Using photographs and films shot by a French Consul, Auguste François, in turn-of-the-century China, documents the historic events and everyday life he saw around him. Narration uses his letters, diaries, and notes.

无声黑白短片

A ball stands in the center of the image by means of the optical technology. All the elements we would expect to be stable, edges of the pool and the players, are artificially swirling around the ball. The ball, which we'd expect to move through space, remains a fixed reference point of experience.

《驻藏大臣》是一部反映清朝中央政权派军抗击外敌侵略，加强对西藏地方管辖，有效维护国家主权、领土完整和人民利益为主题的爱国主义重大历史题材电影。…

第三部《工厂大门》

1896年6月13日，李鸿章从俄罗斯乘火车前往德意志帝国进行访问，下榻于柏林豪华的恺撒大旅馆。李鸿章访德期间，受到官方和商界的热烈欢迎。因为他曾是德国军火器械的大主顾，德国盼望通过他进一步开拓中国市场，因而频频洽谈，处处宴请。德意志帝国政府殷勤款待，甚至连李鸿章常吸的雪茄烟、常听的画眉鸟，也“陈于几（茶几）而悬于笼”。寝室墙壁上，高悬照片两张大幅照片：左边是李鸿章，右边是德国前首相俾斯麦。

1896年6月13日，李鸿章从俄罗斯乘火车前往德意志帝国进行访问，下榻于柏林豪华的恺撒大旅馆。李鸿章访德期间，受到官方和商界的热烈欢迎。因为他曾是德国军火器械的大主顾，德国盼望通过他进一步开拓中国市场，因而频频洽谈，处处宴请。德意志帝国政府殷勤款待，甚至连李鸿章常吸的雪茄烟、常听的画眉鸟，也“陈于几（茶几）而悬于笼”。寝室墙壁上，高悬照片两张大幅照片：左边是李鸿章，右边是德国前首相俾斯麦。

财政部的一位职员在办公室里接受了贿赂。下班回到家后，他跟妻子吵了一架，妻子威胁说要离开他。第二天，他上班时发现自己被拒绝进入办公室，一个男人说自己讨厌行贿受贿之类的事情。那位职员打道回府，发现痛不欲生的妻子企图结束自己的生命。

一部480分钟的纪录片，记录了中国独立音乐的变迁，波澜壮阔，涉及中国社会几代人的演变与冲突。 　　在二十一世纪第二个十年中叶的中国，奥运会都已过去了十个年头，物质与文明极速涌入了当下的时代，多样化的生活方式，令时代舞台上的人们变得前所未有的不同起来，保守、前卫、焦虑、大胆，越来越不被理解——不被别人理解，也互相不理解。 　　一趟已经在河东行驶了三十年的时代巴士，早已失去了政治光环，艺术家、个体户、工作者，形形色色，上上下下，构成了这部公路电影；而窗外更稚嫩的年轻人，焦急地排着队向这个时代涌来……他们可能会登上某一趟巴士，或者砸了所有的巴士。 　　A 480-minute documentary, a historical record of the change of independent music across China, mammoth and complete, involving evolution and conflicts of several generations in Chinese society. 　　In the second decade of the 21 century, it has been ten years since the Beijing Olympics. China has seen the abundance of wealth and civilization. Facing such a diverse lifestyles, people are far more different from each other than ever. Conservative, avant-garde, worried, daring, they not only fail to be understood, but also fail to understand one another. 　　The film is a driving bus of our times, which has already lost its political halo in 30-years glory history, filled with artists, businessmen, workers and all different people who get in and off, however, the innocent younger generation is still queuing up anxiously outside, who might get in one of the buses, or smash all buses.