尤里是一位65岁的鳏夫。自从他的妻子17年前去世以来，他一直执着地在他人身上审视那些会让他想起妻子的细节。在他的雕塑工作室里，他一直努力着重塑她。他只缺一个关键的元素，那就是眼睛。后来他遇到了安德烈亚斯（24岁）：显然他有她的眼睛。尤里将被这次相遇颠覆，无论是在人际关系上还是在它所代表的意义上：这是他追寻的终点。 　　Yuri is a 65-year-old widower. Since the death of his wife, 17 years ago, he obsessively scrutinizes in the others details which would remind him of her. In his sculptor's workshop, he has been working hard to re-fabricate her. He misses only one key element, the eyes. When he meets Andreas (24 years), it is an evidence obvious : he has his eyes. Yuri will be turned upside down by this meeting, both humanly and for what it represents: the end of his quest.

尤里是一位65岁的鳏夫。自从他的妻子17年前去世以来，他一直执着地在他人身上审视那些会让他想起妻子的细节。在他的雕塑工作室里，他一直努力着重塑她。他只缺一个关键的元素，那就是眼睛。后来他遇到了安德烈亚斯（24岁）：显然他有她的眼睛。尤里将被这次相遇颠覆，无论是在人际关系上还是在它所代表的意义上：这是他追寻的终点。 　　Yuri is a 65-year-old widower. Since the death of his wife, 17 years ago, he obsessively scrutinizes in the others details which would remind him of her. In his sculptor's workshop, he has been working hard to re-fabricate her. He misses only one key element, the eyes. When he meets Andreas (24 years), it is an evidence obvious : he has his eyes. Yuri will be turned upside down by this meeting, both humanly and for what it represents: the end of his quest.

在睡覺前，克里夫選擇和丈夫羅傑冷戰，因為他發現羅傑的手機出現了曖昧簡訊。然而，這股妒火卻不是今晚最危險的東西……克里夫與羅傑，你們小心了！ 　　☆今晚的睡前故事，讓「牠」來講給你聽……

在睡覺前，克里夫選擇和丈夫羅傑冷戰，因為他發現羅傑的手機出現了曖昧簡訊。然而，這股妒火卻不是今晚最危險的東西……克里夫與羅傑，你們小心了！ 　　☆今晚的睡前故事，讓「牠」來講給你聽……

As part of Harun Farocki's intense exploration of "intelligent" machines, the video shows how military image and control techniques successively seep into everyday life. With its stance between enlightenment and protest, this split-screen work stands for a widespread ambivalence at the end of the 1990s. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-9df12040-61d4-eb46-b7a5-ace30b302161

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.