A driven young medical resident transfers to a rural hospital for a fresh start. There, the demons of his past start to catch up to him when he becomes consumed by the case of a young asthma patient.

以下视频为2003年5月12日拍摄的第四次事件行车记录仪画面，常被称为“绕路”影片。根据信息自由法案（FOIA）请求编号24-30-170，此视频已由特别事务计划（SAP）解密并公开。我们希望借此提升公众对这一持续危险的警觉性。夜间驾车的朋友们请访问SAP官网，下载夜间驾驶安全清单。请保持警惕。

以下视频为2003年5月12日拍摄的第四次事件行车记录仪画面，常被称为“绕路”影片。根据信息自由法案（FOIA）请求编号24-30-170，此视频已由特别事务计划（SAP）解密并公开。我们希望借此提升公众对这一持续危险的警觉性。夜间驾车的朋友们请访问SAP官网，下载夜间驾驶安全清单。请保持警惕。

A driven young medical resident transfers to a rural hospital for a fresh start. There, the demons of his past start to catch up to him when he becomes consumed by the case of a young asthma patient.

雪莉•克拉克（Shirley Clarke）的《环绕路桥》（Bridges Go Round,1958）采用更为复杂的冲印效果，包括著色和重叠影像，营造出高耸的弓形路桥。

雪莉•克拉克（Shirley Clarke）的《环绕路桥》（Bridges Go Round,1958）采用更为复杂的冲印效果，包括著色和重叠影像，营造出高耸的弓形路桥。

Turkish film-maker Deniz Şimşek tells us the myth of a water monster that dates back to the ancestors of Armenians and Kurds around Lake Van, a region that witnessed the ethnic cleansing of these peoples. The mythological, the political and the personal intertwine in the blue of the landscape, amid various forms of oblivion. ‘Meanwhile, the ancestral gods are angry with us, and I'm angry with my father.’

Turkish film-maker Deniz Şimşek tells us the myth of a water monster that dates back to the ancestors of Armenians and Kurds around Lake Van, a region that witnessed the ethnic cleansing of these peoples. The mythological, the political and the personal intertwine in the blue of the landscape, amid various forms of oblivion. ‘Meanwhile, the ancestral gods are angry with us, and I'm angry with my father.’