A young prostitute tries to understand why she suffers from melancholy and benumbed feelings. Against a background of sexual liberation and political subversion, this latest libertine work by radical film director M. Adachi is one of the very few existing feminist erotic films. Masao Adachi's personality and films deserve careful consideration. Relatively unknown as yet to Western audiences, he happens to be one of the most radical film-makers around in recent years. Gushing Prayer, shows the influence of Koji Wakamatsu, another enfant terrible of Japanese cinema whom Adachi assisted on many films. Gushing Prayer does not hesitate to show the resentments and dissatisfactions of someone who ought to be nothing more than an object of fantasies. Highly pertinent, with a bold avant-garde style, he sets the record straight as far as the sexual desires of supposedly liberated Japanese women are concerned. One of the rare feminist films of the 70's, it audaciously evokes sexual liberation and political subversion.

A young prostitute tries to understand why she suffers from melancholy and benumbed feelings. Against a background of sexual liberation and political subversion, this latest libertine work by radical film director M. Adachi is one of the very few existing feminist erotic films. Masao Adachi's personality and films deserve careful consideration. Relatively unknown as yet to Western audiences, he happens to be one of the most radical film-makers around in recent years. Gushing Prayer, shows the influence of Koji Wakamatsu, another enfant terrible of Japanese cinema whom Adachi assisted on many films. Gushing Prayer does not hesitate to show the resentments and dissatisfactions of someone who ought to be nothing more than an object of fantasies. Highly pertinent, with a bold avant-garde style, he sets the record straight as far as the sexual desires of supposedly liberated Japanese women are concerned. One of the rare feminist films of the 70's, it audaciously evokes sexual liberation and political subversion.

该剧改编自Peony (พีโอนี)的同名小说，讲述了商业精英Phraenarin为获得公司继承权，与父亲挚友的女儿Khemjira结婚，二人从相互对抗逐渐发展为相爱的情感故事。

暂无剧情简介

与同一个人结两次婚的缘由有不少。对于Phraenarin而言，头一回结婚是遵从父亲的要求，而第二次结婚，则是源于对心爱之人最为深切的爱意。第一次结婚是在雨季，第二次是在夏天。同样一颗心，同一个新娘，却有着不一样的感受——还有一对小双胞胎见证着他们的爱情。

与同一个人结婚两次的理由有很多 但对Phraenarin来说，第一次结婚是应父亲的要求，但第二次结婚，是出于对所爱之人最深切的爱意。第一次是在雨季，第二次是在夏天 同一颗心，同一个新娘，却有着不同的感受——还有一对小双胞胎作为他们爱情的见证

与同一个人结婚两次的理由有很多 但对Phraenarin来说，第一次结婚是应父亲的要求，但第二次结婚，是出于对所爱之人最深切的爱意。第一次是在雨季，第二次是在夏天 同一颗心，同一个新娘，却有着不同的感受——还有一对小双胞胎作为他们爱情的见证

该片改编自浅原直人小说《她喜欢的是BL而不是我》，电影讲述隐藏自己性取向的男高校生安藤纯（神尾）和隐藏自己腐女身份的同学三浦纱枝的恋爱故事，描写…

记录了不同领域的16位深度玩古爱好者，讲述了一个个鲜为人知的玩古故事。古物与人之相识贵在相知，人之相知贵在知心。与人相伴方能展现文物之美。此时的古物，不仅仅作为文物，更是作为生活方式的体现，鲜活亲近，日常为伴，彼此守护。

记录了不同领域的16位深度玩古爱好者，讲述了一个个鲜为人知的玩古故事。古物与人之相识贵在相知，人之相知贵在知心。与人相伴方能展现文物之美。此时的古物，不仅仅作为文物，更是作为生活方式的体现，鲜活亲近，日常为伴，彼此守护。