沈星星熬夜猝死，重生成为男女主刚出生的小女儿，抱过的人皆会听到其心声。从星星的心声里，沈君山和云岚得知沈家即将家破人亡，夫妻在女儿心声的加持下，开始更改命运走向，打脸坏人，揭发阴谋……最终更是挽救国主继承人。当星星拥有金手指的事被揭发时，本以为沈家在劫难逃，殊不知，星星反被封为国家的圣女。

秦以漾穿越进了小说里，成了书中的炮灰女配，幸运的是，她绑定了谐音字修改剧情系统吗，改变一个字，即可爆改全剧情，小小谐音字轻松被谐音梗女王秦以漾拿捏，拯救破产的妈、坐牢的爸、破碎的哥，听到秦以漾心声的家人们感慨女儿真是个天才!本剧改编自番茄小说《救命!反派偷听我用谐音梗改剧情》，作者-三樱里。

秦以漾穿越进了小说里，成了书中的炮灰女配，幸运的是，她绑定了谐音字修改剧情系统吗，改变一个字，即可爆改全剧情，小小谐音字轻松被谐音梗女王秦以漾拿捏，拯救破产的妈、坐牢的爸、破碎的哥，听到秦以漾心声的家人们感慨女儿真是个天才!本剧改编自番茄小说《救命!反派偷听我用谐音梗改剧情》，作者-三樱里。

两个编剧在一晚上的剧本创作交流过程中，彼此陷入了对方设置的陷阱。

Satirical TV show critique.

情人节当天，本该在国外出差的沈静宜为了给丈夫陆承州惊喜提前回国，却在去金行提给陆承州准备的礼物时意外发现林婉儿拿着自己的黑卡肆意挥霍。林婉儿看中沈静宜定制的手表，抢夺争执中，沈静宜意外发现丈夫陆承州出轨的事实。林婉儿砸坏定制手表后无力赔偿，只能让陆承州出面为自己撑腰赔钱。陆承州出现后，为彻底认清陆承州，沈静宜暂时躲避，拜托闺蜜陈雨晴帮忙套话。得知自己的婚姻从头到尾就是一场精心编制的骗局，沈静宜誓要让陆承州净身出户

寒冬炕头，7 岁的周媛媛猛地睁眼 —— 她竟重生回被拐卖的当天！前世的惨剧刻骨铭心：她本是世代为官的李家独女，生父李建龙下乡时与她生母相恋，却因家族反对分离。生母未婚生女后，她被寄养到陈春花家，可陈春花为 100 元，狠心将她卖给人贩子。 此后她沦为偏远山区童养媳，受尽折磨。陈春花还为掩盖真相，造谣逼疯她生母，致其腹中弟弟流产；堂姐周甜甜更趁机冒名顶替，被寻女的李建龙接回李家，享受本该属于她的千金生活。临死前，周甜甜特意来深山炫耀真相，让她含恨饿死雪地。

In L’état et moi, Max Linz invents a composer named Hans List, who fought on the barricades of the Paris Commune in 1871 and now wakes up to a new life in the present, moving through Berlin-Mitte sans papiers. His composition “Les Misérables“ is being rehearsed at the State Opera, which he appears in incognito as an extra. Sophie Rois plays two roles in the film, that of List and that of his nemesis, judge Praetorius-Camusot. Completing the ensemble are an awkward legal intern, a grumpy museum guard (the inimitable Kerstin Grassmann), and two authoritarian personalities. 　　Linz works with puns on names and wordplay. He enjoys slapstick as well as breaks in style and mistaken identities, with a penchant for chains of unlikely coincidence and pulling out all the stops, employing the cruder comedic registers too. But beneath all the screen-filling nonsense, things get serious: how are class issues and cultural production connected? What is to be made of soft power cultural diplomacy? And to what tradition do the police and the judiciary belong in Germany? The film deals with all this and more. As Sophie Rois sings tenderly: “I may have failed, but red won’t be derailed.”