影片讲述了一名叫罗斯的女子在1945年的可怕遭遇。故事发生在波兰马祖里湖区的一个农场上。她的丈夫是一名德国士兵，在1939年德国进军波兰的九月之战中被杀，留下孤零零的她在俄国士兵来到的时候被强暴。俄国人想要复仇。而波兰人洗劫了她的农场。一切秩序都不复存在。一名叫做塔杜斯的退伍士兵从华沙来到了这里，他一直隐藏着自己的真实身份，却向罗丝伸出了援手。

这部影片开创了一套揭露隐藏在美国健康核心家庭深处的邪恶的恐怖电影。导演Roman Polanski无情的将观众带入了一个被友好和睦蒙蔽的充满巫术和魔鬼崇拜的世界，Mia Farrow的年轻和脆弱使得她成为凶暴残忍，野心勃勃的“丈夫”(John Cassavetes)和那对神秘古怪的老年夫妇的掌中猎物。

这部影片开创了一套揭露隐藏在美国健康核心家庭深处的邪恶的恐怖电影。导演Roman Polanski无情的将观众带入了一个被友好和睦蒙蔽的充满巫术和魔鬼崇拜的世界，Mia Farrow的年轻和脆弱使得她成为凶暴残忍，野心勃勃的“丈夫”(John Cassavetes)和那对神秘古怪的老年夫妇的掌中猎物。

Writer/directors Joe Lawlor and Christine Molloy are back with a taut psychological thriller about a young woman who confronts a trauma from her past. See Rose Plays Julie in UK and Irish cinemas from 15 May 2020.

一个十几岁的男孩无可救药地爱上了他的新嫂子。当她怀孕的时候，众人怀疑他可能是孩子的父亲。

A group of friends uncover an otherworldly object in a rural field, which they soon discover holds greater secrets than they could imagine.

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.

Nesmluvená setkání is the story of a group of astronauts and their Cyborg worker who are assigned to jump from planet to planet in search of suitable living conditions for future inhabitants. Their mission is side tracked one day when they receive a communiqué from Earth requesting that they search and recover a team that went missing 6 years earlier on that same planet. That space craft had crash landed not too far from their current location with a small crew, including a 5-year-old boy: the pilot's son. 　　They soon find their missing colleagues, dead in the rubble and report back to Earth that all information gathered by the previous crew was lost in the crash. They are given the assignment to carry on with that crew's work before heading to the next planet. One night, over dinner, a strange person wonders on to the space craft's flight deck. An 11-year-old boy (Petr Ricanek), with nothing but magical branches he uses as weapons, and a dirty, shaggy look comparable to a caveman. Through a series of flashback sequences we see that this boy is the dead pilot's son, and survived the crash with only a few cuts. A storm is brewing outside the ship, and nasty space storm at that! Worried for the boy's safety, the crew's captain (Jan Jacer) heads out to find him