Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

2021威尼斯电影节非竞赛展映。

2021威尼斯电影节非竞赛展映。

屡获殊荣的媒体艺术家雷菲克·安纳多尔（Refik Anadol）与意大利珠宝世家BVLGARI宝格丽携手开启一场沉浸式艺术之旅，探索品牌最具标志性的"灵蛇"符号的无限维度。这是一场历时一年的创意实验﹣﹣艺术灵感与数字创新在此交融，匠心工艺与科技未来于此共鸣。本片首次独家记录这一创想过程，揭秘传统与革新如何碰撞共生，最终缔造出时代杰作。

屡获殊荣的媒体艺术家雷菲克·安纳多尔（Refik Anadol）与意大利珠宝世家BVLGARI宝格丽携手开启一场沉浸式艺术之旅，探索品牌最具标志性的"灵蛇"符号的无限维度。这是一场历时一年的创意实验﹣﹣艺术灵感与数字创新在此交融，匠心工艺与科技未来于此共鸣。本片首次独家记录这一创想过程，揭秘传统与革新如何碰撞共生，最终缔造出时代杰作。

BBC Four拍摄的纪录片，谈苏维埃政权如何介入国家运动，东欧的足球场如何成为共产主义政客利用的战场，俄罗斯、匈牙利与前东德共产主义领袖的操控，以及在铁幕背后不愿合作者的一些案例。 　　After the Russian Revolution, the Soviet authorities sought to exercise control over every aspect of social, political and cultural life, including Russia's national sport, football. Throughout the 20th Century, the football grounds of Eastern Europe became battlegrounds as ruthless politicians tried to use football to lend legitimacy to communist rule. In this film, footballers from Russia, Hungary and East Germany recall how the beautiful game was manipulated by ruthless communist leaders, and reveal how the careers of several great footballers from behind the Iron Curtain were destroyed simply because they refused to co-operate with the Eastern Bloc's most brutal totalitarian regimes. The central tale is of the George Best of Russian football, a seventeen-year-old slinky, skilled forward with a teddy boy haircut, Eduard Streltstov, who was the inventor of a back-heeled pass, still known as "The Russian Pelé", whose career was wrecked by the KGB.

BBC Four拍摄的纪录片，谈苏维埃政权如何介入国家运动，东欧的足球场如何成为共产主义政客利用的战场，俄罗斯、匈牙利与前东德共产主义领袖的操控，以及在铁幕背后不愿合作者的一些案例。 　　After the Russian Revolution, the Soviet authorities sought to exercise control over every aspect of social, political and cultural life, including Russia's national sport, football. Throughout the 20th Century, the football grounds of Eastern Europe became battlegrounds as ruthless politicians tried to use football to lend legitimacy to communist rule. In this film, footballers from Russia, Hungary and East Germany recall how the beautiful game was manipulated by ruthless communist leaders, and reveal how the careers of several great footballers from behind the Iron Curtain were destroyed simply because they refused to co-operate with the Eastern Bloc's most brutal totalitarian regimes. The central tale is of the George Best of Russian football, a seventeen-year-old slinky, skilled forward with a teddy boy haircut, Eduard Streltstov, who was the inventor of a back-heeled pass, still known as "The Russian Pelé", whose career was wrecked by the KGB.

解剖学发明以来，人体奥秘开始为世人所知所见。然而，大家习惯的始终是那副最表面的臭皮囊，或留恋或厌倦，或拥抱或憎恶。假如能深入体腔，即时观察微肌细理，体液流动，可会了悟个中奥妙，那欲肉不为肉所欲的真义？得到医院前线及技术人员协助，韦莲娜柏丽芙与路西安卡斯当泰来再现了内窥和 微创手术的影像，辅以病人和医护的生活点滴，让作为关怀、痛苦、希望和被宰制场所的身体，成了光影景观的主角。血肉不再模糊的结果，可会对人文多一份凝视？

解剖学发明以来，人体奥秘开始为世人所知所见。然而，大家习惯的始终是那副最表面的臭皮囊，或留恋或厌倦，或拥抱或憎恶。假如能深入体腔，即时观察微肌细理，体液流动，可会了悟个中奥妙，那欲肉不为肉所欲的真义？得到医院前线及技术人员协助，韦莲娜柏丽芙与路西安卡斯当泰来再现了内窥和 微创手术的影像，辅以病人和医护的生活点滴，让作为关怀、痛苦、希望和被宰制场所的身体，成了光影景观的主角。血肉不再模糊的结果，可会对人文多一份凝视？