以色列军队的军官候选人在进行课程的最后一项任务，两个女军官在残酷的沙漠荒地艰苦跋涉着，突然其中一人发现她忘记了一件很重要的东西……

以色列军队的军官候选人在进行课程的最后一项任务，两个女军官在残酷的沙漠荒地艰苦跋涉着，突然其中一人发现她忘记了一件很重要的东西……

The building of the M11 Link Road in East London provoked a long and bitter campaign by local residents to protect their homes from demolition. Blight was filmed during this period, while houses were demolished and land cleared. Using recordings made of people's reminiscences, the score incorporate fragments of speech and natural sounds. The film is based on real events which transformed people's lives, but it is much more than a conventional documentary. Enigmatic stories are created and the mundane is transformed into the marvellous. The music and images are woven into an elegiac evocation of memory and loss.

The building of the M11 Link Road in East London provoked a long and bitter campaign by local residents to protect their homes from demolition. Blight was filmed during this period, while houses were demolished and land cleared. Using recordings made of people's reminiscences, the score incorporate fragments of speech and natural sounds. The film is based on real events which transformed people's lives, but it is much more than a conventional documentary. Enigmatic stories are created and the mundane is transformed into the marvellous. The music and images are woven into an elegiac evocation of memory and loss.

三个朋友——马特奥、胡安和贝尼托——的旅程让他们的友谊经受了考验。贝尼托是一名警长，由于西班牙南部贩毒活动增多和社会动荡，他陷入执法部门和犯罪分子之间的两难境地。

孟晚晴自出生就被家人当作姐姐孟雨晴的“血包”，在孟雨晴的伪装下，父母、哥哥孟峰和竹马李旭升都偏爱姐姐，对她厌恶至极。订婚后孟晚晴重生，决心为自己而活，果断出国。 在国外，她偶然救下全球首富沈家，被认作干女儿，沈家独子沈汀州也爱上了她，她亦动心。孟家人在她离开后发现真相：孟雨晴装病、冒领功劳，父母遂与孟雨晴断绝关系，开始寻找孟晚晴，却遭心灰意冷的她拒绝。 孟雨晴挟持孟晚晴，李旭升为救她挡枪成植物人，孟雨晴入狱。孟家人最终放手，孟晚晴与沈汀州终成眷属。

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.