The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

《享受美吧》节目由睿智美的队长李锐、健康美的代表刘畊宏、女神美的代表柳岩和青春美的代表李川及科技美的代表机器人小绿共同组成“美丽特工队”，为前来求助的素人们解决“美的困惑”，探讨美的标准。话题涉及美的方方面面，整容、护肤、减肥、健身、时尚、美妆都在节目的讨论范围内，而美丽特工队队员将从5个全然不同的视角为素人提供解决方案。每场节目都将由100位现场观众进行投票，得票最低的特工队队员还将接受“美的代价”惩罚。

两个编剧在一晚上的剧本创作交流过程中，彼此陷入了对方设置的陷阱。

是述说以结婚连结的两个家庭内的六名情侣的生活和爱情,结婚以及离婚的故事.并有代表不同世代纠葛的多样夫妻登场, 预计将通过他们克服纠葛来呈现美丽的和睦。

Slightly over-the-hill actress Nina has a fainting spell in a Paris park and Sami, an Algerian man out for a run comes to her aid. She seeks him out afterwards to return some property and discovers he works at night as a female prostitute. Nina is drawn to him and a friendship develops as he attempts to kick his drug habit and she tries to revive her acting career sidelined when she moved to Russia for years.

本剧将以娱乐的形式描写充满梦想与希望的政治。木村饰演一名被孩子们围绕，每天过着充实生活的小学老师，却因为某些因素开始奋斗朝向政治圈，成为总理大臣的人性温情剧。 　　虽然被老奸巨猾的政治家们操弄着，却有着想让日本变得更好的想法，因此而与一些隐秘的人们一起奋斗。不忘记身为平民的感觉，以市井小民的观点，虽不懂太多政治方面的事，却不畏怯的素人总理之姿影响周围的人。 　　另外，担任此剧秘书角色的为深津绘里，距上回与木村共演的《从天而降的一亿颗星星》有六年之久，此一秘书角色为名门大学出身，本拥有一颗想要动摇日本野心的女性，但却渐渐被木村总理的理念给吸引。而二人之间的恋爱去向也是一大焦点。 　　本剧的制作人为后藤博幸，脚本为写过《HERO》日剧版与电影版的福田靖，导演则是执导《HERO》SP版、《西游记》日剧版与电影版的泽田鎌作所担任，可说是实力坚强的班底。