含彰殿内，皇后沈檀潮正在暴君奚无霁的病榻前哭得梨花带雨，奚无霁已然命不久矣无力回天，他死前叮嘱皇后沈檀潮，自己离开之后，再无人会为沈檀潮遮风挡雨，希望沈檀潮能够自立，保护好二人的皇子，奚无霁崩逝之后，本满面悲伤的沈檀潮，却突然开始肆意大笑，原来她等这一天已经很久，自己的戏终于演完，沈檀潮忍受暴君奚无霁整整十年，如今终于熬到头，此前的自己只是奚无霁的掌中玩物，而如今，自己将会是权倾朝野的太后。幼子登基，沈檀潮如愿成为太后把持朝政，却没成想，奚无霁竟然带着先...

男主宁凡在前世因爱错人而家破人亡，重生后决定与前妻林心晴划清界限，凭借自己的才华和智慧重新崛起。他与师妹陈诺雅合伙创业，击败前妻的公司，赢得投资，最终建立自己的商业帝国。女主林心晴在经历一系列挫折后，才意识到宁凡的优秀，但为时已晚。

暴君又来听我心声了

在一家咖啡馆内，当抽着一整包烟时，一个男人提出了一个雄心勃勃的问题。"什么是爱？"。一系列的小插曲和情况将引导这个男人达到预期的结论。

魂穿异世，李君献来到只有女人才拥有灵力的世界。诸子百家，儒墨道法全都成了女孩们修炼灵力的方法。作为没有灵力的弱男子，在系统帮助下，李君献要让满朝文武，公主女帝全都成为李君献的裙下之臣，最终李君献君临天下。

二十世纪九十年代初，跨性别者陈实活在一个不为人知的世界里。平时“他”是陈实，一个纺织车间的普通工人，在舞厅“她”是身着红裙的春草。双重性别的生活将陈实割裂，“他”在纺织厂模仿纺织厂的女工刘玉美，晚上前往舞厅。“她”对男子李国涛的爱恋，将她所有作为女性的部分全部推向极端。她越来越渴望被认同，越来越渴望做自己。 　　但是活在世上，谁又是不苦的呢？当她终于下定决心，努力地将自己推出去，得到的却是命运的反噬；当她努力地挣脱，换来的却只是所爱的人极其伤人的眼神。加之她自己和整个环境附加给她的压力，她剩下的就只有绝望。

Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.

Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.