1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。

1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。

A film essay about a singular couple, Paco and Manolo, two Catalan photographers from the outskirts of Barcelona, who have been together for thirty years. Both have managed to work as a single photographer and have captured their imagery in the Kink magazine, a very personal photography fanzine with an essentially Mediterranean homoerotic aesthetic. Paco and Manolo’s style can be summarized in simplicity, the use of natural light, abandoned places and simple rooms, managing to record the Sex Appeal of the working class, an unprejudiced mix of aesthetics that goes from Caravaggio to Pasolini. The method of these artists consists in being discreet witnesses of the morbidity and intimacy of those men who contact them (through Social Networks) with the desire to be portrayed naked of all prejudice. The clothes fall, the bodies are freed and the souls end up being captured by the lens of this intensely cultured, cinematic and urban couple.

A film essay about a singular couple, Paco and Manolo, two Catalan photographers from the outskirts of Barcelona, who have been together for thirty years. Both have managed to work as a single photographer and have captured their imagery in the Kink magazine, a very personal photography fanzine with an essentially Mediterranean homoerotic aesthetic. Paco and Manolo’s style can be summarized in simplicity, the use of natural light, abandoned places and simple rooms, managing to record the Sex Appeal of the working class, an unprejudiced mix of aesthetics that goes from Caravaggio to Pasolini. The method of these artists consists in being discreet witnesses of the morbidity and intimacy of those men who contact them (through Social Networks) with the desire to be portrayed naked of all prejudice. The clothes fall, the bodies are freed and the souls end up being captured by the lens of this intensely cultured, cinematic and urban couple.

这是一档每周介绍世界各国符合既定主题房屋的节目。节目设置了猜房价以及探寻房屋隐藏秘密的环节，让观众借此了解不同城市的物价、文化和人们的生活。此外，观众还有机会在自家主卧体验“全球临场”，节目既能带来“参观别人家”的乐趣，又能为观众提供有关家和居住环境的信息。

是每周介绍符合既定主题的世界各国房屋，通过猜房价、房屋中隐藏的秘密，了解城市物价、文化和人们生活的节目。观众们将有机会在自家主卧体验“全球临场”，不仅提供“参观别人家”的乐趣，还将提供有关家和居住环境的信息。

改编自Camille DeAngelis所著同名小说， 讲述女主Maren Yearly踏上穿越全国的旅程，寻找素未谋面的父亲，想弄明白为什么她有杀死和吃掉爱她的人的冲动。…

杰克柯林斯是一位前海军海豹突击队队员，目前是协助中央情报局追捕恐怖分子的赏金猎人。然而他长期靠药物对抗心魔的情况，让他成为组织的眼中钉。中情局的接头人莉决定给他最后一次机会，派他到伦敦街头出三人小组任务。目标名叫麦奈特，是叛变的中情局前特务，向俄国黑帮购买大规模毁灭性武器后就人间蒸发……

《想起所有夜晚》钩织了东京郊区多摩新城中三个女人的故事。多摩新城是日本有史以来最大的住宅项目。某一天，一个人的宝贵记忆在另一个人身上产生了共鸣。 　　该片灵感来自于导演疫情期间亲身体会的分离感。为了见到一个人，我们必须要走多远的路呢？导演通过对三个女人日常碎片的描述，表达人 与人之间的共鸣，以及对于「距离」的一种新体验。

《想起所有夜晚》钩织了东京郊区多摩新城中三个女人的故事。多摩新城是日本有史以来最大的住宅项目。某一天，一个人的宝贵记忆在另一个人身上产生了共鸣。 　　该片灵感来自于导演疫情期间亲身体会的分离感。为了见到一个人，我们必须要走多远的路呢？导演通过对三个女人日常碎片的描述，表达人 与人之间的共鸣，以及对于「距离」的一种新体验。