A woman is murdered, but she is seen in different ways by different people.

中央新闻纪录电影制片厂摄制

田厚德曾担任过村党支书，生性耿直，深爱土地，为保护良田，代表村民多次向县、市纪委反映乡镇领导刘乾坤非法侵占集体大量土地、以权谋私、贪污腐化的问题，因而种下了祸根。八十年代初，田厚德一家承包了九亩责任田，由于当时的农资化肥不断涨价，而粮价又不断下跌，种田的日子并不富裕，加之女儿田英出嫁，又添上了新债。田厚德的三个儿子纷纷不满现状，认为种地穷不划算，要求独立门户，各找出路。最后，田厚德这个大家庭，分成了三个小家庭。三个小家庭各自的命运坎坷，接二连三的遭到打击，田厚德已经意识到种种祸害的根源。一年又一年过去了，但他仍然坚持举报腐败分子。后来，终于揪出了副县长刘乾坤等一批腐败分子！随着这批犯罪分子的一一伏法！田三也走出了监狱的大门。田厚德靠对土地的热爱，守住了农民的根。

该剧是一部传记体电视剧，以全国著名劳动模范、全国人大常委、河南省新乡县七里营乡刘庄村党委书记史来贺的事迹及刘庄村脱贫致富的历史为依据创作，按照共和国农村45年的岁月变迁，运用积累式的纪实手法拍摄而成。该剧获第十五届“飞天奖”长篇电视剧二等奖、第四届精神文明建设“五个一工程”奖等奖项。 　　史来贺是一名共产党员，一直怀抱着让广大农民过上丰衣足食的生活的朴素理想。在他的带领下，同村农民共同奋进，让一个昔日全是盐碱地、蛤蟆窝的穷村庄变成了“中原首富”，实现了物质文明和精神文明的齐头发展，自改革开放以来，为国家创利税十多亿元。

该剧是一部传记体电视剧，以全国著名劳动模范、全国人大常委、河南省新乡县七里营乡刘庄村党委书记史来贺的事迹及刘庄村脱贫致富的历史为依据创作，按照共和国农村45年的岁月变迁，运用积累式的纪实手法拍摄而成。该剧获第十五届“飞天奖”长篇电视剧二等奖、第四届精神文明建设“五个一工程”奖等奖项。 　　史来贺是一名共产党员，一直怀抱着让广大农民过上丰衣足食的生活的朴素理想。在他的带领下，同村农民共同奋进，让一个昔日全是盐碱地、蛤蟆窝的穷村庄变成了“中原首富”，实现了物质文明和精神文明的齐头发展，自改革开放以来，为国家创利税十多亿元。

你有在吃美味的米饭吗？努力家的姐姐光。有点不可思议的妹妹辉。「农业娘」讲述的是可爱的两姐妹守护双亲留下的田地种米的故事。悠悠闲闲的温暖喜剧和密切联系到农业问题的真实故事。敬请品尝两种口味的款待吧！

Machines are checking and sorting nature in an industrial greenhouse. Cameras enable the robots to do their work. Human hands only intervene to straighten anything that is crooked, plant delicate items or clean the mechanics to ensure things continue to run smoothly. Products must be up to standard so that they are market-ready for the consumer. Only at night, when everything is asleep, does unexpected life move in and take control.

片名 五亿农民的方向 　　编导 刘文渺 　　摄影 张永 　　影片本数 2 　　色别 黑白 　　出品年 1955 　　拍摄单位 新影 　　内容简介 　　河北省安平县南王庄，一个只有六户的合作社，三户中农退社，三户贫农坚持办社。他们缺少农具，困难很多。但他们辛勤劳动，互相帮助，克服了种种困难。县政府给他们帮助，银行发放贷款，他们买了一辆大车。集体的劳动，使他们的土地获得了丰收，原来退社的农户要求回来，还有不少农户要求入庄。毛主席《关于农业合作化问题》的报告到了村，就在这个报告里，毛主席提到了河北省坚决办社的三户农民。毛主席说：这三户贫农所表示的方向，就是全国五亿农民的方向。

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.