The people at the top of the CIA and Saddam's foreign minister describe just how the US and Britain got it so wrong about Saddam's weapons of mass destruction before the invasion. 　　Tony Blair recounts how he flew to President Bush's private retreat at Camp David to go head to head with Vice President Dick Cheney. Colin Powell explains how he came to make his disastrous presentation to the United Nations. Foreign Secretary Jack Straw describes how he - and even President Bush himself - tried to persuade Tony Blair that to join in the invasion was political suicide.

这部快节奏的纪录片跟随加拿大独立新闻工作者杰斯·罗森菲尔德穿梭于战火纷飞的中东，那里已经成为他工作的焦点。他向我们展示了当地棘手的地缘政治现实，并探讨了互联网时代的新闻实践将如何发生变化。 从埃及，路经以色列、巴勒斯坦和埃及，到土耳其和伊拉克，导演思考在新时代中新闻工作者的改变和意义。伴随杰斯寻找真相的过程，战地记者这部影片强调了独立新闻的重要性——在这样一个经常依赖于新闻发行的媒体环境下不害怕探索故事内核的记者。 　　"Canadian freelance reporter Jesse Rosenfeld has made the Middle East the focus of his work, and to make a living he has to keep up with constantly moving news targets. Freelancer on the Front Lines follows his journey across the region, showing us thorny geopolitical realities shaped by the events transforming the Middle East and exploring how journalism practices have changed in the age of the Internet. 　　Accompanying Jesse in his quest for truth, Freelancer on the Front Lines highlights the importance of independent news—journalists who aren't afraid to get to the heart of a story in a media landscape that too often relies on press releases and spin."

A group of elite conflict photographers have banded together under the photo agency, VII, in an effort to uncover the true meaning of the Iraq War. 　　In the wake of September 11, the VII agency was formed by award-winning veteran photographer James Nachtwey and colleagues, and has since covered the site at Ground Zero, the invasion of Afghanistan and the Iraq War since America plunged headlong into its “War Against Terror. ” For Nachtwey, the accumulated experience of nearly a quarter century of war photography began crystallizing into a vision centered around Ground Zero. Come with us as we discover what this vision was, delve into respective war photographers’ thoughts and actions in the heat of battle, as well as how the face of war has changed since 9/11.

两伊战争期间，一位伊朗的老音乐家突然收到了来自远方伊拉克老情人的紧急求助信。于是他带领着两个儿子出发了。当他找到了老情人的时候，她已经被萨达姆的化学武器损伤了声带和面容，丈夫也死于战争。她将孩子交给了老人，却没有与老人见面。

“Flavours of Iraq” first started with the tweets Feurat Alani published about his personal history and that of his native Iraq: more than 10,000 messages about daily life, family stories and encounters, from Baghdad to Fallujah, through his French life in Nanterre. After being adapted into a book (”Le Parfum d’Irak”, Albert Londres 2019 award), then a web series on the Arte website, the film continues the story and looks at the more recent history of the country, the “Daech years” from 2011 to 2017.

以“三部曲”形式描绘美军占领后的伊拉克的社会实态。第一部以逊尼派居住区的少年为观察对象，第二部的视点则切换为什叶派的神职人员，第三部旨在展示库尔德牧人的生活境况。影片虽在返美后完成最终剪辑，但为保持原汁原味，完全留存了伊拉克的现场拾音。在此基础上辅以细腻的映像、巧妙的剪辑，高超的完成度叹为观止。难怪本作于年初的圣丹斯电影节纪录片竞赛部门连中三元——最佳导演、剪辑、摄影奖。

拉蒂夫·阿尼是第一个捕捉20世纪50年代至1970年代伊拉克都市生活的人，被誉为“伊拉克摄影之父”。本片围绕摄像师拉蒂夫·阿尼展开，他在当地爆发战争前拍摄了30年伊拉克的生活。86岁，他穿越满目疮痍的国家，寻找当年拍摄的人与地方。面对影像中的家园，似乎没有人能想象，这样的图景曾是真实。

Chronicles of everyday life in Iraq before and after the U.S. invasion.

伊拉坦和伊拉克玛是即将进入青春期的兄妹，他们的日常生活是幻想和现实的混合体。

伊拉坦和伊拉克玛是即将进入青春期的兄妹，他们的日常生活是幻想和现实的混合体。