从 1998 年至 2018 年，约有11万中国弃婴被海外家庭收养，其中绝大多数是女孩。当年被遗弃在宝鸡市火车站的女婴凤梅，被美国俄亥俄州的家庭收养至今，美国的养父母给她起名为“Hope”。 十五岁的她一直面临着自我身份认知的困境，当她终于决定回到中国时，这块丢失已久的人生拼图就此能够顺利找回吗?

李康生打扮成僧侣，慵懒地穿梭在巴黎拥挤的街道上，与阿农-洪昂昂西（Anong Houngheuangsy）在梦幻般的邂逅中擦肩而过。为蔡明亮回顾展在蓬皮杜艺术中心拍摄。

李康生打扮成僧侣，慵懒地穿梭在巴黎拥挤的街道上，与阿农-洪昂昂西（Anong Houngheuangsy）在梦幻般的邂逅中擦肩而过。为蔡明亮回顾展在蓬皮杜艺术中心拍摄。

An elegant mapping of Lisbon’s labyrinthine streets, where fictional situations juxtapose with the real-life theatre of the city during a warm summer. João Pedro Rodrigues and João Rui Guerra da Mata are back. 　　Like an improvised piece of jazz music from the 60s, this deceptively simple but enigmatic film moves through Lisbon’s narrow streets and green parks to its very own beat. In their idiosyncratic mapping of the beautiful Portuguese capital, director duo João Pedro Rodrigues and João Rui Guerra da Mata let small, fictional situations in the urban space they can see from the window of their shared home. The same streets that in 1963 set the scene for Paolo Rocha’s modern classic ‘The Green Years’ – an iconic film with cult status for generations of cineastes. With an almost geometric symmetry to the compositions, this is an elegant cinematic experience that invites your mind on an adventurous holiday. 　　源自：https://cphdox.dk/film/where-is-this-street-or-with-no-before-and-after/

An elegant mapping of Lisbon’s labyrinthine streets, where fictional situations juxtapose with the real-life theatre of the city during a warm summer. João Pedro Rodrigues and João Rui Guerra da Mata are back. 　　Like an improvised piece of jazz music from the 60s, this deceptively simple but enigmatic film moves through Lisbon’s narrow streets and green parks to its very own beat. In their idiosyncratic mapping of the beautiful Portuguese capital, director duo João Pedro Rodrigues and João Rui Guerra da Mata let small, fictional situations in the urban space they can see from the window of their shared home. The same streets that in 1963 set the scene for Paolo Rocha’s modern classic ‘The Green Years’ – an iconic film with cult status for generations of cineastes. With an almost geometric symmetry to the compositions, this is an elegant cinematic experience that invites your mind on an adventurous holiday. 　　源自：https://cphdox.dk/film/where-is-this-street-or-with-no-before-and-after/

An elegant mapping of Lisbon’s labyrinthine streets, where fictional situations juxtapose with the real-life theatre of the city during a warm summer. João Pedro Rodrigues and João Rui Guerra da Mata are back. 　　Like an improvised piece of jazz music from the 60s, this deceptively simple but enigmatic film moves through Lisbon’s narrow streets and green parks to its very own beat. In their idiosyncratic mapping of the beautiful Portuguese capital, director duo João Pedro Rodrigues and João Rui Guerra da Mata let small, fictional situations in the urban space they can see from the window of their shared home. The same streets that in 1963 set the scene for Paolo Rocha’s modern classic ‘The Green Years’ – an iconic film with cult status for generations of cineastes. With an almost geometric symmetry to the compositions, this is an elegant cinematic experience that invites your mind on an adventurous holiday. 　　源自：https://cphdox.dk/film/where-is-this-street-or-with-no-before-and-after/

该剧由同名漫画改编，描绘了一个人类与熊共同生活的世界，重冈大毅将饰演父母双亡、与哥哥失散，过着有些悲惨的生活却积极乐观的小熊。

该剧由同名漫画改编，描绘了一个人类与熊共同生活的世界，重冈大毅将饰演父母双亡、与哥哥失散，过着有些悲惨的生活却积极乐观的小熊。

一场残酷的连环谋杀案，所有证据都指向10年前死亡的凶手。 　　半夜洗手间里发生了一起谋杀案，重案组刑警东根在尸体上发现了写有十年前日期的日记碎片——“这也会过去的” 　　“东根”得知作为该事件唯一证据的纸条，是与被害人一起在军队服役的“英勋”日记的一部分，而他已在10年前自杀。 　　“东根”认为嫌疑人是制药公司高管、当时军队霸凌的幕后黑手“成贤”，但由于他也死于了同一起连环杀人案，因此案件逐渐陷入迷宫。 　　同时在深入调查案件的过程中，“东根”发现“英勋”是他学生时代的朋友，案件随着被遗忘的记忆，进入了全新的局面…

一场残酷的连环谋杀案，所有证据都指向10年前死亡的凶手。 　　半夜洗手间里发生了一起谋杀案，重案组刑警东根在尸体上发现了写有十年前日期的日记碎片——“这也会过去的” 　　“东根”得知作为该事件唯一证据的纸条，是与被害人一起在军队服役的“英勋”日记的一部分，而他已在10年前自杀。 　　“东根”认为嫌疑人是制药公司高管、当时军队霸凌的幕后黑手“成贤”，但由于他也死于了同一起连环杀人案，因此案件逐渐陷入迷宫。 　　同时在深入调查案件的过程中，“东根”发现“英勋”是他学生时代的朋友，案件随着被遗忘的记忆，进入了全新的局面…