地圖不僅是土地的地理資料呈現而已；它同時也是一張圖像，隱含多重涵義，忠實呈現了社會的政治、宗教與文化的願景。本系列敘述地圖的故事，以及地圖孕然成形的背後功臣，深入探討歷史上舉足輕重的地圖，它們如何左右人類的世界觀，甚至影響文明史的發展。 　　每一子集都針對一張特定的地圖，娓娓道來其曲折離奇的繪製過程，並觸及地圖史上相互關聯的資料與因素。每一子集的史料與歷史人物重建，讓觀眾宛若回到故事現場。風光綺麗的實地拍攝、專家訪談以及現代地圖繪製的片段等，交織成高品質的視覺效果，劇力萬均的內容更讓人回味不已。 　　1：万斯穆勒地图 　　2：麦卡托地图 　　3：诺曼底登陆行动地图

地圖不僅是土地的地理資料呈現而已；它同時也是一張圖像，隱含多重涵義，忠實呈現了社會的政治、宗教與文化的願景。本系列敘述地圖的故事，以及地圖孕然成形的背後功臣，深入探討歷史上舉足輕重的地圖，它們如何左右人類的世界觀，甚至影響文明史的發展。 　　每一子集都針對一張特定的地圖，娓娓道來其曲折離奇的繪製過程，並觸及地圖史上相互關聯的資料與因素。每一子集的史料與歷史人物重建，讓觀眾宛若回到故事現場。風光綺麗的實地拍攝、專家訪談以及現代地圖繪製的片段等，交織成高品質的視覺效果，劇力萬均的內容更讓人回味不已。 　　1：万斯穆勒地图 　　2：麦卡托地图 　　3：诺曼底登陆行动地图

二十世纪的超现实主义艺术原来另有先驱，早在数百年以前已有传奇荷兰画家Bosch，其影响力极大，连超现实主义大师达利都要以「新Bosch」自诩。 Bosch的作品风格怪异而瑰丽，他笔下的世界充满形形色色的奇珍异兽，处处流露强烈的象征意味，深切洞察人性的欲望及恐惧。 　　Bosch现存的油画画作仅25幅，包括他的旷世巨作《人间乐园》、《七宗罪》等；虽然作品不多，奇思妙想却无远弗届，上至天堂，下至地狱，甚至穿越时空，启发无数当代的艺术家。 　　Bosch偶尔才会为作品签名，但不写明作画日期，加上他有自己的作画工房，所以多年来研究艺术的专家百思不得其解：有多少作品出自他本人之手？有多少是他死后由工房「幽灵」代笔？法国罗浮宫、西班牙普拉多博物馆等的大师珍藏会不会混入几幅小工匠之作？ 　　《Bosch：地狱图绘》跟随研究团队到荷兰、法国、美国、西班牙，集合硕果仅存的Bosch出品，由数算画框木材的年轮到红外线透视，将作品层层剖析，由现在重塑过去，透过画家的观点，从地狱中窥见点点天堂。

二十世纪的超现实主义艺术原来另有先驱，早在数百年以前已有传奇荷兰画家Bosch，其影响力极大，连超现实主义大师达利都要以「新Bosch」自诩。 Bosch的作品风格怪异而瑰丽，他笔下的世界充满形形色色的奇珍异兽，处处流露强烈的象征意味，深切洞察人性的欲望及恐惧。 　　Bosch现存的油画画作仅25幅，包括他的旷世巨作《人间乐园》、《七宗罪》等；虽然作品不多，奇思妙想却无远弗届，上至天堂，下至地狱，甚至穿越时空，启发无数当代的艺术家。 　　Bosch偶尔才会为作品签名，但不写明作画日期，加上他有自己的作画工房，所以多年来研究艺术的专家百思不得其解：有多少作品出自他本人之手？有多少是他死后由工房「幽灵」代笔？法国罗浮宫、西班牙普拉多博物馆等的大师珍藏会不会混入几幅小工匠之作？ 　　《Bosch：地狱图绘》跟随研究团队到荷兰、法国、美国、西班牙，集合硕果仅存的Bosch出品，由数算画框木材的年轮到红外线透视，将作品层层剖析，由现在重塑过去，透过画家的观点，从地狱中窥见点点天堂。

《大国建造》全片以“探寻建筑工程的奇迹”为主线，探秘新地标背后“中国制造、中国建造和中国创造”的奇迹。全片共6集，每集45分钟，以《极限挑战》《栋梁之材》《锤炼成器》《稳如磐石》《律动和合》《匠心巧思》，来揭秘新地标的建设故事。

《大国建造》全片以“探寻建筑工程的奇迹”为主线，探秘新地标背后“中国制造、中国建造和中国创造”的奇迹。全片共6集，每集45分钟，以《极限挑战》《栋梁之材》《锤炼成器》《稳如磐石》《律动和合》《匠心巧思》，来揭秘新地标的建设故事。

Frank Lloyd Wright is America's greatest-ever architect. However, few people know about the Welsh roots that shaped his life and world-famous buildings. Now, leading Welsh architect Jonathan Adams sets off across America to explore Frank Lloyd Wright's masterpieces for himself. Along the way, he uncovers the tempestuous life story of the man behind them and the significance of his radical family background. 　　In a career spanning seven decades, Frank Lloyd Wright built over 500 buildings, and changed the face of modern architecture: Fallingwater, the house over the waterfall, has been called the greatest house of the 20th century; the spiralling Guggenheim Museum in New York reinvented the art museum; the concrete Unity Temple was the first truly modern building in the world. But the underlying philosophy that links all Wright's buildings is as important as anything he built. 　　Those ideas were rooted in the Unitarian religion of Frank Lloyd Wright's mother. Anna Lloyd Jones was born and raised near Llandysul in west Wales and migrated to America with her family in 1844, most likely to escape religious persecution. Her son, Frank, was raised in a Unitarian community in Wisconsin, a small piece of Wales in America. The values he absorbed there were based on the sanctity of nature, the importance of hard work, and the need to question convention and defy it where necessary. Wright's architecture was shaped by, and expressed, these beliefs. 　　Frank Lloyd Wright set out to create a new American architecture for a new country. He built his own lifelong home in the valley he was raised in, and he named it after an ancient Welsh bard called Taliesin. It was the scene of many adventures - and a horrific crime. In 1914, a servant at Taliesin ran amok and killed seven people including Wright's partner, Mamah Cheney, and her two young children. 　　Wright rebuilt his home and went on to marry a Montenegrin woman, Olgivanna Milanoff, some 30 years younger than him. It was Olgivanna who struck upon the idea that saved Wright's career after the Wall Street Crash and personal scandal laid it low. She decided that her husband should take on apprentices and that the apprentices should pay for the privilege. The Taliesin Fellowship had a hands-on approach, with apprentices often building extensions to Wright's own houses, labouring and cooking for him. Somehow it worked, lasting for decades and nurturing hundreds of young talents. 　　Frank Lloyd Wright died in 1959 aged 91 while working on his final masterpiece, New York's incomparable Guggenheim Museum. He had been born in the wake of the American civil war, the son of a pioneer, and died a television celebrity, in the space age. He is buried in the shadow of Taliesin, alongside his Welsh ancestors. 　　A 150 years after his birth, Jonathan Adams argues that Frank Lloyd Wright is now a vitally important figure who can teach us how to build for a better world. Wright believed in what he called organic architecture; buildings that grace the landscape, express an idea of how to live and respond to individual needs. This bespoke approach - a philosophy, not a style - puts him at the heart of modern architectural thinking.

Frank Lloyd Wright is America's greatest-ever architect. However, few people know about the Welsh roots that shaped his life and world-famous buildings. Now, leading Welsh architect Jonathan Adams sets off across America to explore Frank Lloyd Wright's masterpieces for himself. Along the way, he uncovers the tempestuous life story of the man behind them and the significance of his radical family background. 　　In a career spanning seven decades, Frank Lloyd Wright built over 500 buildings, and changed the face of modern architecture: Fallingwater, the house over the waterfall, has been called the greatest house of the 20th century; the spiralling Guggenheim Museum in New York reinvented the art museum; the concrete Unity Temple was the first truly modern building in the world. But the underlying philosophy that links all Wright's buildings is as important as anything he built. 　　Those ideas were rooted in the Unitarian religion of Frank Lloyd Wright's mother. Anna Lloyd Jones was born and raised near Llandysul in west Wales and migrated to America with her family in 1844, most likely to escape religious persecution. Her son, Frank, was raised in a Unitarian community in Wisconsin, a small piece of Wales in America. The values he absorbed there were based on the sanctity of nature, the importance of hard work, and the need to question convention and defy it where necessary. Wright's architecture was shaped by, and expressed, these beliefs. 　　Frank Lloyd Wright set out to create a new American architecture for a new country. He built his own lifelong home in the valley he was raised in, and he named it after an ancient Welsh bard called Taliesin. It was the scene of many adventures - and a horrific crime. In 1914, a servant at Taliesin ran amok and killed seven people including Wright's partner, Mamah Cheney, and her two young children. 　　Wright rebuilt his home and went on to marry a Montenegrin woman, Olgivanna Milanoff, some 30 years younger than him. It was Olgivanna who struck upon the idea that saved Wright's career after the Wall Street Crash and personal scandal laid it low. She decided that her husband should take on apprentices and that the apprentices should pay for the privilege. The Taliesin Fellowship had a hands-on approach, with apprentices often building extensions to Wright's own houses, labouring and cooking for him. Somehow it worked, lasting for decades and nurturing hundreds of young talents. 　　Frank Lloyd Wright died in 1959 aged 91 while working on his final masterpiece, New York's incomparable Guggenheim Museum. He had been born in the wake of the American civil war, the son of a pioneer, and died a television celebrity, in the space age. He is buried in the shadow of Taliesin, alongside his Welsh ancestors. 　　A 150 years after his birth, Jonathan Adams argues that Frank Lloyd Wright is now a vitally important figure who can teach us how to build for a better world. Wright believed in what he called organic architecture; buildings that grace the landscape, express an idea of how to live and respond to individual needs. This bespoke approach - a philosophy, not a style - puts him at the heart of modern architectural thinking.

时代背景是十九世纪末的土耳其，年轻的希腊男孩在康士坦丁堡为富商辛勤工作，但生活却充满了难堪与迫害。当他知道美国这块梦幻中的乐土之后，便千里迢迢移民美国追寻梦想。

时代背景是十九世纪末的土耳其，年轻的希腊男孩在康士坦丁堡为富商辛勤工作，但生活却充满了难堪与迫害。当他知道美国这块梦幻中的乐土之后，便千里迢迢移民美国追寻梦想。