The Sun in a Net (Slnko v sieti) became a key film in the development of Slovak and Czechoslovak cinema from the mandated Socialist-Realist filmmaking of the repressive 1950s towards the Czechoslovak/Czech New Wave and socially critical or experimental films of the 1960s marked by a gradual relaxation of communist control. Stefan Uher's cinematic idiom is as exquisite and deliberate as any of his European contemporaries, including Michelangelo Antonioni, Ingmar Bergman and Chris Marker. The Sun in a Net received multiple votes in a wide survey of Czech and Slovak film academics and critics in the late 1990s asking them for their lists of the 10 best films in the history of filmmaking in the former Czechoslovakia.

The Sun in a Net (Slnko v sieti) became a key film in the development of Slovak and Czechoslovak cinema from the mandated Socialist-Realist filmmaking of the repressive 1950s towards the Czechoslovak/Czech New Wave and socially critical or experimental films of the 1960s marked by a gradual relaxation of communist control. Stefan Uher's cinematic idiom is as exquisite and deliberate as any of his European contemporaries, including Michelangelo Antonioni, Ingmar Bergman and Chris Marker. The Sun in a Net received multiple votes in a wide survey of Czech and Slovak film academics and critics in the late 1990s asking them for their lists of the 10 best films in the history of filmmaking in the former Czechoslovakia.

故事依然围绕黑客莉丝贝丝·沙兰德和记者米克尔·布隆克维斯特展开。

故事依然围绕黑客莉丝贝丝·沙兰德和记者米克尔·布隆克维斯特展开。

新片故事依然围绕黑客莉丝贝丝·沙兰德和记者米克尔·布隆克维斯特展开。

SYNOPSIS 　　Sun-young, a fashion model, accidentally runs a man over on a bicycle on her way home and flees the scene. Young-pyo witnesses the accident and blackmails Sun-young for sexual favors. Sun-young is in love with Cheol-min, the son of a wealthy businessman but she is unable to stop Cheol-min from taking advantage of her. Young-pyo devises a plan to rip off Cheol-min and his family. Things go from bad to worse when Young-pyo involuntarily kills Cheol-min's parents when they strongly resist his demands. Sun-young becomes accessory to murder when she is forced to help him hide the bodies. She finds out that the man whom she had hit is not dead but alive and walking the streets, and sees the big picture. Cheol-min investigates his parents' disappearance and discovers Sun-young and Young-pyo's relationship… 　　故事 　　Sunyoung的时装模特仅在交通事故中逃脱，在交通事故中，他被一个在回家路上骑自行车的男子抓到。目睹这个的永愚强迫他与孙to有性关系。永愚谋利用财富谋利，制定精确的计划。永宝绑架军队之父，军队之父，要求大笔钱。然而，由于宋代的叛乱，他和他的妻子被杀，孙永成在永乐的强制下，在被遗弃的沉船中组织尸体成为同谋。孙某找到一个以为他在车里遇害的男人，意识到了所有的细节，而在追求父母失踪的同时，他了解了孙爷与永愚之间的关系。

松井贵博（山口胜平 配音）第一次看到冢本裕司（古泽彻 配音）是在游泳比赛中，天真的松井立刻就被裕司帅气的身姿所吸引从而深深迷恋上了他。可是松井不知道的是，在裕司健康爽朗的外表下，藏着一颗由于被压迫和控制而变得扭曲乖僻的心灵。想要和裕司套近乎的松井成为了裕司一伙狐朋狗友们的玩物。终于，悲剧发生了，在一个雨夜，裕司一帮人残忍的凌辱了松井后消失得无影无踪。 　　许多年过去了，升上高中的松井一直将伤痛深藏在心底，他并不恨裕司，正相反，为了追随他的脚步，松井加入了游泳部。没想到，裕司的身影居然出现在了第一次到社团报道的松井的面前。好不容易逃脱的鱼又回到了网中，裕司和松井，这两人将会怎样面对自己内心深处的黑暗面呢？

本片由伊安·瑞克利斯执导，讲述一名年轻特工被派去跟踪一名向中东出售化学武器交易的年长特工。

http://video.sina.com.cn/v/b/71444786-2261871213.html 一支预告片

1940年阿尔及利亚。丈夫被囚禁在巴黎，漂亮的犹太女人蒂娜艰难地独自扶养着儿子梅亚。蒂娜身边有许多追求者，都被蒂娜委婉地拒绝了。她心中一直坚信：有一天丈夫一定会回到她身边。日子一天天过去，梅亚长大了。他尊敬爱戴妈妈，可也梦想着能够去巴黎。当他终于下定决心独自前往巴黎时，蒂娜的心碎了...