财团大小姐温宁，为了爱情嫁给穷小子李兵，心甘情愿做了三十年家庭主妇，谁知却发现李兵背着她，在外面养了三十年的小仨，温宁愤怒至极，李兵也不装了，连带着儿子一起，对温宁极尽羞辱与家暴，温宁心如死灰，终于幡然醒悟，重回家人怀抱，恢复集团千金身份，强势打脸渣男老公与不孝子

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

本片讲述了主人公刘梓豪因为不懂得包容他人与公司同事相处不融洽导致工作不顺心，也因为这样的个性失去了爱情，生动的教育了现代年轻人在于朋友同事相处时应该学会体谅他人，对待爱人也应该相亲相爱，树立一种正确的价值观。

影片故事，大致讲述两名追踪“失踪飞船”的太空猎人，当他们终于找到飞船后，却目睹了一系列离奇的现象：一名年轻女子的幽灵从她的尸体中走出，而这架飞船也仿佛拥有了自己的灵魂......

一对理想主义的年轻夫妇获得了一个逼真得令人惊叹的机器人，机器人的帮助使他们无忧无虑，但随着他们日渐亲近，他们对人性的感知将会改变。

Adult Swim 又一招牌菜《机器肉鸡》，由Seth Green带领他的工作室，被Cartoon Network购买的一款泥人动画节目，主要恶搞各类电视电影作品，流行什么恶搞什么，同时以Robot Chicken作为命题，表示当前美国观众正在被铺天盖地的各类媒体洗脑成为一个个“肉鸡”，每30分钟一集，排在《Aqua Teen Hunger Force》和《Space Ghost Coast to Coast》档期之后每天午夜在Cartoon Network午夜剧场播放。

隐居且有争议的作家布鲁斯·科伯恩（BruceCogburn）被一位痴迷的粉丝从隐藏中拉了出来，迫使这位小说家面对他认为可以逃离的过去，并解释他畅销书几十年…

也许余力·史泰克是这世上最快的登山者了。《瑞士机器》中，当他谈及其破纪录的阿尔卑斯山攀登经历时，给我们展示了从空中拍摄他爬山2500米高度的影片，那真是令人难以置信。而当他与阿莱士·霍诺德相约挑战美国的约塞米蒂山谷时，他又为自己设立了终极目标：将他肚子在阿尔卑斯山的速度游戏带到这世界最险峻的峭壁上。

In response to growing concerns about autonomous weapons, a coalition of AI researchers and advocacy organizations commissioned this disturbing dystopian film. It depicts a disturbing future in which lethal autonomous weapons have become cheap and ubiquitous. This video was launched in Geneva, where AI researcher Stuart Russell presented it at an event at the United Nations Convention on Conventional Weapons hosted by the Campaign to Stop Killer Robots.