LOGLINE 　　On a sweltering summer day, three young teens set out on a reckless plan to escape the confines of their small town. 　　SYNOPSIS 　　A stifling summer day. A small town in China, where everything feels stagnant. Middle school dropouts Cheng (14), Zhang(14), and Li(13), each burdened by their own troubles, hatch a plan to escape the town. Broke and desperate, they wander around the streets, looking for ways to “make money”. Eventually, they set out on a reckless robbery, and what begins as an ordinary day ends violently... The film follows them through this oppressive day, delving into the dark corners of adolescence. Their acts are brutal, yet they themselves are brutalized by a world indifferent to their struggles. 　　DIRECTOR’S STATEMENT 　　The film is based on a 2019 incident in China where three young teens robbed a store and killed the owner for quick cash. Their brutal act sparked public outrage, with many demanding the death penalty—a response that, even in the name of justice, I see as another form of violence. This made me ask: what’s wrong with us, not just with the teens? I decided to make this film to examine the societal conditions that shape these teenagers’ confusion, despair, and the pervasive violence around them.

LOGLINE 　　On a sweltering summer day, three young teens set out on a reckless plan to escape the confines of their small town. 　　SYNOPSIS 　　A stifling summer day. A small town in China, where everything feels stagnant. Middle school dropouts Cheng (14), Zhang(14), and Li(13), each burdened by their own troubles, hatch a plan to escape the town. Broke and desperate, they wander around the streets, looking for ways to “make money”. Eventually, they set out on a reckless robbery, and what begins as an ordinary day ends violently... The film follows them through this oppressive day, delving into the dark corners of adolescence. Their acts are brutal, yet they themselves are brutalized by a world indifferent to their struggles. 　　DIRECTOR’S STATEMENT 　　The film is based on a 2019 incident in China where three young teens robbed a store and killed the owner for quick cash. Their brutal act sparked public outrage, with many demanding the death penalty—a response that, even in the name of justice, I see as another form of violence. This made me ask: what’s wrong with us, not just with the teens? I decided to make this film to examine the societal conditions that shape these teenagers’ confusion, despair, and the pervasive violence around them.

為了幫助患有認知障礙的年邁父親，妹妹嘗試使用音樂治療，卻招來行事謹慎的姊姊反對。隨著治療進行，父親竟誤將妹妹錯認為過往情婦，終讓姊妹兩人不得不面對從未解的家庭心結。故事以溫柔音樂輕撫家庭傷痕，資深演員羅家英細膩自在詮釋罹病父親，真摯動人。

為了幫助患有認知障礙的年邁父親，妹妹嘗試使用音樂治療，卻招來行事謹慎的姊姊反對。隨著治療進行，父親竟誤將妹妹錯認為過往情婦，終讓姊妹兩人不得不面對從未解的家庭心結。故事以溫柔音樂輕撫家庭傷痕，資深演員羅家英細膩自在詮釋罹病父親，真摯動人。

扬州杂货郎之女蓝玉与北平王世子秦烨幼时一玉定情，却因秦烨回京途中意外失忆、两人的信物阴差阳错被七公主楚嫣所得，秦烨因此认错了心上人。十年后，蓝玉身为神医药老关门弟子，却毅然决然以军医身份前往军营重逢秦烨，却在一夜春风后得知秦烨已经心有所属。因为责任她成了名不正言不顺的世子妃。成亲一年后，秦烨凯旋归来，一同带回了他的心上人七公主楚嫣。就在蓝玉决定离开之时，却意外发现自己怀有身孕，而秦烨也在相处中渐渐发现自己对蓝玉的情感有了变化。当真相一点点被揭开，他们又该如何在责任与爱中抉择？

扬州杂货郎之女蓝玉与北平王世子秦烨幼时一玉定情，却因秦烨回京途中意外失忆、两人的信物阴差阳错被七公主楚嫣所得，秦烨因此认错了心上人。十年后，蓝玉身为神医药老关门弟子，却毅然决然以军医身份前往军营重逢秦烨，却在一夜春风后得知秦烨已经心有所属。因为责任她成了名不正言不顺的世子妃。成亲一年后，秦烨凯旋归来，一同带回了他的心上人七公主楚嫣。就在蓝玉决定离开之时，却意外发现自己怀有身孕，而秦烨也在相处中渐渐发现自己对蓝玉的情感有了变化。当真相一点点被揭开，他们又该如何在责任与爱中抉择？

女孩在父亲爆出丑闻后，选择和联姻的霸总离婚，面对询问，霸总称家族联姻无所谓后悔。可不久后，他却哄着她复合。他爱她，却不知她真正的想要什么，她选择离婚的原因，不过是不想让恶毒家人连累他以及他的不在乎，而他都不懂。当他明白她的心后，开始去感受她真正需要的爱。

女孩在父亲爆出丑闻后，选择和联姻的霸总离婚，面对询问，霸总称家族联姻无所谓后悔。可不久后，他却哄着她复合。他爱她，却不知她真正的想要什么，她选择离婚的原因，不过是不想让恶毒家人连累他以及他的不在乎，而他都不懂。当他明白她的心后，开始去感受她真正需要的爱。

1943年，百闲先生从大学退职后呆在家中一心从事写作。这个家“小偷很容易进来”，是以房租便宜，聚集了高山、甘木、桐山、泽村等弟子。澡堂的门是半开的，立着“小偷入口”的牌子，还有“小偷通道”，“小偷休息室”里甚至摆放了烟灰盆。每一个小偷看到了都会大吃一惊。空袭中这座房子被毁，百闲先生和夫人搬进了一个只有三铺席大小的门房，终日与猫为伍，过着悠然自在的生活。战后，弟子们创立了“摩阿陀会”。“摩阿陀会”是“好了吗？还没有呐”的谐音。弟子们每年都为先生的生日召开大会，在第17届会上，头发花白的先生这样问弟子们：“人生中最重要的是什么？”那天晚上，先生做了一个梦，好些孩子们在朝他呼唤：“好了吗？”

1943年，百闲先生从大学退职后呆在家中一心从事写作。这个家“小偷很容易进来”，是以房租便宜，聚集了高山、甘木、桐山、泽村等弟子。澡堂的门是半开的，立着“小偷入口”的牌子，还有“小偷通道”，“小偷休息室”里甚至摆放了烟灰盆。每一个小偷看到了都会大吃一惊。空袭中这座房子被毁，百闲先生和夫人搬进了一个只有三铺席大小的门房，终日与猫为伍，过着悠然自在的生活。战后，弟子们创立了“摩阿陀会”。“摩阿陀会”是“好了吗？还没有呐”的谐音。弟子们每年都为先生的生日召开大会，在第17届会上，头发花白的先生这样问弟子们：“人生中最重要的是什么？”那天晚上，先生做了一个梦，好些孩子们在朝他呼唤：“好了吗？”