當伴侶身體逐漸惡化之時，Carmen身心全力投入照料罹患失智症的Rosa，儘管她們的關係益加緊張，她仍然保有微小的希望，哪怕只有一秒，Rosa過往看著她的眼神是否可能重現呢？

當伴侶身體逐漸惡化之時，Carmen身心全力投入照料罹患失智症的Rosa，儘管她們的關係益加緊張，她仍然保有微小的希望，哪怕只有一秒，Rosa過往看著她的眼神是否可能重現呢？

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

《终物语》讲述改编自日本轻小说家西尾维新著作、台湾插画家VOFAN负责插画的轻小说，是《物语系列》终季（Final Season）的第3部，分为上中下三册。《终物语》是物语系列小说第三部分的第二弹作品。其内容包括第完话：扇黑暗（おうぎダーク），讲述了与一种被阿良良木历称为暗/黑暗之影（くらやみ）的怪异有关的故事。 实际上暗根本没有名字。不是怪异，甚至是根本不存在的非存在。卧烟伊豆湖称之为怪异的反存在，世界、命运的修正力本身，追杀偏离了怪异之道的怪异的非存在。看上去是一团漆黑黑洞般，让人联想到黑洞。可将接触到东西的存在完全消失，甚至可以切断历与忍野忍的链。

高三的十月下旬，神原骏河向高中三年级的阿良良木历介绍了一位转校生——忍野扇。放学后，忍野扇说起了一些奇怪的事情。她曾转学过很多次，并将每一次到过的校舍都画成地图。他发现三楼的视听室被拉长，也许有隐藏的房间。扇和历发现了隐藏的房间，进去后里面有停止的时钟和推不动的门窗，一切就像停止了一样… 这是解开阿良良木历构成之谜的物语，也是知晓一切起点的物语。

《终物语下》是一部由《物语系列》改编的日本剧情动画。动画围绕阿良良木历和忍野扇展开，他们发现的隐藏房间是一切故事的起点。

The most likely musician to succeed Mi-Da has to give up her study to support her family and her sick mother after her father's death. While playing the piano in a cafe, she becomes to know a kind man who wants to help her. She thanks and becomes to love him. But he is a married man and she also has a boy friend In-Su. Finally, Mi-Da kills herself while playing Bach she likes best.