Jacky Cheung Hok-yau is a Hong Kong singer, songwriter and actor. With more than 25 million records sold as of 2003, he is regarded as one of the "Four Heavenly Kings" and has been deemed the "God of Songs" of Hong Kong.

在进入梦境之前，你会处在哪个世界？每天躺在床上的时刻都是一场漫游。如果不敢闭眼，那就做一尾在梦境里不醒的鱼吧。

With a terminally ill father at home Zoe hangs out at the local travellers’ camp, where she meets France, a rebellious young gypsy who is tired of the patriarchal culture of her community.

【冲破桎梏舞狮，少女勇夺狮王宝座】 　　幼时檐下惊鸿一瞥，她记住父亲舞狮时金鳞翻涌；祠堂阶前铁规如锁，她偏要以女儿身叩响醒狮魂。 　　婚书折成纸鸢，他在台下举灯如炬；金鼓裂响长空，父兄在身后擂鼓震天——原来最动人的情，是有人护你疯魔，更有人陪你把「不可能」舞成传奇。 　　原来红妆亦可震山河，原来真爱从不是枷锁。

【冲破桎梏舞狮，少女勇夺狮王宝座】 　　幼时檐下惊鸿一瞥，她记住父亲舞狮时金鳞翻涌；祠堂阶前铁规如锁，她偏要以女儿身叩响醒狮魂。 　　婚书折成纸鸢，他在台下举灯如炬；金鼓裂响长空，父兄在身后擂鼓震天——原来最动人的情，是有人护你疯魔，更有人陪你把「不可能」舞成传奇。 　　原来红妆亦可震山河，原来真爱从不是枷锁。

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.

淹没在小城市里的马陆与马锋是一对互相抗拒又彼此相爱的父子。一场即将到来的足球决赛让他们携手反思各自的内心和人生。

淹没在小城市里的马陆与马锋是一对互相抗拒又彼此相爱的父子。一场即将到来的足球决赛让他们携手反思各自的内心和人生。

越南电视剧-绿茵男孩NHỮNG CHÀNG TRAI SÂN CỎ。 　　两个少年，因为分宿舍而“同居”，可是他们却是宿敌，足球教练就想了一个办法让他们的关系有所改善，于是玩起了捆绑！他们的关系确实有了变化，逐渐变成爱情！