时间是西元2040年。罹患罕见疾病的青年·怜人，在与青梅竹马绘理沙相约再会之后接受了冷冻睡眠治疗。过了5年后，怜人醒来之后等待他的却是全世界99.9%的…

无论神的力量多么强大，人类都不会放弃赌上物种存续的战斗。人类与上帝一对一的认真较量将进入新的局面，人类的恶意和杀机将对正义的斗神猛然露出獠牙！

——如果公主殿下与我约定的话，我便会为了公主殿下而战。身为最后的魔女——　　公元1939年，帝国主义国家日耳曼尼亚帝国突然开始了对邻国的侵略…

本剧改编自同名漫画，讲述了被家人断绝关系，又饿又没钱的柏木千纮，一天晚上，在常去的酒吧遇到了超级型男浩然，两人一见钟情。看到对方的好感觉，千纮很高兴，和浩然一起去了宾馆，但就在两人抱在一起的时候，却被浩然用电棒狠狠地揍了一顿，失去了意识。第二天早上，千纮在垃圾场醒来，发现浩然在找东西。发现没有要的东西后，浩然对千纮说“消失吧”，但无家可归的千纮在万般无奈之下，挽留浩然说“让我做吧”，就这样千纮住了下来。两个孤独的男人的命运开始改变！

本剧改编自同名漫画，讲述了被家人断绝关系，又饿又没钱的柏木千纮，一天晚上，在常去的酒吧遇到了超级型男浩然，两人一见钟情。看到对方的好感觉，千纮很高兴，和浩然一起去了宾馆，但就在两人抱在一起的时候，却被浩然用电棒狠狠地揍了一顿，失去了意识。第二天早上，千纮在垃圾场醒来，发现浩然在找东西。发现没有要的东西后，浩然对千纮说“消失吧”，但无家可归的千纮在万般无奈之下，挽留浩然说“让我做吧”，就这样千纮住了下来。两个孤独的男人的命运开始改变！

The furniture that resides in the building since the 1970’s is stacked, waiting to be removed. Triangles and squares of wood and metal, modular elements of floors and ceilings are resisting as they are being torn out. 　　The congress building “Sava Centar” embodied a vision of the future for the international, Non-Aligned, socialist Yugoslavia. After the breakup of Yugoslavia, this modernist landmark of New Belgrade became neglected by the state and, over decades, gradually deteriorated. 　　In 2020, it was privatised and its transformation followed. 　　Like many of the younger construction workers, Nenad is in Sava Centar for the first time, detached from its past and the society it was built in.

Earth is experiencing its final winter. A streaming company hires all available camera operators to film the final weeks of this soon-to-be-lost season.

世界毁灭了，从零开始旅行。骑著一台摩托车穿越景点。来到箱根看富士山、在横滨港湾大桥钓鱼，然后来到有名的东京国际展览中心。两名少女享受著这样的旅行，但周围的风景却非常荒凉。 　　两名少女在终末世界骑着摩托车到处旅行，与众不同的旅行开幕！即使世界毁灭，摩托之旅也不会停滞。

郊外的某个小镇。 　　这里不是一个随处可见的普通乡村……。 　　这里的居民产生了巨大的异变。 　　即使在这样的情况下，千仓静留也有着坚定的想法。 　　想再一次见到行踪不明的朋友们！ 　　静留她们在被废弃且停止行驶的电车里，在不知道能不能活着回来的情况下前往外面的世界。 　　开始运行的末班列车的终点，到底有什么？

'Aida Returns' is a poignant, sometimes sad, sometimes painful, sometimes humorous, often absurd story of a multiple journey: the journey of loss as the director’s mother Aida struggled with losing herself to Alzheimer’s disease, but finding solace in her repeated “returning” to the Yafa and Palestine of her youth; the journey of the loss of a parent; and the ultimate return journey back to Yafa where Aida would finally find rest and be herself once more. 　　Close to four years after Aida’s passing away, the director’s friend and colleague Tanya who lives in Ramallah came to visit Beirut. When she heard about Aida’s wishes and yearning for Yafa, Tanya suggested that she herself carries the ashes back. The film accompanies director Carol Mansour as she engineers a way to return her mother to Yafa in search of eternal rest and peace for her. A return that is aided by an unlikely set of friends and strangers all coming together to facilitate what should have been a simple journey. This journey is at the same time very private and personal, while resonating with hundreds of thousands of Alzheimer’s sufferers and their families as well as hundreds of thousands of Palestinian refugees awaiting their return home. 　　'Aida Returns' is a tribute to the lost past of the director’s family, an attempt to restore part of both an individual and a collective memory, and a poetic nod and affirmation to all those exiled Palestinians forbidden from returning to their hometowns, even after death.