乔尔（托马斯·南吉乔尔 Thomas N'Gijol 饰）和瑞吉斯（法布里斯·厄部埃 Fabrice Eboué 饰）是同父异母的兄弟。乔尔是一个地地道道的黑人，他痛恨自己的血统和外貌，将自己人生的全部失败都归结于种族歧视之中。瑞吉斯虽然没有乔尔这么“黑”，但他同样不愿意承认自己拥有一半的黑人血统，兄弟两人之间的关系也十分的糟糕。 　　某日，传来了两人父亲去世的消息，父亲留下了一笔遗产，为了争夺这份遗产，兄弟两人之间发生了激烈的冲突，并且惹出了非常多的麻烦。这一切都被一位神秘的老妇人看在眼底，为了给兄弟两人一个教训，老妇人将他们传送回了奴隶年代，两兄弟成为了奴隶市场里挂牌出售的“商品”。

该动画片讲述的是三年级小学生小米有许多烦恼和愿 望，他独自对着星空许下心愿，被偶然路过的流 星型宇宙人阿哟听到。阿哟拥有在各个星球之间 瞬间穿梭的能力，可以帮助别人实现不同的愿 望。小米把阿哟当作伙伴带回自己的家。从此， 三年级小学生小米的生活开始变得不再平凡，阿 哟通过自己的超能力，穿梭于宇宙之间，不断帮 助小米实现各种小小心愿。

谢阿斗（刘谋峰 饰）、陈筱悠（杜雨宸 饰）、马壮（周鑫洋 饰）和毛彪（魏林 饰）是大学时代的同窗兼好友，四人之间感情十分要好。毕业季将至，虽然四人约定要做一辈子的好朋友永远不分开，但逐渐逼近的残酷而又冰冷的现实让四人都隐隐约约的开始明白，他们的约定或许永远都不会成为现实了。 　　谢阿斗发现了自己内心里对于陈筱悠的强烈感情，他决定抓住最后的机会向后者表白。然而结局依旧是徒劳，各自怀揣着心事，四个小伙伴们分道扬镳走上了各自的人生道路。一晃眼就是七年过去，在命运的安排下，许久未曾联系过的四人再度聚首，看着面目全非的彼此，谢阿斗能否解开陈筱悠内心里的纠结，坦诚自己的感情呢？

该动画片讲述的是三年级小学生小米有许多烦恼和愿 望，他独自对着星空许下心愿，被偶然路过的流 星型宇宙人阿哟听到。阿哟拥有在各个星球之间 瞬间穿梭的能力，可以帮助别人实现不同的愿 望。小米把阿哟当作伙伴带回自己的家。从此， 三年级小学生小米的生活开始变得不再平凡，阿 哟通过自己的超能力，穿梭于宇宙之间，不断帮 助小米实现各种小小心愿。

三年级小学生小米有许多烦恼和愿望，他独自对着星空许下心愿，被偶然路过的流星型宇宙人阿呦听到。阿呦拥有在各个星球之间瞬间穿梭的能力，可以帮助别人实现不同的愿望。小米把阿呦当作伙伴带回自己的家。从此，三年级小学生小米的生活开始变得不再平凡，阿呦通过自己的超能力，穿梭在宇宙之间，不断帮助小米实现各种小小心愿。

三年级小学生小米有许多烦恼和愿望，他独自对着星空许下心愿，被偶然路过的流星型宇宙人阿呦听到。阿呦拥有在各个星球之间瞬间穿梭的能力，可以帮助别人实现不同的愿望。小米把阿呦当作伙伴带回自己的家。从此，三年级小学生小米的生活开始变得不再平凡，阿呦通过自己的超能力，穿梭在宇宙之间，不断帮助小米实现各种小小心愿。

The Hart of London is a 1970 experimental Canadian film directed by Jack Chambers. Stan Brakhage proclaimed it as "one of the greatest films ever made".[1] Shot in black and white and colour, the film is preoccupied with the tensions between nature and the city of London, Ontario.

The history of the film is based on the renewal of an old friendship happening in unforeseen and strange circumstances. Seyed (Behrooz Vousoughi) is a drug addict working small jobs in a theatre to pay for his heavy addiction. One day he is visited by an old friend, Ghodrat (Faramarz Gharibian), for whom he was a role model and protector when they were teenagers. Ghodrat has just been shot by the police when an armed robbery went wrong and is now looking for a safe place to lay low for a while. Hence, he comes to stay with the only person that he could trust, Seyed. However, what he sees is miles away from the Seyed that he knew and had in mind. Although they are both happy to find each other after so many years, Ghodrat is completely shocked to see Seyed, once the ruler of the high school yards and neighbourhoods, to have become a complete and utterly useless heavy drug user living in a lowly state of physical and social being. 　　Seyed is very emotional to see Ghodrat. He is proud to see that some people from the old days still believe in him and are loyal to him, though he seems ashamed of what Seyed has become. Seyed helps Ghodrat by hiding him in his place, a small room containing only a bed and a samovar that is representative of the extreme poverty in which Seyed lives. They talk about the years since they had been separated. Ghodrat explains that he has become a professional thief and Seyed tells a story of how he had become an heroin addict after having served only two months in a jail for minor offenses. "The drug was distributed by cleaners in the jail," Seyed says. Once released, he found no opportunity in life because of lack of social support, poverty and "drug dealers being everywhere." He became a full-time heroin user after using the drug during alcohol- and drug-fueled parties with local drug dealers. 　　During the few days that Ghodrat is staying with Seyed, he also meets with Seyed's roommate Fati, a poor but beautiful, hard-working and romantic girl from the old days who was once in love with Seyed. Fati is now completely disillusioned about the future and considers Seyed as a brother and life companion. Ghodrat wants to revive Seyed's pride by reminding him of who he was long ago and how being the role model that he was helped him not to fall into drug or alcohol addiction during all those years. 　　Seyed tries to justify his failed life by blaming it on a lack of social and parental support, but this leads to an honest but tough exchange about the circumstances that them to their current stations in life. The discussion becomes so heated and emotional that the two start punching the wall in a show of remaining physical and mental strength. "It is too late," Seyed says. When Ghodrat tries to talk him out of his current state of mind, Seyed responds angrily by saying that being a thief is no better than being a drug addict. In full denial, he thinks that Ghodrat has no right to lecture him about life as "Ghodrat is a thief and doing things against the law." 　　Ghodrat also witnesses how deeply rooted poverty and a lack of basic education affect the daily life of every neighbour in the area. He and Seyed continue to have more meaningful discussions about life, education and opportunity, but no conclusion is really achieved. They are both so sorry about how they have become that they cry at the first opportunity to have an evening meal with aragh, an anise-based alcoholic drink. Ghodrat knows that his time there is limited and that he must find a way out. 　　The police come for Ghodrat after his picture had appeared in local newspapers as a "wanted and dangerous man"; presumably, one of the local people had informed the police of his whereabouts. The police besiege the house for several hours, but Ghodrat does not surrender. Seyed arrives home to discover the escalating situation, fearing Ghodrat's death at the hands of the large police force. He implores the police chief to allow him to enter the house in order to persuade Ghodrat to surrender. Feeling responsible for the danger in which his friend is now involved, Ghodrat beseeches Seyed not to intervene and to go away before he is hurt. However, Seyed chooses to remain with Ghodrat. He runs away from the police and is shot in the shoulder but eventually manages to get into the room with Ghodrat. 　　The two friends reflect on the nearly certain death they are facing. After a few minutes, the building comes under heavy fire, but Seyed stays with Ghodrat when a final police raid results in both men being killed by an explosion. Just before the raid, Seyed looks at Ghodrat and says, "I prefer to die by a bullet here in my room with you being there rather than alone under a bridge in a few years' time." This is a show of loyalty to his friend as well as an expression of his despair and hopelessness.

在一个黑暗而反乌托邦的时代，人类丧失了人性，看上去如同动物一般。在地铁站和火车上，鹿先生试图帮助人们重新找回他们的人性。

黛安——國王最喜愛的妓女，被囚禁在「鹿園」。她只有一個願望，但這個願望並不是與國王同床共枕，而是迫切希望能逃離她的金鳥籠。某一個夜晚，在國王放下警惕的時候，她決定逃跑。