet citizens to be on their guard and showed how sly the enemy was: for instance it could pose as an innocent girl. Kovalov creams off the emotional froth from this melodrama, deconstructs its codes and subjects it to a thoughtful analysis. For instance he reveals paranoia and spy-phobia, complexes in the 'collective Soviet unconscious' that is still active even in relatively enlightened periods.