富婆丹姐欲取巨款为年轻男友小张买车，遭女儿阻拦。为验证小张是否真心，丹姐同意配合一场“破产测试”。当她告知对方自己公司破产、身无分文后，小张瞬间变脸，不仅无情提出分手，更反向索要500万“青春损失费”。其拜金嘴脸暴露无遗。就在这时，秘书前来汇报工作，真相大白。这场精心设计的考验，让丹姐彻底看清了身边人只爱钱财的真面目，最终果断让软饭男狼狈出局。

参加选美大赛时发生的故事。

参加选美大赛时发生的故事。

由于父亲的死，10岁的保罗成为家庭的管理人。他努力保护母亲梅尔免受于海洛因的毒害，保罗为了他的母亲外出工作，以贴补家用。面对生活的困苦，保罗和他的母亲相互扶持。这是一个儿子和一个母亲之间令人震撼的故事。

由于父亲的死，10岁的保罗成为家庭的管理人。他努力保护母亲梅尔免受于海洛因的毒害，保罗为了他的母亲外出工作，以贴补家用。面对生活的困苦，保罗和他的母亲相互扶持。这是一个儿子和一个母亲之间令人震撼的故事。

讲述夏芭娜到伊尔班的公司上班，伊尔班的爷爷来到公司看孙媳妇，伊尔班让夏芭娜临时冒名顶替。后来伊尔班爱上夏芭娜他们结婚了。伊尔班的表哥为了财产造成了伊尔班杀人的假象，伊尔班逃往他乡，怀了孕的夏芭娜流落他乡。伊尔班以为夏芭娜已死。伊尔班和帮助自己的老伯的被无赖强奸并怀孕了女儿结婚了。 　　夏芭娜生了一个女儿后，化身歌女去寻找诬陷丈夫的恶棍，被诬陷被捕入狱。十几年后，两个孩子都长大了，男孩苏尔曼当了律师，女孩阿尔索成了国际朗育的中榜者。两个孩子相爱了。男孩儿在法庭上为伊尔班伸冤。夏芭娜和伊尔班，两个相爱的人，经过几十年的分离，终于见面的时候，夏芭娜的纯洁毋庸置疑。

导演吴天黑意外去世，他生前最大的愿望是完成自己的作品《绝对纯洁》，他希望他担任编剧的女友苏云珊，和担任演员的情人林乐琦，能够在他死后共同完成他的遗作

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

新疆乌恰县医院院长吴登云，是从南方城市扬州来支援边疆的，他带着妻子女儿在乌恰扎下了根。 吴院长长年累月地巡回医疗，很少同妻子女儿团聚。妻子阿芬强忍着孤寂和思乡之情。一年的大年除夕，阿芬想给女儿燕子买一件新衣服，没想到，她辛辛苦苦积攒的钱都不见了，原来是吴登云拿去帮助了无钱买药的病人。吴院长经常这样做，使得家中生活十分窘迫。 一个生命垂危的烧伤儿童，需要植皮。在没有麻药的情况下，吴登云强忍巨大的疼痛割下自己的皮植给儿童。吴登云还经常把自己的鲜血输给病人，他心中只有病人，完全没有自己。 女儿燕子长大了，想离开乌恰去与男朋友团聚。可乌恰特别需要她这样的医务骨干，一面是女儿的幸福，一面是缺医少药的穷苦牧民，吴登云狠心要女儿留下来。 离开家乡二十多年，吴登云第一次回扬州看望病重的父亲。父亲恳求他留下，可他坚决地还要回边疆，父亲明白这次与儿子是永诀了，伤心地呜咽着。 矿工艾力江曾受到过吴登云五天五夜不合眼地抢救，病好后他带着未婚妻前来看望吴院长，深情地呼唤着他“爸爸”。 　　(以下为人物真实资料)吴登云，一个江南普通农民的儿子，二十世纪六十年代毕业于扬州医学专科学校。1963年，他从瘦西湖畔来到了被称为“万山之祖”的新疆帕米尔高原，将自己的青春投身于边疆的医疗事业，在乌恰一干就是37年。在这37年中，他用自己的身心和血肉挽救了一批批生命垂危的病人，培养出一批批土生土长的柯尔克孜族医生，创建了一座园林式医院。他可歌可泣的人生历程，赢得了边疆人民由衷的爱戴和赞誉。吴登云忠实履行了人民医生救死扶伤的崇高职责，他为边疆人民的健康，为边疆的改革与发展做出了巨大的贡献，他是人民心中的白衣圣人。