Poland. With the absence and the distance, Pawel believed to be hardened. Believed ... Until this rainy afternoon. And this visitor he was not expecting.

Poland. With the absence and the distance, Pawel believed to be hardened. Believed ... Until this rainy afternoon. And this visitor he was not expecting.

重刑囚犯挟持过气主播逃狱，只为追查当年情杀案真凶。看似携手合作的两人，究竟各自盘算着什么？ 　　七年前谋杀女友入狱的新秀球星张正义（陈昊森 饰），挟持过气媒体人刘立民（张孝全 饰）逃狱，在新闻渲染下引爆全民关注。刘立民紧蹭这波流量，在自己频道宣布要重查此案，但随着调查深入发现包括张正义的姐姐、被杀害的女友、集团富二代，甚至刘立民自己的亡妻都涉入其中。此时，豁出去的张正义绑架他的女儿真真（方郁婷 饰），要求刘立民交出真相……究竟当年是谁痛下杀手？听来的答案，你相信吗？真相不过是种选择……

重刑囚犯挟持过气主播逃狱，只为追查当年情杀案真凶。看似携手合作的两人，究竟各自盘算着什么？七年前谋杀女友入狱的新秀球星张正义（陈昊森 饰），挟…

Amidst a thriving Baťa-esque town, nestled in the scenic foothills of the majestic Tatra mountains, stands a factory, whose young director is, for his day (it's 1937), pleasingly modern in approach. Yet, don’t be fooled, the film’s protagonist is actually his wife Helena (Eliška Křenková). The aspiring doctor is soon to give birth, yet her resolute gaze into her family’s rosy future is suddenly darkened by the discovery of the body of a newborn baby in the vibrant factory's courtyard. Helena’s innate empathy, intensified by her pregnancy, isn’t satisfied by the conspicuously prompt solution to the mystery. A stirring detective drama with a progressive and profoundly human perspective on a theme controversial not only shortly before the unexpected war, but also decades later. 　　源自：https://www.kviff.com/en/programme/film/63/40698-we-have-never-been-modern

该剧讲述了某一天首尔突然一个男人背着的旅行包里发现了一具尸体后发生的故事。前国科院法医成为了杀人嫌疑犯，案件陷入扑朔迷离，法医学者为何变成杀人犯？！为了了解原因，犯罪心理分析师开始展开调查。

该剧讲述了某一天首尔突然一个男人背着的旅行包里发现了一具尸体后发生的故事。前国科院法医成为了杀人嫌疑犯，案件陷入扑朔迷离，法医学者为何变成杀人犯？！为了了解原因，犯罪心理分析师开始展开调查。

Maria Felix, the archetypical Mexican movie star, plays one of her bad/good girl roles, with elements of the characters played by Joan Crawford, Barbara Stanwyck and even Marlene Dietrich. (she sings a song by her then husband, the famous composer,Augustine Lara). Arturo de Cordova's tortured lover is reminiscent of his role in Buñuel's Exterminating Angel. There's some extraordinary photography , stylized sets (the furniture designer gets a credit) and outrageous dresses for La Doña, as Maria Felix is still known in Mexico. It's definitely one of the styles that Buñuel expanded in his early Mexican films like the 1955 "Ensayo de un crimen."