警察欧林（史蒂文•席格 Steven Seagal 饰）刚刚调来到这个底特律犯罪最猖獗地区的警局，局里就发生了一件惊天大案！原本所在警局保险柜内的赃物50公斤海洛因不翼而飞了，由于这批毒品价值连城，局里的每一名警员都有作案嫌疑。 　　作风硬朗的欧林开负责调查这起毒品失窃案，但调查进行得异常艰辛。每天，当欧林回到局里，似乎一双双敌对的眼睛就监视着他。欧林找到了街头混混沃克（DMX 饰）协助他调查这起案件，沃克认为警局内的每个人都有份参与这起盗窃案，包括欧林也不例外。解开迷案的关键就在沃克身上！

简介： 　　陈虾（曹国辉饰演）见到南洋谋生的陈六使（郑各评饰演）衣锦还乡，便决定带着被父亲逼婚的红豆（许美珍饰演）一同南下。无奈碰到军队抓壮丁，红豆落得孤身上路。 　　红豆在船上认识了嫁给南洋米商当姨太太的海燕（林湘萍饰演）和长工保田（淳于珊珊饰演）。海燕遭大太太毁容残害，幸得红豆相助才摆脱魔掌。红豆为了谋生扮成男装去拉煤，结识了帮会头目刘妹（郑斌辉饰演）。刘妹被红豆的特殊性格深深吸引。 　　被抓去当兵的陈虾在军队认识了纨绔子弟家富（谢韶光饰演）。家富家产被人骗光，妻子阿菊（李锦梅饰演）始终不离不弃。阿菊被人强占后，家富却误会她贪慕虚荣。 　　陈虾终于和红豆相见，无奈红豆爱上已变成瘫痪的刘妹…

简介： 　　陈虾（曹国辉饰演）见到南洋谋生的陈六使（郑各评饰演）衣锦还乡，便决定带着被父亲逼婚的红豆（许美珍饰演）一同南下。无奈碰到军队抓壮丁，红豆落得孤身上路。 　　红豆在船上认识了嫁给南洋米商当姨太太的海燕（林湘萍饰演）和长工保田（淳于珊珊饰演）。海燕遭大太太毁容残害，幸得红豆相助才摆脱魔掌。红豆为了谋生扮成男装去拉煤，结识了帮会头目刘妹（郑斌辉饰演）。刘妹被红豆的特殊性格深深吸引。 　　被抓去当兵的陈虾在军队认识了纨绔子弟家富（谢韶光饰演）。家富家产被人骗光，妻子阿菊（李锦梅饰演）始终不离不弃。阿菊被人强占后，家富却误会她贪慕虚荣。 　　陈虾终于和红豆相见，无奈红豆爱上已变成瘫痪的刘妹…

该剧主要讲述90年代初期，复原军人回归工厂的故事。展现了当代工人阶级艰苦奋斗、爱岗敬业的优良品质。

《出路》作为中国第一部真实反映逃犯逃亡途中生活环境对逃犯心理路程的转变，真实的再现了逃犯从实施犯罪、逃避法律、选择逃亡、投案自首的整个心理路程。

A young man deals with the loss of his abusive father by taking advice from a charming, dangerous stranger who teaches him about life, sex, and fighting back.

A young man deals with the loss of his abusive father by taking advice from a charming, dangerous stranger who teaches him about life, sex, and fighting back.

"War always finds a way (Brecht). If there is a relationship between production and destruction, between the development of productive and destructive forces, then the atom bomb is the ultimate weapon of the post-industrial age. Greatest tonnage, highest mortality, maximum devastation. But what comes next, what are the weapons of the post-industrial age ? Post-industrial products are characterised by a declining proportion of material components, meaning that they depreciate more slowly. In order to prevent them clogging the market they have to be artificially aged, or as Marx put it, morally depreciated. The same is true for monopolists : only through constant innovation can products age and lose value ; competition is no longer needed. Until now it was competition that gave rise to enmity. Now, the competition is internal and an external enemy is no longer to be found. The enemy is amongst us and within us. Weapons are needed that can hit one person amongst a thousand. The economics demand wars with maximum precision targeting. Such as : wars fought on humanitarian grounds." (Harun Farocki)

该剧主要讲述90年代初期，复原军人回归工厂的故事。

该剧作为中国第一部真实反映逃犯逃亡途中生活环境对逃犯心理路程的转变，真实的再现了逃犯从实施犯罪、逃避法律、选择逃亡、投案自首的整个心理路程。