影片记录了一个被称为Panyi的南部岛屿的风景，充满隐喻色彩。

影片记录了一个被称为Panyi的南部岛屿的风景，充满隐喻色彩。

“巴西新浪潮中最激进，最勇敢，最特别的一部先锋电影。"----- Caetano Veloso 　　"It is worth repeating that Hitler, Third World of 1968 is the most radical and extraordinary attempt at alternative cinema out of everything that has been tried in Brazil." (Caetano Veloso) 　　"Hitler, Third World is one of bravest films of our experimental cinema. It was not shown in public until 1984. Yet, it is a militanit film. It is a poetically political film. José Agrippino de Paula is not only a great filmmaker. He is one of the greatest, known independetit artists. He is a genial writer and a rernarkable man of the theater." (Jairo Ferreira) 　　We are in more than just Brazil. We are in the Third World. The comedian, Jo Soares, goes around a favela dressed up like a samuraí and mobbed by little kids. A judge wants to decapitate a very beautiful, nude young woman. A monster - a mutant that looks like The Thing - wanders around the city. We see soldiers torture studente in a hospital. Two Nazis try to use the same bathroom at the same time. Hilter receives a woman visitor. The samurai kills the Nazi. A student is castrated. The samurai tries many times to commit hara-kiri on the street. 　　José Agrippino de Paula, a writer, avant-garde film director, playwright from the 60s/70s, presently living in Embu/SP, receives a super-8 camera equal to one he used on his films. On the expectancy that he would film, his work is retrieved. At the meeting with Jorge Bodanzky, director of photography of “Hitler, Terceiro Mundo”( Hitler, Third World) a José Agrippino’s motion-picuture, it is portrayed an effervescent Brazilian moment.

“巴西新浪潮中最激进，最勇敢，最特别的一部先锋电影。"----- Caetano Veloso 　　"It is worth repeating that Hitler, Third World of 1968 is the most radical and extraordinary attempt at alternative cinema out of everything that has been tried in Brazil." (Caetano Veloso) 　　"Hitler, Third World is one of bravest films of our experimental cinema. It was not shown in public until 1984. Yet, it is a militanit film. It is a poetically political film. José Agrippino de Paula is not only a great filmmaker. He is one of the greatest, known independetit artists. He is a genial writer and a rernarkable man of the theater." (Jairo Ferreira) 　　We are in more than just Brazil. We are in the Third World. The comedian, Jo Soares, goes around a favela dressed up like a samuraí and mobbed by little kids. A judge wants to decapitate a very beautiful, nude young woman. A monster - a mutant that looks like The Thing - wanders around the city. We see soldiers torture studente in a hospital. Two Nazis try to use the same bathroom at the same time. Hilter receives a woman visitor. The samurai kills the Nazi. A student is castrated. The samurai tries many times to commit hara-kiri on the street. 　　José Agrippino de Paula, a writer, avant-garde film director, playwright from the 60s/70s, presently living in Embu/SP, receives a super-8 camera equal to one he used on his films. On the expectancy that he would film, his work is retrieved. At the meeting with Jorge Bodanzky, director of photography of “Hitler, Terceiro Mundo”( Hitler, Third World) a José Agrippino’s motion-picuture, it is portrayed an effervescent Brazilian moment.

月圆之夜，镇国大将军之女骆檀儿被郡主苏浅陌囚于柴房，受尽酷刑。她这才知晓，家族通敌的罪名是苏浅陌陷害，而自己深爱之人高长风，早已为了权势与郡主勾结，亲手葬送了她的家族。 高长风对她的折磨视而不见，直至看到她手臂的梅花胎记，才幡然醒悟。可骆檀儿早已被饿狗分食，连腹中胎儿也未能幸免。悔恨交加的高长风疯癫度日，最终坠崖而亡。 再次睁眼，骆檀儿重回高长风应征入伍的那一日。这一世，她修复容貌，步步为营，誓要让背叛者血债血偿。纠缠三世的爱恨痴缠，终究是月满则亏，爱满则痴。

督察袁金昌（欧阳震华 饰）和电视女主播杨夕雪（关咏荷 饰）相恋多年，在一次办案中，袁金昌误杀恋人夕雪，无限悔恨的他灵魂出窍，穿越时空，现身于宋朝，摇身一变成了包青天。他运用现代知识，与开封六子屡破奇案。不久，他遇到一个叫韩霜霜的女子，惊讶地发现她与夕雪长得一模一样。可惜霜霜生性冷傲，且遗忘了前世所有记忆。不过，二人在查案过程中渐渐互生情愫。然而这一世注定悲剧收尾，霜霜再次死于他手中。苦痛中他再次穿越时空，来到了50年代的香港，再次遇到了与夕雪长得一样的女子，二人命运再度缠绕，这一世，是缘分还是劫数…… 　　三段时空，三世情缘。宿命能否逆转，有情人能否终成眷属？

《鲁邦三世》首度以3DCG制成的电影版作品，那个大名鼎鼎的亚森‧鲁邦唯一失手的秘宝「布列松日志」，传说若能解开日志之谜，就会获得庞大的财宝。瞄准了这个目标的鲁邦，邂逅热爱考古学的少女蕾蒂西亚，两人决定合力解开谜团。然而，企图得到布列松日志的秘密组织研究人员兰贝尔，以及操控组织的神秘男子杰洛特却阻挡住两人的去路…… 隐藏在布列松日志里令人震惊的秘密究竟是！？巴黎、墨西哥、巴西——前所未有的大规模夺宝战即将开幕！

《鲁邦三世》首度以3DCG制成的电影版作品，那个大名鼎鼎的亚森‧鲁邦唯一失手的秘宝「布列松日志」，传说若能解开日志之谜，就会获得庞大的财宝。瞄准了这个目标的鲁邦，邂逅热爱考古学的少女蕾蒂西亚，两人决定合力解开谜团。然而，企图得到布列松日志的秘密组织研究人员兰贝尔，以及操控组织的神秘男子杰洛特却阻挡住两人的去路…… 隐藏在布列松日志里令人震惊的秘密究竟是！？巴黎、墨西哥、巴西——前所未有的大规模夺宝战即将开幕！

身为皇后，她在大婚之夜被赐绝子药，成为丈夫萧衍眼中“只需当个摆设”的工具。心如刀割的她，却将药渣埋入萧衍宠妃的牡丹之下，开启了三年的隐忍布局。当朝堂因无子嗣而动荡，萧衍在焦躁中流露出“若你能生育，或许朕会爱上你”的悔意时，她抚着已微微隆起的小腹，淡然一笑，揭开了惊天真相。原来，她通过多年布局，已从被遗忘的冷宫旧人手中，秘密“收集”了多个酷似萧衍的皇子皇女。当心腹带着孩子们出现在萧衍面前，他惊愕地发现，自己最珍视的宠妃却无法生育，而这些“继承人”竟是那些被他厌弃的女人所生。她褪去温顺假面，立最像他的孩子为太子，宣告垂帘听政。曾经的摆设皇后，最终以她的方式，完成了这场跨越三世的复仇，君临天下。

在海内外数一数二的盗贼团伙The Works的老大托马斯•道森（尼克•泰特 Nick Tate 饰）年事已高，萌生退意，准备将大权移交接下来的继任者。为了聆听这一重要消息的发布，分散在各地且在道上各具名气的大盗们纷纷来到道森的宅邸，甚至连钱形警部（浅野忠信 饰）也得到情报匆匆前往。在这群高手中，自然少不了鲁邦（小栗旬 饰）及其搭档们的身影，毕竟他的祖父鲁邦一世和道森曾经结下莫逆的友情，而且道森更有意将这位老友的孙子推上老大宝座。谁知就在继任者的名字即将发表的关键时刻，钱形警部带着手下突然闯入，警匪双方发生激烈枪战。混乱之中，道森却被敌视鲁邦的迈克•李（言承旭 饰）及其手下举枪杀害。道森之死的背后，一件稀世珍宝的传奇渐渐浮出水面。公元前40年代，鼎盛时期的古罗马帝国，安东尼向埃及艳后克里奥佩特拉七世赠送了与之绝世美貌相媲美的珠宝——镶嵌了深红宝石的光之项链——绯红之心。但是在漫长和纷乱的历史长河中，绯红之心不知从何时起被人偷走，从此消失在时间的尘埃之中。时至今日，绯红之心重新被分成两部分，深红宝石由道森持有，而光之项链则被与道森不相上下的东洋黑社会帝王普拉穆克（Nirut Sirichanya 饰）所把持。东西方两位大佬你来我往，互不退让。多年的明争暗斗，最终以道森之死告一段落。道森死后的一年，藏匿许久的迈克•李重现江湖，打算将手中的光之项链卖给在幕后藏踪一切的普拉穆克。钱形警部得到消息后，利用峰不二子（黑木明纱 饰）骗来了鲁邦。巧妙逃脱的鲁邦三世继承了道森的遗志，决意无论如何夺回秘宝。他先是前往日本找到石川五卫门，随后又与迈克•李冰释前嫌。盗贼界最负盛名的高手们就此组成了一支燃着熊熊怒火的复仇团队。但是绯红之心早已被普拉穆克藏到了连地图上都查不到的原始森林中，那里更有全副武装的部队所护卫的要塞型金库“纳瓦隆方舟”。为了夺回绯红之心，向举世证明自己世界第一盗贼的称号，鲁邦三世和战友次元大介（玉山铁二 饰）、石川五卫门以及峰不二子朝着这个不可能的任务发起挑战……