巴西影史最佳超现实主义电影之一，与Joaquim Pedro de Andrade的《Macunaima》不相上下，更值得一提的是这么NB的无政府主义电影居然出自一个女导演之手，那个时代巴西的女导演还真不多见，Ana Carolina属于巴西新浪潮一代中的特例了，此片又是由我最爱的巴西女星Norma Bengell主演的。找这片已经很久了，今日终于拿到。。。：D 　　http://www.ejumpcut.org/archive/onlinessays/JC22folder/BrazilFilmUpdate.html 　　Anarchist film with surrealistic touches, fine actors and delightfully wacky dialog.A Weird and Surrealistic Dramatic Story. 　　Ana Carolina surprised everybody when, after many documentary shorts and a hit documentary feature about Brazilian dictator Getúlio Vargas, she jumped into anarchist, surrealist crazy drama/black comedy with her first fiction film "Mar de Rosas". A non-sequitur, iconoclast portrait of middle-class family life, her protagonist Betinha (Cristina Pereira, perfectly cast) is a sort of teenage Mafalda (Quino's comic book anti-heroine): rambunctious, naughty, irrepressible, eager to be evil. She's on the run with her mother Felicidade (Norma Bengell, returning to Brazilian films after a long sojourn in European cinema and theater), who has killed husband Sergio (Hugo Carvana) in a hotel bathroom. Betinha and Felicidade are followed by suspicious character Bardi (Otávio Augusto) and, after terrible "accidents" -- Betinha sets fire on her mother at a gas station, Felicidade is hit by a bus while trying to escape from Bardi -- the 3 of them end up being "helped" by wacky couple Dirceu (Ary Fontoura) and Niobi (hilarious, wreck-voiced Myriam Muniz). 　　"Mar de Rosas" has some major lulls (especially toward the end) and is technically precarious, but the acting is inspired and, despite being ultimately a tragic film, you'll find yourself cracking with the loony dialog which is rather difficult to translate, as Ana Carolina uses a lot of Brazilian jeux de mots, adages and figures of speech in her trademark style of "free association". "Mar de Rosas" is refreshingly anti-cliché, and its critical and commercial success paved the way to Ana Carolina's very individual oeuvre that combines anti- conformism, feminism and social criticism with a delightful touch of surrealistic (black) humor. 　　The antagonism portrayed in this explosive black comedy makes a dysfunctional family seem like the Brady bunch. Director Ana Carolina has her leads play it straight, allowing the absurdity of their situations to speak for itself. Felicidade (Norma Benguel) has just slashed her husband with a razor blade in a violent argument, and she and her offensive daughter (Cristina Pereira) run away together. They are caught by Orlande (Otavio Augusto) who was sent out after them by the injured husband. Instead of bringing them back, Orlande takes off with them and a series of misadventures results. Long periods of dialogue are well-written and maintain interest in this maladjusted trio.

重生后的阮莞誓要撕碎前世虚伪骗局。她主动与冷待自己的丈夫厉明澜离婚，暗中收集其与白月光沈枝枝的出轨证据却屡遭同事和绿茶弟弟刁难，厉渊强势护妻，与她闪婚共谋破局。两人逆风翻盘，渣男恶女身败名裂。该短剧改编自番茄巅峰榜小说《白月光悖论》，作者【三樱里

由中国著名音乐家舒楠任艺术总监，由资深影视导演徐海执导的电影《白月光下》，以巴蜀文化为底色，以剑门关豆腐制作的非遗技艺为切入点，以几代人对传统…

月卿，白月光替身职业人，为复仇与崛起，依附权贵步步为营。两年内助谢彦之崛起，又与傅泽修、尘清玄周旋，借势逆袭成女首富。面对多男争宠，她冷静应对，最终以智慧与狠厉掌控全局，在众人齐聚的上市典礼上，傅泽修、尘清玄、谢彦之纷纷捧花求婚，月卿仅淡淡一笑，接过伯祈递来的“白月光替身”雇佣合同，拒绝爱情，只信钱权。

灵境系统工程师明雅为了拯救白月光师兄北溯，先后进入多个不同的平行时空“灵境”修复数据，最终成功救出北溯，阻止了邪恶工程师李博士企图入侵数据世界的阴谋，与北溯双向奔赴终成眷属。

金牌制片人丁沐苒遭人毒杀后重生为安冉，绑定"金钱续命系统"。为摆脱婚约困扰，她在葬礼现场接受豪门继承人霍司御的契约婚姻提议。入住霍家后，安冉发现霍氏兄弟佩戴的神秘项链竟与凶案现场遗物完全相同，由此揭开惊天阴谋。她暗中追查真相时，却与霍司御渐生情愫。当霍天临为夺家产绑架安冉，最终暴露其杀害丁沐苒的真凶身份。霍司御拼死救妻，两人在血色月光下坦诚相拥，以真实身份开启新生。风波过后，这对历经生死的情侣携手破局，用爱与智慧共谱幸福新篇。

前世叶宁深爱季斯辰十年，季斯辰却因为苏茉，一心要和她离婚。叶宁不甘心的纠缠，被抛弃，家破人亡，最终自杀。重生后，叶宁不愿重蹈覆辙，一心只想和季斯辰离婚。季斯辰一开始不同意，叶宁却胸有成竹，因为她知道季斯辰遇到苏茉后，就会同前世一样，甩一份离婚协议给她，并给她10%的股份。可季斯辰在座谈会遇到苏茉后，依旧拒绝离婚，还表现得越来越在意叶宁，并且当众表白。可却因为苏茉各种设计，叶宁一直在加深对季斯辰的误会，并认为季斯辰是渣男。后来，叶宁无意中认识了苏茉的男友林阳，终于知道一切都是苏茉的阴谋诡计。最终在季斯辰的真诚追求下，和季斯辰解开一切误会，重归于好。

豪门大小姐桑幼和集团总裁霍沉彼此相爱，马上要步入婚姻的殿堂，可结婚当天桑幼却意外坠海失踪，被官方告知死亡，霍沉因为桑幼的离世悲痛异常昏沉度日。

成婚后，曾经许诺柳悦一生一世一双人的傅年先变了心，他与外室在外行事张扬，纵容着外室不断挑衅柳悦，谁料柳悦在给了他数次机会后彻底死心，向来柔弱的她果断选择和离改嫁，独留他一人留在过去的会议里后悔不已……

慕若穿进虐恋小说，原女主被陷害致死。她决心改变命运，搬进联姻对象傅简之家。陆北辰想让慕若回心转意遭拒，夏晚晚模仿慕若并多次陷害她。傅老爷子去世后，傅简之整合集团。最终二人确定心意，决定长相厮守。