《要是羡慕就输了》讲述了真正艺人情侣们真实的爱情故事和日常生活，讲述了恋爱、爱情、结婚的想法和过程。

《要是羡慕就输了》讲述了真正艺人情侣们真实的爱情故事和日常生活，讲述了恋爱、爱情、结婚的想法和过程。

Around a familiar theme – the breakup of a marriage – Yvonne Rainer constructs a wickedly funny account of a self-satisfied womaniser. Sitting in a chair facing the camera, Jack Deller rambles on about women, whose visual absence runs through the entire film. On the soundtrack we hear their questions and comments, by turns enraged or laconic, both stressing and also subverting Deller’s self-assured discourse. The spoken words are taken from texts found in film and everyday culture, from poststructuralist, psychoanalytic and feminist theory. Aside from the theme of the failed (heterosexual) relationship, further fields of conflict get explored – the housing shortage and gentrification in New York during the 1980s, abortion rights, the violent interventions of the US in Latin America. A never-ending collage made up of contradictory levels of meaning results in producing ever new connections and contexts. “Rainer is not trying for some kind of well-mannered correctness or a masterly, fatherly notion of ‘transcendent intellectual clarity’; rather, she tends toward a type of tumbling process, an unbalancing of power, language, and the body.” (Barbara Kruger, Artforum 1986) 　　源自：https://www.berlinale.de/en/2023/programme/202314258.html

Around a familiar theme – the breakup of a marriage – Yvonne Rainer constructs a wickedly funny account of a self-satisfied womaniser. Sitting in a chair facing the camera, Jack Deller rambles on about women, whose visual absence runs through the entire film. On the soundtrack we hear their questions and comments, by turns enraged or laconic, both stressing and also subverting Deller’s self-assured discourse. The spoken words are taken from texts found in film and everyday culture, from poststructuralist, psychoanalytic and feminist theory. Aside from the theme of the failed (heterosexual) relationship, further fields of conflict get explored – the housing shortage and gentrification in New York during the 1980s, abortion rights, the violent interventions of the US in Latin America. A never-ending collage made up of contradictory levels of meaning results in producing ever new connections and contexts. “Rainer is not trying for some kind of well-mannered correctness or a masterly, fatherly notion of ‘transcendent intellectual clarity’; rather, she tends toward a type of tumbling process, an unbalancing of power, language, and the body.” (Barbara Kruger, Artforum 1986) 　　源自：https://www.berlinale.de/en/2023/programme/202314258.html

在经历令人痛心的分手之后，年近四十的维琪重新踏上寻爱之路，却不知自己即将迎来一场深刻而又滑稽的自我发现之旅。

每当有朋友比她先结婚，薇姬都默默承受着痛苦，并对此羡慕不已。40 岁即将来临，她受够了这种状况，向交往多年的男友发出最后通牒：要么结婚，要么分手。但事情并没有如她所愿，薇姬试图重建自己的生活，寻找一个新的男人来实现她的结婚梦想，却不知道在这段旅程中，她不仅会找到一个男人，更会找到真正的自己。

冰冰的哥哥突然异地身亡，她瞒着双目失明的母亲找到哥哥的替身陆会。从此展开了一段以孝为先的悲喜交加的爱情故事。冰冰怕母亲复明后发现事情真相而拒绝给母亲治病。在陆会的帮助下，冰冰终于同意给母亲做复明手术。母亲复明后知道了事情的真相，接纳了陆会。

冰冰的哥哥突然异地身亡，她瞒着双目失明的母亲找到哥哥的替身陆会。从此展开了一段以孝为先的悲喜交加的爱情故事。冰冰怕母亲复明后发现事情真相而拒绝给母亲治病。在陆会的帮助下，冰冰终于同意给母亲做复明手术。母亲复明后知道了事情的真相，接纳了陆会。

在《绝对双刃》的世界里，”焰牙“是凭借超化后的精神力将自己的灵魂具现化所创造出的武器。本作的主人公——九重透流，因为拥有这种千人中才有一人…