法师和小徒弟在荒漠里打开“结界”降妖，不料妖怪现出原形，却是一位宇航员。宇航员杀死了法师，还偷走了他的金币。小徒弟要为师父报仇，却被宇航员告知：他师父并没有死。宇航员还交给小徒弟一只盒子，叮嘱他真相就在盒子里。 　　小徒弟一觉醒来，发现法师果然没有死，惊喜之余把自己“梦”到的事情经过告诉了法师，不料法师听完大发雷霆。之后事情的发展，一再超乎想象......本片为腾讯看点与科幻世界联合举行的第30届银河奖科幻微电影征集作品

法师和小徒弟在荒漠里打开“结界”降妖，不料妖怪现出原形，却是一位宇航员。宇航员杀死了法师，还偷走了他的金币。小徒弟要为师父报仇，却被宇航员告知：他师父并没有死。宇航员还交给小徒弟一只盒子，叮嘱他真相就在盒子里。 　　小徒弟一觉醒来，发现法师果然没有死，惊喜之余把自己“梦”到的事情经过告诉了法师，不料法师听完大发雷霆。之后事情的发展，一再超乎想象......本片为腾讯看点与科幻世界联合举行的第30届银河奖科幻微电影征集作品

老张是一名农村的胶片电影放映员，无法适应新技术的他被迫离职。就在他下岗的前一天，老张依旧用身体挑着设备再度走完了一直以来前往玉龙雪山那头放电影的道路。

老张是一名来自农村的胶片电影放映员，无法适应新技术的他被迫离职。就在他下岗的前一天，老张用薄弱的身体挑着设备再度走完了三十年以来一直前往放映村庄的道路，那里是玉龙雪山的尽头。

達達又好普普又好，從來二次創作是態度，極富原創性。「前衛眼」常客路易斯卡拉是「cut and paste 龍頭大佬」（J. Hoberman），最新作由12 條零成本短片組成。一如既往，屋內車內場景角色服裝道具，皆由舊雜誌舊漫畫舊照片及商品說明等等剪貼出來，圓點神思牽引二次元動像，跳越三次元非現實似現實，再衍生心夢真幻想像，呈現五、六十年代羅省現代神話的失樂園風景，欲望與罪惡感無間交織。路易斯卡拉抗拒別人形容他的作品是動畫是有理由的，他實在是前衛電影那孜孜不倦的reanimator。

達達又好普普又好，從來二次創作是態度，極富原創性。「前衛眼」常客路易斯卡拉是「cut and paste 龍頭大佬」（J. Hoberman），最新作由12 條零成本短片組成。一如既往，屋內車內場景角色服裝道具，皆由舊雜誌舊漫畫舊照片及商品說明等等剪貼出來，圓點神思牽引二次元動像，跳越三次元非現實似現實，再衍生心夢真幻想像，呈現五、六十年代羅省現代神話的失樂園風景，欲望與罪惡感無間交織。路易斯卡拉抗拒別人形容他的作品是動畫是有理由的，他實在是前衛電影那孜孜不倦的reanimator。

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.