法师和小徒弟在荒漠里打开“结界”降妖，不料妖怪现出原形，却是一位宇航员。宇航员杀死了法师，还偷走了他的金币。小徒弟要为师父报仇，却被宇航员告知：他师父并没有死。宇航员还交给小徒弟一只盒子，叮嘱他真相就在盒子里。 　　小徒弟一觉醒来，发现法师果然没有死，惊喜之余把自己“梦”到的事情经过告诉了法师，不料法师听完大发雷霆。之后事情的发展，一再超乎想象......本片为腾讯看点与科幻世界联合举行的第30届银河奖科幻微电影征集作品

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

讲述了一群剧团演员在排演一部名叫《Caliban's Day》（卡利班的胜利）的舞台剧，该剧通过一名叫卡利班的传记作家的视角，讲述英国诗人格雷格·奥登和作曲家本杰明·布里顿之间的故事，两位艺术家在年轻时曾是合作无间的好友，因一次不愉快的美国之旅分道扬镳，多年后布里顿拜访奥登，向对方透露自己将托马斯·曼的小说《死于威尼斯》改编成歌剧的计划，来向这位昔日的合作伙伴寻求建议，而这一切的背后是两人同为男同性恋的背景，有趣的是《死于威尼斯》这部作品刚好讲的是一位上年纪的作家对一位14岁美少年的爱慕，戏中戏的结构层层深入，引人入胜。

讲述了一群剧团演员在排演一部名叫《Caliban's Day》（卡利班的胜利）的舞台剧，该剧通过一名叫卡利班的传记作家的视角，讲述英国诗人格雷格·奥登和作曲家本杰明·布里顿之间的故事，两位艺术家在年轻时曾是合作无间的好友，因一次不愉快的美国之旅分道扬镳，多年后布里顿拜访奥登，向对方透露自己将托马斯·曼的小说《死于威尼斯》改编成歌剧的计划，来向这位昔日的合作伙伴寻求建议，而这一切的背后是两人同为男同性恋的背景，有趣的是《死于威尼斯》这部作品刚好讲的是一位上年纪的作家对一位14岁美少年的爱慕，戏中戏的结构层层深入，引人入胜。

老张是一名来自农村的胶片电影放映员，无法适应新技术的他被迫离职。就在他下岗的前一天，老张用薄弱的身体挑着设备再度走完了三十年以来一直前往放映村庄的道路，那里是玉龙雪山的尽头。

達達又好普普又好，從來二次創作是態度，極富原創性。「前衛眼」常客路易斯卡拉是「cut and paste 龍頭大佬」（J. Hoberman），最新作由12 條零成本短片組成。一如既往，屋內車內場景角色服裝道具，皆由舊雜誌舊漫畫舊照片及商品說明等等剪貼出來，圓點神思牽引二次元動像，跳越三次元非現實似現實，再衍生心夢真幻想像，呈現五、六十年代羅省現代神話的失樂園風景，欲望與罪惡感無間交織。路易斯卡拉抗拒別人形容他的作品是動畫是有理由的，他實在是前衛電影那孜孜不倦的reanimator。

张坚庭和伍咏薇分别代表男性和女性，每一期都会请出一位嘉宾跟他们探讨男女感情生活方面的话题

《每日文艺播报》BRTV文艺频道娱乐资讯类节目，忠实记录文化娱乐事件现场的同时，力求从更深的层次进行分析，解读娱乐真相，发出不一样的声音。

这是一部独具校园色彩的爆笑网络系列喜剧，他们人物性格丰富多样，事件惊奇，笑料连连，故事以一个有着伟大导演梦想的楠竹珏少年视角展开叙述，大部分情节故事取材均来自大学生编导班真实的生活，从中他们有青春，有梦想，有热血，有失败，却从来没有放弃自己心中最初的那个梦想，本剧最初的构想来源于导演丁文，在多年前入校时的大学编导生活，文艺编导班第一季的完成剧本由丁文导演团队核心主要成员竺逸麟先生，骆生先生执笔完成，经过长时间的筹备，创作，本剧的文学剧本已经相当成熟，大家有目共睹期待它最后的完美绽放！