1928年，伊文思第一次赴巴黎，试图探讨摄影机的表现可能性，并在那里拍摄了一部4分钟的短片《对运动的研究》。 　　Images of mostly traffic in Paris, a.o. seen from the appartment of Germaine Krull or shot while walking through the city with her. Here already the influence of the Russina avant-garde films can be seen clearly, e.g. when looking at the diagonal frame compositions.

1928年，伊文思第一次赴巴黎，试图探讨摄影机的表现可能性，并在那里拍摄了一部4分钟的短片《对运动的研究》。 　　Images of mostly traffic in Paris, a.o. seen from the appartment of Germaine Krull or shot while walking through the city with her. Here already the influence of the Russina avant-garde films can be seen clearly, e.g. when looking at the diagonal frame compositions.

A definitive history of surfing in Australia, Bombora tells the story of Australian beach culture through our surfing champions, writers, pioneers, entrepreneurs, mavericks, legends, drop-outs, and drop-ins. 　　The two-part series follows the rise of surfing and its culture in Australia, using archival footage and classic Australian music to illustrate its growing importance in Australian society in the 20th century and beyond. From the time we learned to bodysurf, to our first attempts on boards, to Duke Kahanamoku’s 1914 visit which kicked off surfing’s roll to popularity, Australians have taken the surf and made it our own, spawning international legends such as Midget Farrelly, Nat Young and seven-time world champion Layne Beachley, along with global surfwear brands. 　　Set against a changing world, Bombora follows the history of surfing from its maverick early days, through three significant wars and a depression, the development of surf clubs and the ensuing battles between lifesavers and surfers, the sea-change seeking drug culture of the 1970s and its shift to a cleaner, more professional sport in the late 1980s. 　　Bombora interviews a rich seam of Australian characters, including our first surf champion Isabel Letham, author and surfer Tim Winton, legendary surfboard shaper Bob McTavish, accidental entrepreneur and Rip Curl founder Doug Warbrick and former world champion surfers Barton Lynch and Wayne ‘Rabbit’ Bartholomew. It looks at the rise of women surfers, such as Layne Beachley, and the explosion of Australian labels including Billabong, Rip Curl, and Quiksilver, which helped to cement Australia’s position as a global force in international surfing.

A definitive history of surfing in Australia, Bombora tells the story of Australian beach culture through our surfing champions, writers, pioneers, entrepreneurs, mavericks, legends, drop-outs, and drop-ins. 　　The two-part series follows the rise of surfing and its culture in Australia, using archival footage and classic Australian music to illustrate its growing importance in Australian society in the 20th century and beyond. From the time we learned to bodysurf, to our first attempts on boards, to Duke Kahanamoku’s 1914 visit which kicked off surfing’s roll to popularity, Australians have taken the surf and made it our own, spawning international legends such as Midget Farrelly, Nat Young and seven-time world champion Layne Beachley, along with global surfwear brands. 　　Set against a changing world, Bombora follows the history of surfing from its maverick early days, through three significant wars and a depression, the development of surf clubs and the ensuing battles between lifesavers and surfers, the sea-change seeking drug culture of the 1970s and its shift to a cleaner, more professional sport in the late 1980s. 　　Bombora interviews a rich seam of Australian characters, including our first surf champion Isabel Letham, author and surfer Tim Winton, legendary surfboard shaper Bob McTavish, accidental entrepreneur and Rip Curl founder Doug Warbrick and former world champion surfers Barton Lynch and Wayne ‘Rabbit’ Bartholomew. It looks at the rise of women surfers, such as Layne Beachley, and the explosion of Australian labels including Billabong, Rip Curl, and Quiksilver, which helped to cement Australia’s position as a global force in international surfing.

Former leaders of the "pray the gay away" movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance from more than a decade of trauma.

Former leaders of the "pray the gay away" movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance from more than a decade of trauma.

1949年之后，解放区和国统区的两股文艺力量汇合，如何将中国文艺界统一到为新政权服务的大旗下？1950年，电影《武训传》提供了这种契机，它点燃了文艺为谁服务的问题，在这个问题的拷问下，一批作家作品遭到批判改造，命运被改写。

1949年之后，解放区和国统区的两股文艺力量汇合，如何将中国文艺界统一到为新政权服务的大旗下？1950年，电影《武训传》提供了这种契机，它点燃了文艺为谁服务的问题，在这个问题的拷问下，一批作家作品遭到批判改造，命运被改写。

A sharp, witty, mind-expanding and exuberant foray into the world of logic with computer scientist Professor Dave Cliff. Following in the footsteps of the award-winning 'The Joy of Stats' and its sequel, 'Tails You Win - The Science of Chance', this film takes viewers on a new rollercoaster ride through philosophy, maths, science and technology- all of which, under the bonnet, run on logic. 　　Wielding the same wit and wisdom, animation and gleeful nerdery as its predecessors, this film journeys from Aristotle to Alice in Wonderland, sci-fi to supercomputers to tell the fascinating story of the quest for certainty and the fundamentals of sound reasoning itself. 　　Dave Cliff, professor of computer science and engineering at Bristol University, is no abstract theoretician. 15 years ago he combined logic and a bit of maths to write one of the first computer programs to outperform humans at trading stocks and shares. Giving away the software for free, he says, was not his most logical move... 　　With the help of 25 seven-year-olds, Professor Cliff creates, for the first time ever, a computer made entirely of children, running on nothing but logic. We also meet the world's brainiest whizz-kids, competing at the International Olympiad of Informatics in Brisbane, Australia. 　　'The Joy of Logic' also hails logic's all-time heroes: George Boole who moved logic beyond philosophy to mathematics; Bertrand Russell, who took 360+ pages but heroically proved that 1 + 1 = 2; Kurt Godel, who brought logic to its knees by demonstrating that some truths are unprovable; and Alan Turing, who, with what Cliff calls an 'almost exquisite paradox', was inspired by this huge setback to logic to conceive the computer. 　　Ultimately, the film asks, can humans really stay ahead? Could today's generation of logical computing machines be smarter than us? What does that tell us about our own brains, and just how 'logical' we really are...?

A sharp, witty, mind-expanding and exuberant foray into the world of logic with computer scientist Professor Dave Cliff. Following in the footsteps of the award-winning 'The Joy of Stats' and its sequel, 'Tails You Win - The Science of Chance', this film takes viewers on a new rollercoaster ride through philosophy, maths, science and technology- all of which, under the bonnet, run on logic. 　　Wielding the same wit and wisdom, animation and gleeful nerdery as its predecessors, this film journeys from Aristotle to Alice in Wonderland, sci-fi to supercomputers to tell the fascinating story of the quest for certainty and the fundamentals of sound reasoning itself. 　　Dave Cliff, professor of computer science and engineering at Bristol University, is no abstract theoretician. 15 years ago he combined logic and a bit of maths to write one of the first computer programs to outperform humans at trading stocks and shares. Giving away the software for free, he says, was not his most logical move... 　　With the help of 25 seven-year-olds, Professor Cliff creates, for the first time ever, a computer made entirely of children, running on nothing but logic. We also meet the world's brainiest whizz-kids, competing at the International Olympiad of Informatics in Brisbane, Australia. 　　'The Joy of Logic' also hails logic's all-time heroes: George Boole who moved logic beyond philosophy to mathematics; Bertrand Russell, who took 360+ pages but heroically proved that 1 + 1 = 2; Kurt Godel, who brought logic to its knees by demonstrating that some truths are unprovable; and Alan Turing, who, with what Cliff calls an 'almost exquisite paradox', was inspired by this huge setback to logic to conceive the computer. 　　Ultimately, the film asks, can humans really stay ahead? Could today's generation of logical computing machines be smarter than us? What does that tell us about our own brains, and just how 'logical' we really are...?