2014年世界环境日，中国妇女发展基金会在香港各界妇女联合协进会的支持下与联合国开发计划署携众星重磅推出首部绿色消费公益动画短片《绿》。本短片由杜家毅导演执导，联合国开发计划署亲善大使周迅献声。

面粉厂初中女孩许毛毛看似与这个小城的孩子们一样，却被电视里维多利亚秘密的走秀与楼下裁缝铺的时尚杂志深深吸引着。直到一位大胆的校园女神出现，许毛毛终于决定拿起剪刀，走上裁剪校服的“时尚之路”。在这场关于美的热带风暴中，好奇心会带来怎样的挑战，爱与理解又将如何生长？

面粉厂初中女孩许毛毛看似与这个小城的孩子们一样，却被电视里维多利亚秘密的走秀与楼下裁缝铺的时尚杂志深深吸引着。直到一位大胆的校园女神出现，许毛毛终于决定拿起剪刀，走上裁剪校服的“时尚之路”。在这场关于美的热带风暴中，好奇心会带来怎样的挑战，爱与理解又将如何生长？

法国女作家热娜维耶芙·勒菲弗的银幕处女作。她共执导过2部同性恋题材的影片；另一部为2001年的《天空压顶（流年更美丽）》（Le ciel sur la tête）。 　　70多岁的芭莎Bacha（阿莉达·瓦利饰）是纳粹集中营的幸存者，经受过不堪回首的恐怖，现在她领导着一个国际大赦组织，是个人权活动家，还写了一本书。芭莎在这方面的工作得到了玛妮埃拉Manuela（玛丽-克里斯蒂娜·巴罗饰）的帮助。玛妮埃拉是个快到40岁的女人，与男友分手后，她坚信是她所崇拜的芭莎给了她智慧和精神上的力量，便投身芭莎做她的助手并照顾她起居和出行，而芭莎很快也成了玛妮埃拉的良师益友。 　　在她们的小圈子里，27岁的时装设计师克洛德Claude（吉耶梅特·格罗邦饰）是个有同性恋倾向的女人。玛妮埃拉与克洛德通过接触和交流，在情感生活问题上互为同情，关系即刻密切，成为了亲密朋友，遂开始共同生活。 　　玛妮埃拉与克洛德的浪漫，被芭莎从感觉到发觉。而年迈保守的芭莎自心中产生了强烈的嫉妒......

SYNOPSIS 　　Se-hi is annoyed by her husband since his sudden unemployment. For three months, she had to put up with her husband's incompetence in and out of the bedroom. She decides to call a matchmaking service to add some excitement to her life but little does she know that this is a prostitution ring. She begins to enjoy the company of strangers. 　　故事 　　上班族的名誉sehui妻子谁是整个3个月有义务bangeojeon，更不用说投诉，她的丈夫谁原谅我的丈夫。她享受的秘密恋情与另一名男子高兴地生活，被迫卖淫的主妇公司变相俘虏预订事件的调解。

一起飞机坠毁事故，促使新闻媒体通过独特的图像传播这一消息。这种视觉呈现将事件浓缩，封装了坠机现场，然后脱离了实际场景。同时，个体记忆也随着图像而碎片化。尽管事故本身很短暂，但其影响却持久存在，以持续的涟漪形式存在。这类灾难的记忆在世代之间持续存在，笼罩在普遍不安感中。

SYNOPSIS 　　Se-hi is annoyed by her husband since his sudden unemployment. For three months, she had to put up with her husband's incompetence in and out of the bedroom. She decides to call a matchmaking service to add some excitement to her life but little does she know that this is a prostitution ring. She begins to enjoy the company of strangers. 　　故事 　　上班族的名誉sehui妻子谁是整个3个月有义务bangeojeon，更不用说投诉，她的丈夫谁原谅我的丈夫。她享受的秘密恋情与另一名男子高兴地生活，被迫卖淫的主妇公司变相俘虏预订事件的调解。

为寻找失踪多年的母亲，金夏来到韩国谋生。某天，金夏在码头边检处邂逅一个神秘的绿发女孩，意外卷入危险的毒品交易。为摆脱各自被束缚与支配的命运，她们决定一起踏上未知的冒险旅程。

The film begins with the title Chorokbam filling the screen, which is amazing to see. This is the very moment at which the audience decides to trust this film without hesitation. In terms of how to fill and empty the square frame, the film is bold and skillful. Chorok, meaning green in English, is the color of fate in this movie. The problems of all the family members a hopeless father who works as a night guard, a mother who is completely exhausted with house works, a poor son who works for the disabled and their funeral ceremony are all dominated by the color, green. It is not bright or fancy but dark and scary in some sense. With attractive images and scenes, the film develops a series of worldly episodes of a family up to the level of poetic sentiment of blues and depression. (JUNG Hanseok)

The film begins with the title Chorokbam filling the screen, which is amazing to see. This is the very moment at which the audience decides to trust this film without hesitation. In terms of how to fill and empty the square frame, the film is bold and skillful. Chorok, meaning green in English, is the color of fate in this movie. The problems of all the family members a hopeless father who works as a night guard, a mother who is completely exhausted with house works, a poor son who works for the disabled and their funeral ceremony are all dominated by the color, green. It is not bright or fancy but dark and scary in some sense. With attractive images and scenes, the film develops a series of worldly episodes of a family up to the level of poetic sentiment of blues and depression. (JUNG Hanseok)