采菌紀 　　The story of mushroom picking 　　2012/Color/HD/ Chinese+English/hakka/11mins 　　内容： 　　一次山野采菇的跟踪 　　一次乡村经验的重温 　　摄影：鬼叔中 　　剪辑：甯元乖

沃切克（克劳斯·金斯基 Klaus Kinski 饰）是一个名不见经传的小小士兵，既没有强壮结实的身体，也没有深谋远虑的头脑，只能说他是千千万万名士兵中最不起眼的那一个。然而，上天派给了沃切克一位名为马格瑞斯（埃娃·马特斯 Eva Mattes 饰）女人，马格瑞斯和沃切克情 投意合，两人很快就走到了一起，不仅如此，马格瑞斯的腹中还怀上了沃切克的孩子。 　　沃切克的情感经历遭到了队长的无情嘲讽，后者认为未婚生子是违反了人伦纲纪的不道德的行为。之后，沃切克发现马格瑞斯背叛了他，投向了别的男人的怀抱，巨大的压力之下，沃切克的精神渐渐走到了濒临崩溃的边缘。在一次激烈的冲突之中，沃切克杀死了马格瑞斯。

Katrine leads a normal life, with a normal job and a normal relationship. But one day she awakes to find the world around her has changed. Or rather, its the same but she is seeing it with different eyes, noticing things she never saw before. Her reality starts to crumble. She becomes aware of small discontinuities in time and space, abruptly she is whipped from one place to another. Then she takes a closer look at the everyday objects around her, things she has seen and touched many times before are now flat, falling apart, fake. At breakneck speed she travels through this hyper-real, dark, magical thrill-ride of what used to be her life to arrive at the edge of an animation set. Here she realises that not just her surroundings are fake but she herself, a puppet, is as well. Driven to desperation she steps off the set, into the void and finds herself in the mind of her animator, her human counterpart. For a brief moment she inhabits the consciousness of her animator, soaking in her ...

Katrine leads a normal life, with a normal job and a normal relationship. But one day she awakes to find the world around her has changed. Or rather, its the same but she is seeing it with different eyes, noticing things she never saw before. Her reality starts to crumble. She becomes aware of small discontinuities in time and space, abruptly she is whipped from one place to another. Then she takes a closer look at the everyday objects around her, things she has seen and touched many times before are now flat, falling apart, fake. At breakneck speed she travels through this hyper-real, dark, magical thrill-ride of what used to be her life to arrive at the edge of an animation set. Here she realises that not just her surroundings are fake but she herself, a puppet, is as well. Driven to desperation she steps off the set, into the void and finds herself in the mind of her animator, her human counterpart. For a brief moment she inhabits the consciousness of her animator, soaking in her ...

一直无法挣脱痛苦婚姻枷锁的弱女子润熙，遇到刑警亨俊后，重新鼓起了生活的勇气。但是命里注定，他们将为这段真情付出沉重的代价。

一直无法挣脱痛苦婚姻枷锁的弱女子润熙，遇到刑警亨俊后，重新鼓起了生活的勇气。但是命里注定，他们将为这段真情付出沉重的代价。

冠佑与一群朋友喜好摇滚乐，准备在镇海军港祭大展身手，未料在路上因为彩媛的文件乱飞挡住冠佑的挡风玻璃，而引发一场车祸，原先冠佑等人计画狮子大开口要求巨额赔偿，谁知冠佑被彩媛一副无辜的脸孔与美貌吸引，一时天炫目晕正所谓一见钟情…… 　　当冠佑得知彩媛来自汉城当晚要离开镇海，便开始展开热烈的追求。 　　彩媛与冠佑到离岛去玩，但是错过了最后一班船无法回到镇海两人在一间废屋过夜，互相了解彼此的心意，却又隐瞒自己的身分冠佑趁著彩媛吃泡面的时候，突袭彩媛猛烈亲吻，两人度过了难忘的离岛之行，道别之时，约定再相见…… 　　冠佑突然接到弟弟来电，传来爸爸过世的噩耗；恩锡为了找寻崔社长留下的两封遗书，特地赶来镇海，在灵堂上恩锡得知允熙为崔社长之女，而彩媛到灵堂送奠仪之时，得知冠佑便是崔社长之子。 　　冠佑父亲突然过世，家中一片凌乱，生活陷入困苦，一家人伤心难过，准备离开镇海搬到汉城去，未料家中又多了一个从未谋面的小弟弟。搬到汉城之后，生活大不如前，姐姐与弟弟难以接受现实除了抱怨以及埋怨……几近崩溃状态。 　　冠佑转学到汉城第一高中，第一天就遇到彩媛，心中无限欢喜，在短暂的欣喜之后，两人得知对方的真实身分，彩媛非常气愤冠佑对她的欺骗。 　　冠佑的母亲到一间大学做打扫的工作，却是允熙就读的学校，两人相遇一时间允熙难以接受现状，允熙不愿意接受家里遭遇到的事情，决定离家找风均同住，璋毕第一天到校上课，就失踪不肯回家，姐姐搬离住处……母亲伤心借酒装疯，冠佑面临重大压力，不得不找寻工读机会。 　　冠佑担心母亲又将孔明丢掉，只好带著孔明一起上学彩媛严重警告冠佑，以后两人要装作不认识，但是在课堂上又难掩尴尬…… 　　冠佑将自己工读地方的传单拿给彩媛，请彩媛有空来坐坐，当晚彩媛身不由己去找冠佑，却遇到冠佑与知秀一起从咖啡厅走出来，彩媛又气又羞，只好回家喝酒解愁。 　　冠佑为了让孔明上托儿所，请素英帮忙介绍半夜上班的工读机会，而知秀也愿意帮忙冠佑照顾孔明，璋毕性情大变，与暴走族一起在街头混乱作战，遇到强周，强周答应只要璋毕答应加入组织，就将摩托车送给璋毕。 　　这天强周约冠佑到汉江桥下，并且安排璋毕修理冠佑，展开了一场兄弟斗争…… 　　冠佑满脸伤痕不敢让彩媛看到，彩媛因为关心冠佑的伤势忘记与恩锡的约会晚上到东大门市场找寻冠佑，这时候学校来电告知彩媛璋毕出了事情，冠佑与彩媛到警察局了解状况，冠佑伤心落泪，彩媛耐心陪同冠佑，不过彩媛却告诉冠佑，为了老师的身分，为了不失去其他学生，两人绝对不能再继续交往下去。恩锡请彩媛父母吃饭，并且言明两人相爱，希望秋天举行婚礼。 　　允熙在酒店上班，颇得客人好评，风均劝阻允熙不要太过分两人起了争执……

Eisenstein's first sound film, shot in Paris, "built around an old Russian love song sung by the wife of the man who commissioned the film. The song is paralleled by an intercutting of shots of nature, beginning with a storm at dusk, dissolving into a moody rain at night, and jubilantly bursting through the next morning's daybreak in the resplendent sunlight. The black grand piano the singer played now is a white one ... her sadness is now joy, and no longer is she in that closed-in chateau, but out in the open, in a field rapturous with grain swaying heavily in the wind as the song ends." 　　"Romance Sentimentale," which Eisenstein created with collaborators Alexandrov and Tisse in 1930, just prior to making Que Viva Mexico! In some respects it's an Eisensteinian Fantasia, combining image and music (a famous Russian love song) to create a visual tone poem. Even more impressive, in terms of Eisenstein's passion as a political storyteller, is the rare 20-minute excerpt from Misery and Fortune of Woman, which dramatizes the plight of European women seeking abortions under oppressive conditions. It's a small, gut-wrenching masterpiece, and hasn't lost a bit of its relevance.