Sheila kills her husband at the start of the film with a smoking gun. We don't know how or why. All we know is men are banging on her door and she escapes. There is a notable dialogue as she makes her way to a New Years celebration with Richard Basehart as the poet William William. As she goes up the stairs to John Friday's apartment (her producer) she wishes she could relive the year and undo what she has done. William William, in an offhand remark, states he wishes he was the one who shot Barney, her erstwhile husband. We see that Destiny is not too happy with making changes to her plans

戒律森严的寄宿学校里，蜜拉品学兼优，相较于其他正值青春期的同侪开始在意服装打扮、对异性产生好奇，她在老师眼里不仅衣着得体、裙长及膝，还是学弟妹的模范榜样。父亲长期离家工作，母亲将心力全投注在她身上，蜜拉背负着所有人的期待，每天恪守着「完美女孩」的框架，直到转学来的神秘天文社男孩闯入生活，情思涌动的她一步步探向被禁止的恋爱之中。

MRC has acquired rights to This, But Again, a short story by David Iserson. 　　Life is a reoccurring simulation and Marcus is stuck inside it—re-experiencing his life exactly as it was, from the beginning. Until he is able to change just one thing. This, But Again, is a story of love, regret, fate, and a software error that transforms the universe. Iserson, who began his writing career at Saturday Night Live, published the short story as part of Future Tense Fiction.

医疗产业大佬林教授的养女蒋凝，是哈佛毕业的神秘天才N博士。她受养父嘱托，准备回国接手保密项目工作，却意外被亲生父母道德绑架，让她嫁给玩具厂老板结果误打误撞错与另一个陌生男人——豪门顾承洲领证闪婚。

医疗产业大佬林教授的养女蒋凝，是哈佛毕业的神秘天才N博士。她受养父嘱托，准备回国接手保密项目工作，却意外被亲生父母道德绑架，让她嫁给玩具厂老板结果误打误撞错与另一个陌生男人——豪门顾承洲领证闪婚。

２０２０年７月１日。高校２年生の水帆は、最悪な１７歳の誕生日を迎えていた。 　　憧れの先輩に近づくチャンスはなくなるし、親には誕生日をすっかり忘れられているし……。 　　しかも未知の感染症の流行で、部活の大会や修学旅行も中止になって、「私には“キラキラした青春”なんてない」――そう思っていた。 　　しかしそんな矢先、幼なじみの輝月（きづき）が、突然、“彼氏候補宣言”をしてきて――。 　　家族のように育った４人の幼なじみの男の子と、主人公の水帆との恋愛模様を描いた学園青春ストーリー。

TVアニメ『どうせ、恋してしまうんだ。』Season2の制作決定！

TVアニメ『どうせ、恋してしまうんだ。』Season2の制作決定！

The films trace different forces across the world that have led to now, not just in the West, but in China and Russia as well. It covers a wide range – including the strange roots of modern conspiracy theories, the history of China, opium and opiods, the history of Artificial Intelligence, melancholy over the loss of empire and, love and power. And explores whether modern culture, despite its radicalism, is really just part of the new system of power.