『校内写生』『ヴィジョナリィ』など、数々のヒット作を創り出した美少女コミック界の人気者、遊人原作によるエロチックＯＶ。主演はセクシー女優の白石ひとみ

平静的小镇，迎来了一位气质不凡的女性。她的名字叫劳拉·弗蒙提（卡萝尔·贝克 Carroll Baker 饰），是一个情愿为了钟爱的音乐而牺牲个人生活的教师。她受雇于当地的教会音乐学院，其迷人的外表和雍容的气质吸引了正处在青春期的男孩们的注意。其中，亚历桑德罗（Rosalino Cellamare 饰）和乔这对好朋友更对她分外着迷。只是，他们心中却有着不同的感受。羞涩的亚历桑德罗视劳拉如不可侵犯的女神一般，虽偶尔有轻浮举动，却始终不越雷池一步。乔则怀有罪恶的念头，他跟踪劳拉，并拍下她的私生活照片，以此要挟劳拉按照他的命令当众做一些耻辱的事情。 　　这一切都令亚历桑德罗无法忍受……

付明在一次见义勇为中救下了逃婚的刘家大小姐刘婕淑，成为了刘家的女婿，在刘家的日子付明忍辱负重，受尽家人侮辱，但是为了心爱的老婆和女儿，他是一忍再忍，终于，刘家人触碰了付明的底线，重伤了他视如珍宝的女儿，付明决定不再忍让，让伤害他女儿的人都受到应有的惩罚，最后付明用自己的方式守护了自己珍视的家人。

职场女性王阿美面对新上司贾博的频频示好，原本理性自控的她逐渐开始沦陷。恰在此时，感情上出现竞争者，工作上她也要与贾博为敌。要爱情还是要面包，阿美必须要勇敢做出自己的选择。

职场女性王阿美面对新上司贾博的频频示好，原本理性自控的她逐渐开始沦陷。恰在此时，感情上出现竞争者，工作上她也要与贾博为敌。要爱情还是要面包，阿美必须要勇敢做出自己的选择。

纪录片《传道人》 　　‘Preachers’ 　　Documentary 　　内容简介： 　　Summary: 　　这是一部关于信仰的纪录片，讲述了陕西省铜川市十多位基督徒的故事。影片通过老中青四代传道人的生活和信仰之路，反映了五十年来社会变革对当地教会的深远影响。无论是个人在侍奉道路上遇到的拦阻、软弱和成长，还是教会内部的纷争，均成为这个信仰缺失的时代中，关于传道人群体以及教会历史和信仰现状的忠实、中立的写照。 　　This is a documentary about faith, narrating the stories of a dozen or so Christians in the city of Tongchuan, in Shaanxi Province. Through the lives and beliefs of four generations of preachers, the film reflects on the profound influence of 50 years of social change on the local church. Whether recounting personal setbacks encountered on the serving path or people’s weaknesses, growth, or disputes within the church community, the film becomes a neutral and faithful portrayal of a group of preachers, of the history of the church community and of the status-quo of belief in this faithless era. 　　导演阐释： 　　Director’s commentary: 　　完成了生存三部曲之后，开始拍基督教。随着拍摄的不断深入，原先对信仰的纯粹想象完全被颠覆。或许只有上帝是全备的，人都有缺憾和软弱，传道人一样要面对复杂的社会现实和生存压力。因此，也使得纪录下来的传道人群像更为真实和鲜活，离我们并不遥远。 　　After completing the “Survival Trilogy”, I started to shoot material on the Christian religion. As my interest in the subject deepened through the filming, the original and clear-cut image I had about faith became completely overturned. Perhaps it is only God who is fully equipped and all people have shortcomings and weaknesses, and so the preachers, in the same way, have to face a complex social reality and the pressures to survive. Consequently, the characters of the group come through as more real and dynamic, and not so far-flung from us.

纪录片《传道人》 　　‘Preachers’ 　　Documentary 　　内容简介： 　　Summary: 　　这是一部关于信仰的纪录片，讲述了陕西省铜川市十多位基督徒的故事。影片通过老中青四代传道人的生活和信仰之路，反映了五十年来社会变革对当地教会的深远影响。无论是个人在侍奉道路上遇到的拦阻、软弱和成长，还是教会内部的纷争，均成为这个信仰缺失的时代中，关于传道人群体以及教会历史和信仰现状的忠实、中立的写照。 　　This is a documentary about faith, narrating the stories of a dozen or so Christians in the city of Tongchuan, in Shaanxi Province. Through the lives and beliefs of four generations of preachers, the film reflects on the profound influence of 50 years of social change on the local church. Whether recounting personal setbacks encountered on the serving path or people’s weaknesses, growth, or disputes within the church community, the film becomes a neutral and faithful portrayal of a group of preachers, of the history of the church community and of the status-quo of belief in this faithless era. 　　导演阐释： 　　Director’s commentary: 　　完成了生存三部曲之后，开始拍基督教。随着拍摄的不断深入，原先对信仰的纯粹想象完全被颠覆。或许只有上帝是全备的，人都有缺憾和软弱，传道人一样要面对复杂的社会现实和生存压力。因此，也使得纪录下来的传道人群像更为真实和鲜活，离我们并不遥远。 　　After completing the “Survival Trilogy”, I started to shoot material on the Christian religion. As my interest in the subject deepened through the filming, the original and clear-cut image I had about faith became completely overturned. Perhaps it is only God who is fully equipped and all people have shortcomings and weaknesses, and so the preachers, in the same way, have to face a complex social reality and the pressures to survive. Consequently, the characters of the group come through as more real and dynamic, and not so far-flung from us.

在这部令人大开眼界的剧集中，性、欢愉感和现代科学共同开启女性愉悦领域之门，并打破古老的迷思。

影片通过引人入胜的“唯美”画面，电影探究了爱，色情，性别，暴力以及死亡间某种的不确定的共谋关系，表现了当代美学无解状态的混乱，极具诱惑力和欺骗力。电影中造型婉约的男性演员，模糊了性别差异，把主题推向另一个极端点，是对权力，秩序，系统以及价值的恶意解构。电影的复杂性搅拌在美丽的感官娱乐画面的肤浅性当中；电影的模糊性让观众在质问图象内容所引发的畸形感受的同时，也在怀疑图象在美学“质量”上的完美所带来的愉悦反应，某种程度上，观众需要自行编撰故事，引出自己的欲望。黄然在这里制造了一个沉醉状态——对合法化的当代美学不合理性的渴望。

Mr. Dhanrajgir or Dadaji (Anupam Kher) is the paternal grandfather of Suraj (Salman Khan). Dadaji is concerned about the manner Suraj treats young ladies, he just flirts with them one after another. Then Suraj meets with the girl of his dreams, Komal Sinha (Twinkle Khanna). Komal lives with her uncle and aunt (Harish Patel and Himani Shivpuri), and does not appreciate Suraj's advances. So Suraj takes on the identity of Suraj Dhanwa, a childhood friend of Komal Sinha and her family. Komal accepts him and also falls in love with him. But then the real Suraj Dhanwa shows up, resulting in the break-up of both Suraj and Komal. Komal is not convinced that Suraj will stop his flirtatious attitude, and is hurt by his impersonating Mr. Dhanwa. Matters are further complicated when a child named Kabir shows up claiming that Suraj is his dad.