故事发生在父亲邱领邦 (郑少秋) ，其妻因难产而死，留下一子邱南生 (周世英) ， 　　故父甚疼爱，父子感情融洽。领邦英俊倜傥，很多少女对之仰慕，奈何他无意续弦，引来不少风流韵事。领邦家里有个诸事丁管家婆 (苏杏璇) ，她样样都管，经常催促领邦结婚，闹出很多趣事。在公司里，领邦碰上三个很「怪」的职员，各有各的个性，令领邦碰到很多「翳气」的事情。南生虽年纪细小，但已懂得很多事，欢喜时助领邦一臂之力，不高兴时则破坏之，常弄得父亲啼笑皆非。

故事发生在父亲邱领邦 (郑少秋) ，其妻因难产而死，留下一子邱南生 (周世英) ， 　　故父甚疼爱，父子感情融洽。领邦英俊倜傥，很多少女对之仰慕，奈何他无意续弦，引来不少风流韵事。领邦家里有个诸事丁管家婆 (苏杏璇) ，她样样都管，经常催促领邦结婚，闹出很多趣事。在公司里，领邦碰上三个很「怪」的职员，各有各的个性，令领邦碰到很多「翳气」的事情。南生虽年纪细小，但已懂得很多事，欢喜时助领邦一臂之力，不高兴时则破坏之，常弄得父亲啼笑皆非。

Set in the world of elite tennis, the drama portrays Justine Pearce as a one-time rising star whose sudden success at 17 took her and her coach Glenn Lapthorn to the quarterfinals of the French Open.

一位青少年网球天才挣扎于父亲的期望，同时与他的教练踏上了一场改变人生的意大利海岸训练之旅。这位教练曾是冠军，后来迷失了方向。

両親の離婚によって、全く違う環境で育った姉妹・さおりと真琴は、高校のテニスの対抗試合で再会する。しかし妹との再会に胸をふくらませる姉・さおりとは対照的に、妹の真琴は姉に激しいライバル心を燃やしていた…。

Set in the world of elite tennis, the drama portrays Justine Pearce as a one-time rising star whose sudden success at 17 took her and her coach Glenn Lapthorn to the quarterfinals of the French Open.

A young man and an older woman wonder if tennis is the only place where love means nothing in this romantic drama. Twenty-something Chris (Dean Paul Martin) is a rising star on the professional tennis circuit. Nicole (Ali MacGraw) is an artist in her early 40s who's involved with a wealthy man. Chris falls for Nicole, but while she's certainly attracted to him, she's not sure if she should give up her life of luxury in order to follow Chris in his uncertain future.

一位青少年网球天才挣扎于父亲的期望，同时与他的教练踏上了一场改变人生的意大利海岸训练之旅。这位教练曾是冠军，后来迷失了方向。

雪狮子张牙舞爪，抓咬小猫小狗，老爷爷冷静地看到了雪狮子的弱点，凭机智勇敢巧妙地惩治了它。

This short documentary by Ozu was intended to present the artistry of kabuki dancer Kikugoro Onoe IV to both Japanese and foreign audiences. A voice-over narration introduces Kikugoro as well as the dance he performs in the film's second half, in which a young girl is transformed into a resplendent lion (the imagery of which apparently inspired Jean Cocteau as he conceived his own BEAUTY AND THE BEAST). Watching Kikugoro imitate the gestures of a demure maiden you see how he deserved his fame. Ozu shoots the performance in three simple set-ups: a roving frontal shot of the performers on stage, an angled shot from the side of the stage, and an angled longshot that acknowledges the presence of the audience in a way that is unmistakably Ozu.