愚蠢的仆人Pulcinella从维苏威火山深处送到今坎帕尼亚荣誉的可怜的shepherd Tommaso的最后的愿望：他的使命是拯救一个年轻水牛称为sarchiapone。在carditello普钦内拉前皇家宫殿发现的动物，Tommaso看着毁了波旁地产在火灾后土地的心。他把水牛带到北方，两个仆人，人和牲畜，穿过美丽而失落的意大利，但是他们漫长的旅程并没有带来他们所希望的。

手提地狱魔剑，身穿幽魂神光铠，头戴噬魂紫金盔，脚踏浮云踏浪靴，左搂死亡女神，右抱美丽天使。 盘踞在极寒死亡之地，一代修罗王陆尘横空出世。 菜鸟们，颤抖吧！

本片讲述了由于资深游戏玩家沉迷于游戏，不停地给自己的人物增加高能的配置，使得游戏里的人竟然反控起玩家，并利用游戏中的BUG和玩家互换，还因此进入许多热门游戏中作乱。诸仙的资深玩家乔波不幸被选中，跟游戏中的两位主角郭笑丹（檀健次饰）和傅云天身份互换。郭笑丹、傅云天来到现实社会中，因不通人情世故而闹出一系列让人啼笑皆非、忍俊不禁的笑话。在一起寻找换回身份的方法的过程中，二人开始艳羡人们可以拥有喜怒哀乐，并被人间的友情和亲情所打动，而深深留恋现实社会不愿再回到冰冷的游戏中。

吉米和莱克斯是一对年轻情侣，某日他们在实施抢劫后发现了一辆没上锁的车，车后座有一个小男孩，但他们没有管他，偷了一把枪就走了。吉米因不慎而枪走了火，他才急匆匆救出孩子并带回了家。莱克斯对孩子很不耐烦，把他关进了衣柜里，而吉米则发现枪走火时可能误杀了人……日本知名个性派导演真利子哲也曾以《错乱的一代》赢得2016年洛迦诺国际电影节当代电影人单元最佳新导演奖，《从宫本到你》入选电影旬报年度十佳。本片是他的最新短片，全程英语对白。

享尽万般宠爱的许家千金许期得知自己竟并非许家的真千金，而自从真千金许明珠被认回后，一向溺爱自己的父母和哥哥都开始偏听偏信许明珠的一面之词。因误以为许期将奶奶推下楼导致昏迷，许家人将许期送进女德学校忏悔改过，致使许期遭受了长达三年的非人折磨，落下无法逆转的终身残疾。三年后，许期被许家接回，许家人发现，曾经那个明媚爱笑的许期如今拒人千里

莱昂内尔爵士（休·杰克曼 Hugh Jackman 配音）是一名怪物调查员，为了获得探险精英的认可，他将自己的生死置之度外，为了寻找未被人类发现的怪物跋山涉水，远渡重洋，发誓要将自己探险的足迹遍布整个世界。某日，雷昂内尔爵士收到了一封匿名信，信中声称，在美国太平洋西北地区发现了一只罕见的，体型巨大的长毛怪。如获至宝的莱昂内尔爵士立刻就踏上了前往那里的旅途。 　　果不其然，很快，莱昂内尔就见到了自己的梦中情怪——林克先生（扎克·加利费安纳基斯 Zach Galifianakis 配音），让莱昂内尔爵士感到震惊的是，林克先生似乎缺乏野心，而且精通人类的语言。在林克先生的请求下，莱昂内尔爵士决定带着他前往香格里拉，去寻找他在那里生活的远亲——大雪怪。

莱昂内尔-弗罗斯特爵士认为，在调查世界上的神秘生物领域，自己是世界上数一数二的专家，但是他的同行们却对他不以为然。为了获得探险精英的认可，他赌上…

苏颜（黄姵嘉 饰）是一个看似活泼开朗，但其实内心有些自卑的女生，因不愿敞开心扉，曾经和家人、朋友发生了很多误会与矛盾，在男友陆瑾瑜（陈玺安 饰）的关爱和照顾下，在结婚前夕她决定以邮件的方式向亲朋好友吐露心声，揭开所有隐藏的真相，这封密码信也开启了他们对曾经那段青春往事的回忆，然而一场车祸却在此时不期而至……

Making war is a storyteller’s job. A good story is crucial to legitimizing the use of military force. That’s why militaries need strong promotion and Israel is a model country in promoting its military ventures. We’ve successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, and our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding military service becomes a threat. For some children we’ll offer benefits, for most we’ll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. This is the story of children who resisted being enlisted but were capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment, and home videos of the deceased soldiers whose stories are silenced and seen as a national threat. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14782

Making war is a storyteller’s job. A good story is crucial to legitimizing the use of military force. That’s why militaries need strong promotion and Israel is a model country in promoting its military ventures. We’ve successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, and our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding military service becomes a threat. For some children we’ll offer benefits, for most we’ll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. This is the story of children who resisted being enlisted but were capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment, and home videos of the deceased soldiers whose stories are silenced and seen as a national threat. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14782